‘Self Reliance’ Review: Jake Johnson’s Off-the-Wall Feature Debut Makes the Case for Human Connection

It’s hard to believe that it’s been almost five years since New Girl ended!

Peter Debruge Chief Film Critic Americans spend tens of billions of dollars on basketball sneakers every year. Sure, everybody needs shoes, but it shouldn’t matter if your choice bears the Nike swoosh, Adidas’ three stripes or the Converse star. In most cases, consumers aren’t simply buying footwear; they’re investing in the fantasy of walking in someone else’s shoes — a sports star or personal idol — of believing that switching one’s kicks has a direct impact on your potential for greatness. As the Nike marketing gurus in Ben Affleck’s “Air” put it, “A shoe is just a shoe until someone steps into.” If you’ve been alive on earth in the last 40 years, then you already know what happened when a rookie named Michael Jordan let Nike put his name and likeness on their shoes. But “Air” isn’t about convincing the greatest basketball player in the history of the game to sign with Nike, although a “Jerry Maguire”-desperate Matt Damon — as paunchy, flop-sweating Sonny Vaccaro — might trick you into thinking this is just the (admittedly very entertaining) anatomy of a landmark business deal.

Peter Debruge Chief Film Critic In 1993, “The Joy Luck Club” made Hollywood history, proving to a skeptical — and let’s face it, racist — industry that there was mainstream demand for a culturally sensitive Chinese American ensemble drama. Three decades later, along comes “Joy Ride,” throwing sensitivity to the wind en route to obliterating any remaining barriers. Like “Girls Trip” with an all-Asian-American cast, the Seth Rogen-produced, hard-R road movie follows small-town besties Audrey (Ashley Park) and Lolo (Sherry Cola) to Beijing, where they tackle everything from taboo tattoos to a devil’s threesome with all the gusto you’d hope or expect from “Crazy Rich Asians” co-writer Adele Lim’s directorial debut.

Peter Debruge Chief Film Critic At last, a video game movie that’s more than just a video game movie. In theory, “Tetris” — that primitive and highly addictive block-stacking strategy game — doesn’t lend itself to the big-screen treatment any more than Rubik’s Cube or Tic-Tac-Toe might. But Noah Pink has found an ingenious solution to a classic puzzle. The screenwriter realized that there’s more to Tetris than most people knew. Namely, there’s a terrific backstory about how this Soviet-hatched computer software made its way over the Iron Curtain, and telling it could play like a Cold War thriller as three teams of Western rivals race one another to Russia to secure the rights.

Charna Flam The so-called “crackberry” is back. IFC Films has released the first official trailer for the upcoming comedy-drama film, “BlackBerry,” which provides a peek into exactly how the handheld device revolutionized the cell phone industry. Director Matt Johnson, along with co-screenwriter Matthew Miller, adapted Jacquie McNish and Sean Silcoff’s book “Losing the Signal: The Untold Story Behind the Extraordinary Rise and Spectacular Fall of BlackBerry” for the big screen. Johnsonplays BlackBerry co-founder Douglas Fregin in the film, alongside Glenn Howerton as chair and co-CEO Jim Balsillie, Jay Baruchel as co-founder Mike Lazaridis and Cary Elwes as Palm CEO Carl Yankowski. The cast also includes Saul Rubinek, Michael Ironside, Rich Sommer, Michelle Giroux, Mark Critch and SungWon Cho.

Peter Debruge Chief Film Critic Some folks have it easy, and others make life difficult for themselves. Guess which type “Problemista” is about. The perpetually unsatisfied title character, a demanding New York art critic played by Tilda Swinton as a hag with hair the color of hibiscus tea, is obsessed with archiving the life’s work of her late husband (RZA), who left behind a series of egg paintings no one seems to understand. Swinton feels like a future Halloween costume in search of a movie in writer-director Julio Torres’ overly kooky and all-too-quixotic debut — another attention-deficit comedy from the studio that made “Everything Everywhere All at Once,” except that Torres lacks the technical experience to pull off even a fraction of the ideas to which he aspires.

