Searchlight Lands Theatrical Remake Rights To Oscar-Nominated National Geographic Docu ‘Fire Of Love;’ Lava Love Story Of French Volcanologists

Djimon Hounsou got very real about his treatment in Hollywood.

Ke Huy Quan doesn’t seem to be ready to put his new Best Supporting Actor Oscar down just yet.

The Oscars’ annual In Memoriam segment on Sunday included a live performance of the song “Calling All Angels” by Lenny Kravitz.

Zoe Saldana has one word in mind when it comes to  being nominated for an Oscar at the 95th annual Academy Awards on Sunday: grateful. «Sometimes I wake up and I know what it means,» Saldana told ET's Kevin Frazier and Nischelle Turner about the film's Best Picture nomination. «And other times, I just know what it feels like, and it just feels really beautiful to know that I am a part of a story that has touched so many people across the globe.

Peter Debruge Chief Film Critic How long does a documentary need to be? Frederick Wiseman frequently goes long, and Oscar-winning “OJ: Made in America” ran nearly eight hours. Lately, with “Bill Russell: Legend” and “Boom! Boom! The World vs. Boris Becker,” streamers have embraced the so-called “two-part documentary” — a fancy term for what used to be called a miniseries. So, while there are no limits on how much longer docs can get, it’s refreshing to see a compelling subject covered in 40 minutes or less, and doubly rewarding to realize that four of the five packaged in ShortsTV’s “2023 Oscar Nominated Short Films: Documentary” found audiences on their own merits, even without theatrical distribution.

Riz Ahmed, Dev Patel, Judd Apatow, Mira Nair, and Mark Duplass are among the many admirers of the Oscar-nominated documentary All That Breathes, directed by Shaunak Sen. Now you can add the people at Criterion to the movie’s legion of fans.

Peter Debruge Chief Film Critic Of the 10 films up for best picture, no fewer than six run 199 minutes or more. On one extreme, James Cameron’s punishing “Avatar” sequel is long enough to require bathroom breaks. At the other, Daniels’ ADHD-styled “Everything Everywhere All at Once” proves equally exhausting, dedicating every hyperkinetic second to stimulating easily distracted audiences. It’s enough to make folks grateful for the lower-profile but still engaging live-action shorts category, where nominees are bound by a strict 40-minute time limit. This year’s crop — the so-so “2023 Oscar Nominated Short Films: Live Action” program — clocks in at under two hours. Available in theaters and on myriad streaming platforms, the international assembly may be a hit-and-miss affair, but never outstays its welcome.

When filmmaker-actor-writer Miranda July was approached about narrating the documentary Fire of Love, she didn’t see herself as an obvious choice.

The Oscar-nominated documentary “Fire of Love” is getting the narrative remake treatment. The acclaimed non-fiction movie, concerning the scientific research and on-the-job romance of French volcanologist filmmakers Katia and Maurice Krafft, will become a live-action narrative feature film.

“Sorry I’m a few minutes late, I’m just trying to situate my lap dog,” apologizes Brendan Fraser from his upstate New York home. “Isn’t it funny in this age of Zoom, we can’t pretend we’re not at home anymore,” he laughs.

Peter Debruge Chief Film Critic On Oscar night, “Guillermo del Toro’s Pinocchio” will almost certainly win the Academy Award for feature animation. For many of those following along at home, it will look as though the director of “Pan’s Labyrinth” and “The Shape of Water” is being rewarded for some kind of secondary passion, as if del Toro had scaled Everest and then set his sights on a smaller peak on which to plant his flag. But that’s not how it happened at all. Way back in Mexico, del Toro started his filmmaking career doing animated shorts: Obsessed with Ray Harryhausen, the amateur future auteur built rudimentary armatures, painstakingly repositioning the puppets one frame at a time. Decades later, once established in Hollywood, del Toro accepted a side gig at DreamWorks Animation, serving as a story consultant on films such as “Megamind” and “Kung Fu Panda 2” as a pretext for teaching himself the trade. With “Pinocchio,” he put those lessons to work on a stop-motion passion project that’s every bit as challenging as his most impressive films.

EXCLUSIVE: Sony Pictures International Productions has optioned remake rights to Latvian Christmas comedy Accidental Santa in eight territories: North America, the UK, Germany, France, Spain, Italy, Mexico and Brazil.

MLS Season Pass, available on Apple TV for $14.99/month or $99 for one season.Get the Season PassNorth American teams have brought us some of our favorite soccer players, like Frank Lampard, Landon Donovan, Steven Gerrard and David Villa. World-renowned soccer star and former LA Galaxy midfielder David Beckham now owns MLS team Inter Miami.

own memoir for the 26-minute film and was also on the call, offered this tidbit: “I sent a link to Dick’s Sporting Goods. It’s not a lie. I slid into their DM’s and was like, ‘Hey.

Julia MacCary editor An Irish Goodbye Inspiration for the black comedy came from co-director Tom Berkeley at soccer match where two brothers were “at each other’s throats,” although where one was caring for the other who had Down syndrome. In “An Irish Goodbye,” estranged brothers Lorcan and Turlough are brought back together following their mother’s death, and Turlough must take care of his younger brother, who has Down syndrome. Lorcan will not leave their farm until they complete all 100 items on their mother’s bucket list. Co-director Ross White tapped into his observations from working in a special education school. “There can be this lack of cynicism with people with Down syndrome, a sort of openness and an honesty and purity about the way they see the world,” he says. The film depicts the brothers’ respective responses to death: “You’ve got this one character who is coping with this in a very emotionally open way, and then you’ve got his brother who is a bit more of a typical masculine response,” says White. 

Katie Reul editor The Elephant Whisperers Kartiki Gonsalves’ documentary debut, “The Elephant Whisperers,” released on Netflix, shines a spotlight on the ways in which climate change and human encroachment are rapidly destroying the habitats of Asian elephants. The film’s dire warning is subtly woven into a heartfelt narrative about forging family in unlikely places with elephant caretakers Bomman and Bellie at its core. The duo raise an orphaned elephant named Raghu, whom they’ve cared for since infancy, as well as another calf named Ammu. “[Bomman and Bellie] are still understanding the process of what the Oscars exactly are, but they’re just overwhelmed with messages and calls and really happy to share their lives with such a large audience,” Helmer Kartiki Gonsalves told Variety. “I don’t think they’ve ever had this kind of recognition before.”

Anna Marie de la Fuente Mexico’s Yalitza Aparicio, Oscar nominated for her career-launching turn in Alfonso Cuaron’s “Roma,” and Infinity Hill, producers of the Oscar-nominated Argentine drama “Argentina 1985,” have boarded sweatshop thriller “Bonded” as executive producers. The drama features a stellar cast that includes Golden Globe nominee Diego Calva (“Babylon”), Chile’s Alfredo Castro (“From Afar”), Mexico’s Paulina Gaitán (“Narcos”) and Jason Patric (“The Lost Boys”). The directorial feature debut of helmer-scribe Mohit Ramchandani, “Bonded” is produced by Mexican filmmaker Luis Mandoki (“Innocent Voices), Jon Graham (“The Vault”) and Kyle Stroud (“In Full Bloom”).

Young Belarusian Aleksei (Franz Rogowski) is impatient for a better life in Europe. Coming from a country under dictatorship and with very strong Russian ties, the political isolation of which has made it suffocating for the younger generations, he is seduced by the idea of a borderless, communal whole where everybody counts for something.