SAG-AFTRA Board Unanimously Decides to Put Strike Authorization Vote to Members

In a defiant clarion call for continued solidarity and endurance as the Writers Guild’s strike enters its second month, WGA negotiating committee co-chair Chris Keyser says in a new video that the guild’s fight for a fair contract is not one that’s being fought for writers alone, but for the entire labor movement.

Voting yes is NOT a vote to strike.

Voting yes is NOT a vote to strike. It gives the board the POWER to strike if the AMPTP doesn’t agree to the essential contract improvements our members need.We’re a union, and a union stands together! pic.twitter.com/aSdTvb23WNThe guild is set to begin talks with the Alliance of Motion Picture and Television Producers on June 7.

A group of SAG-AFTRA members, including Julia Louis-Dreyfus, Jean Smart and Bob Balaban, has released a video urging their fellow performers to approve the strike authorization that’s currently out for a vote of the guild’s eligible members.

LIVE – Updated at 18:01Police in Hollywood, Florida are searching for suspects wanted in connection to a mass shooting that left nine victims – including four children – injured on a beach boardwalk in Hollywood, 20 miles north of Miami. The shooting unfolded at about 6. 15pm local time near the beach boardwalk in Hollywood, Florida, on Monday as families and friends gathered to enjoy the Memorial Day holiday.

As the Writers Guild of America strike continues with no end in sight, rumours are swirling that the Directors Guild of America and SAG-ACTRA will be following suit when those unions’ contracts come up within the next few weeks.

Elizabeth Taylor Julia Louis-Dreyfus’ spoke out about the pending SAG-AFTRA strike authorization during the New York premiere of her new film “You Hurt My Feelings.” When the Emmy winner was asked if she will join the picket lines if the union calls for a stike, she told Variety on the red carpet, “You bet your fucking ass.” “I voted yes for the strike authorization,” Julia Louis-Dreyfus further explained before entering the screening at the DGA theater in Manhattan. “By the way, that doesn’t mean we’re striking. It just gives the board the ability to strike if they need to and I’m in favor of that. The issues that the Screen Actors Guild is facing are very similar to what the Writers Guild is facing; and even the DGA for that matter to certain extent…it’s time for us to stand up and get what we so rightfully deserve, which is a living wage, and particularly for the middle class in the Screen Actors Guild not to be squeezed out of the system all together.”

Just last week, the guild voted unanimously to ask members for authorization to go on strike if the guild is unable to reach a new deal with studios.The vote comes ahead of negotiations with the Alliance of Motion Picture and Television Producers, the group representing studios. Those are set to begin June 7. SAG-AFTRA’s current contract expires June 30.“SAG-AFTRA is taking a big bold step as the union prepares for our upcoming TV, theatrical and streaming negotiations,” Drescher said in a voice message posted on the guild’s Facebook page.

Saying that “acting careers are at stake,” SAG-AFTRA President Fran Drescher has sent an audio message to the guild’s members urging them to vote “Yes” for strike authorization.

SAG-AFTRA and Cameo for Business (C4B), the celebrity digital marketplace that connects talent with fans and brands, have reached what the guild is calling a “groundbreaking” agreement that allows its members to work under a SAG-AFTRA contract and count their C4B earnings toward their pension and health benefits.

EXCLUSIVE: In a seismic development for the indie film sector, bond companies are refusing to insure movies ahead of a potential SAG-AFTRA strike from July 1.

Jennifer Maas TV Business Writer SAG-AFTRA has struck a deal with celebrity video platform Cameo to cover the brand deals that members make through Cameo for Business (C4B) under a guild contract. The new pact, “C4B x SAG-AFTRA Agreement,” will allow SAG-AFTRA members to count C4B earnings toward health and pension benefits, just as those earnings become a growing concern for out of work actors while the Writers Guild of America’s strike against Hollywood studios and their organization, Alliance of Motion Picture and Television Producers (AMPTP), rages on. SAG-AFTRA has been a big supporter of WGA on the picket line over the first three weeks of the strike, with SAG-AFTRA president Fran Drescher being very vocal ahead of the the actors guild entering its own contract negotiations with the AMPTP on June 7.

As SAG-AFTRA prepares to begin contract negotiations with the Alliance of Motion Picture and Television Producers on June 7, it has laid the groundwork for some hard bargaining with the companies, telling members that “the AMPTP will often make proposals designed to cut costs at member expense in order to pad corporate profits and fund lavish executive compensation.”

At 80, Martin Scorsese has finally made a Western, and it packs a wallop. The much anticipated Killers of the Flower Moon had its world premiere on Saturday night at the Cannes Film Festival, an epic set in the Osage Nation of Oklahoma largely in the early 1920s and telling a harrowing and highly complex tale that still resonates today, but seems incredible that it ever could have happened.

SAG-AFTRA’s national board voted unanimously today to recommend that the union’s members authorize a strike in advance of its upcoming negotiations for a new film and TV contract.

Gene Maddaus Senior Media Writer SAG-AFTRA announced Wednesday that it will hold a strike authorization vote as it seeks to get its “ducks in a row” ahead of June 7 negotiations with the major studios. The vote does not mean that the performers’ union will necessarily join the Writers Guild of America on the picket lines after its contract expires on June 30. In a press release, the union said its negotiating committee decided that a strike authorization would provide “maximum bargaining leverage” for the talks. “We must get all our ducks in a row should the need present itself,” SAG-AFTRA President Fran Drescher said in the release. “The prospect of a strike is not a first option, but a last resort. As my dad always says, ‘Better to have and not need than to need and not have!’”

SAG-AFTRA’s leadership, although often divided along internal party lines, presented a united front at the Los Angeles local’s annual membership meeting yesterday. They stressed the importance of solidarity in advance of the guild’s upcoming contract negotiations, sources tell Deadline.

SAG-AFTRA President Fran Drescher has told her members that as the union prepares for its upcoming contract negotiations, which start June 7: “We must focus on modernizing our outdated and conservative contract. It is essential that we reshape our agreement to better reflect the new digital and streaming business model that is rapidly changing our industry.”

Angelique Jackson On the heels of winning a Peabody Award for the Showtime docuseries “We Need to Talk About Cosby,” W. Kamau Bell has launched a new production company, Who Knows Best, and inked an overall deal with Boardwalk Pictures. Bell, an Emmy-winning producer, director, host and comedian, founded Who Knows Best Productions (WKB), an Oakland-based company, with the mission of “fostering a diverse creative community and telling revolutionary non-fiction stories by any medium necessary.” WKB launches with a multi-year overall deal with Boardwalk Pictures (the award-winning production company behind “Chef’s Table,” “Cheer” and “Welcome to Wrexham”) after the parties partnered on the critically acclaimed four-part documentary “We Need to Talk About Cosby.”