Peter Debruge Chief Film Critic If they ever make a sequel to “The Celluloid Closet” — the landmark doc about the history of LGBT representation on screen — Lukas Gage should warrant at least two mentions. First, there’s the scene from the first season of “White Lotus” where Jake Lacy barges into the resort manager’s office, only to find Gage getting his salad tossed (a history-making moment for gay TV fans). And now there’s “Down Low,” an over-the-top, bottom-trawling comedy that wants to be for the gay community what “The Hangover” was to the mainstream — which is to say, wildly irreverent and incredibly wrong. Starring openly gay “Heroes” villain Zachary Quinto as Gary, a recently divorced, richie-rich zaddy hoping for a happy ending, “Down Low” doesn’t quite understand its own title — code within the Black and Latino community for men who consider themselves straight while having sex with other men — but that’s OK. “Down Low” is still light-years ahead of mainstream movies (including last year’s “Bros”) as debuting feature director Rightor Doyle delivers what an entire contingent of queer audiences have been asking for all their lives: namely, a comedy that’s as raunchy and inappropriate as the jokes they make between themselves. While nowhere near as extreme (or enjoyable) as 2009’s “I Love You Phillip Morris,” it’s still a rare enough occurrence to earn a dedicated following.

Empire Magazine.“People who’ve seen Across… have told us that it feels like The Empire Strikes Back of the Spider-Verse franchise,” Miller told Empire for their exclusive issue including an image from the animated film. “It shows you worlds you haven’t seen, and it’s an emotional story that ends in a place where you need to see the third one. So, yeah: this is our ‘Empire’.”Besides main antagonist The Spot, Spider-Man 2099, also known as Miguel O’Hara (Oscar Isaac) will present some new challenges to Miles Morales (Shameik Moore).

Netflix, New Girl will be leaving the streaming service next month.All seven seasons of the comedy series will be removed from Netflix on April 17, when it will be transferred to Hulu and Peacock.As reported by Variety, the move is part of an agreement between Disney and NBCUniversal to allow both platforms to share the streaming rights to the series.All 146 episodes will be available on Peacock and Hulu from April 17, 2023.New Girl began streaming on Netflix in summer 2013. The show, starring Zooey Deschanel, Jake Johnson, Max Greenfield, Lamorne Morris and Hannah Simone, originally aired on Fox from 2011 to 2018.The series follows quirky teacher Jessica Day (Deschanel) after she moves into an apartment in Los Angeles with three men, Nick Miller (Johnson), Winston Schmidt (Greenfield) and Winston Bishop (Morris).During its run, the show was nominated five Primetime Emmy Awards and featured guest appearances from Prince, Taylor Swift, Jamie Lee Curtis, Megan Fox, Justin Long, Rob Reiner, Adam Brody and Linda Cardellini.Last year, Deschanel released her eighth studio album ‘Melt Away: A Tribute To Brian Wilson’ as part of musical duo She & Him, formed with M.

Peter Debruge Chief Film Critic Don’t trust anything you see or hear in “Hypnotic,” a noggin-jogging thriller with more twists than Minnie’s tightly braided ponytail. Who’s Minnie? She’s the girl who goes missing in the movie’s opening scene, while police detective dad Daniel Rourke (Ben Affleck) looks away for a second. Or does she? Depending how your mind works, there’s a chance Minnie doesn’t even exist. The perp was caught, but Minnie’s body was never found — which is a clue that this wasn’t a typical disappearance. Your typical popcorn-munching multiplex patron would never suspect how deep this Russian-doll mystery goes. Better to strap in and go along for the ride in the latest example of creativity-within-constraints from resourceful writer-director Robert Rodriguez. Taking a page from “The Matrix,” “Limitless” and “Memento” — along with whole chapters from sci-fi trickster Philip K. Dick — this slick mix of special effects and practical ingenuity puts Affleck in a fun position, and the slightly grizzled star’s still got the clench-jawed charisma to pull it off.

Written, produced, directed, and starring Jake Johnson, Self Reliance follows Tommy (Jake Johnson), a man accomplishing nothing else in life except to exist, and attempts to spice up his life lead to some near-death encounters. Along with Johnson, the film stars Anna Kendrick, Natalie Morales, and Emily Hampshire. 

The "New Girl" star tells a wildly goofy story with the right mixture of silliness and sweetness.

Anna Kendrick hit the red carpet with several of her castmates for a screening of her new movie Self Reliance at The Paramount Theater during the 2023 SXSW Conference and Festivals on Saturday (March 11) in Austin, Tex.

Peter Debruge Chief Film Critic Americans can’t get enough of processed corn. They eat it for breakfast, in cereal form, and all throughout the day, snacking on cookies and crackers and chips, often washing it down with soda (sweetened with high-fructose corn syrup, naturally). Premiering at the SXSW Film Festival, “Flamin’ Hot” tells the backstory of Frito-Lay’s insanely popular, ultra-spicy line of snack chips — the ones that singe your taste buds and stain your fingers a radioactive red — as marketing guru Richard Montañez lays it out in his memoir, “A Boy, a Burrito, and a Cookie: From Janitor to Executive.” After a rough start selling drugs and hustling on the streets of East Los Angeles, Montañez got a job cleaning the machines at Frito-Lay’s Rancho Cucamonga plant and worked his way up to head of Multicultural marketing. Along the way, he may or may not have invented the recipe for Flamin’ Hot Cheetos, Doritos, et al.

situationship" with Emily Ratajkowski ended, Eric André's ready to joke about his dating life. Just ask Katie Couric.The 39-year-old comedian roped the TV news legend into his speech while accepting the Cult Favorite Award at 's Power of Comedy event to kick off the first night of the 2023 South by Southwest Festival in Austin, Texas.

Nearly a month after his “situationship” with Emily Ratajkowski ended, Eric André‘s ready to joke about his dating life. Just ask Katie Couric.

Peter Debruge Chief Film Critic How long does a documentary need to be? Frederick Wiseman frequently goes long, and Oscar-winning “OJ: Made in America” ran nearly eight hours. Lately, with “Bill Russell: Legend” and “Boom! Boom! The World vs. Boris Becker,” streamers have embraced the so-called “two-part documentary” — a fancy term for what used to be called a miniseries. So, while there are no limits on how much longer docs can get, it’s refreshing to see a compelling subject covered in 40 minutes or less, and doubly rewarding to realize that four of the five packaged in ShortsTV’s “2023 Oscar Nominated Short Films: Documentary” found audiences on their own merits, even without theatrical distribution.

Elizabeth Merriwether’s sitcom “New Girl” is leaving Netflix after nearly 10 years on the streaming platform for a new home at Hulu and Peacock.The show, starring Zoey Deschanel, Max Greenfield, Jake Johnson and Lamorne and Hannah Simone, becomes available to stream at its new joint streaming homes starting April 17. The deal between NBCUniversal and Disney dictates that both streamers will share rights to all seven seasons of the show, 146 total episodes.The comedy show originally aired on Fox from 2011-2018, and it began streaming on Netflix in the summer of 2013 in the U.S. Since hitting streaming it’s only grown in popularity, with clips frequently making the rounds on TikTok.Deschanel plays Jessica Day, a school teacher searching for a new place to live after coming home to find her boyfriend cheating on her.

Todd Spangler NY Digital Editor After nearly 10 years on Netflix, comedy “New Girl” will be leaving the streaming service to get a new dual home on Hulu and Peacock. “New Girl” will be available on Hulu and Peacock beginning April 17, 2023. Under a shared agreement between Disney and NBCUniversal, Peacock and Hulu will share streaming rights to all seven season of the show, comprising 146 episodes in total. “New Girl,” starring Zooey Deschanel, first began streaming on Netflix in the U.S. in the summer of 2013. The show’s ensemble cast includes Deschanel, Jake Johnson, Max Greenfield, Lamorne Morris and Hannah Simone. “New Girl” originally aired on Fox from 2011-2018.

Peter Debruge Chief Film Critic “Chang Can Dunk” doesn’t go the way you’d expect, and that’s a good thing. Here’s a Disney movie about a 5-foot-8-inch Chinese American high school basketball player who bets his rival that he can dunk by the end of the season. He gets his wish about an hour in (that’s neither spoiler nor surprise, since the title literally tells us that Chang can dunk), but there’s still a long way for the character to go — and grow — in a film that believes maturity isn’t achieved by shortcuts. The result marks the attention-worthy debut of writer-director Jingyi Shao, and exemplifies the sort of movies Disney should be making: It has its values in the right place, but doesn’t pretend its hero is perfect. If there’s a villain in “Chang Can Dunk,” that role is arguably filled by the title character (tenaciously embodied by Bloom Li, who keeps us wondering how to feel about Chang). In time, the obsessive teen’s ultra-competitive personality winds up alienating practically everyone in his life, except demanding single mom Chen (an excellent Mardy Ma), whose tough-love approach only amplifies his resentment.