‘Rosebushpruning’: Kristen Stewart, Elle Fanning & Josh O’Connor To Star In Karim Aïnouz’s Remake Of ‘Fists In The Pocket’

Elle Fanning has revealed there is still hope for her movie collaboration with her sister Dakota Fanning. In late 2019, it was announced that the real-life siblings would play sisters in the movie adaptation of Kristin Hannah's 2015 novel The Nightingale. The movie was in pre-production when the pandemic hit in 2020 and its release date kept being pushed back, leading many to wonder if it had been scrapped for good.

Taking their time. While Kristen Stewart and Dylan Meyer haven’t rushed to get married — their big day could be coming very soon.

Sophia Scorziello editor What does it mean to be a funny girl? Actors Elle Fanning (“The Great”), Janelle James (“Abbott Elementary”), Gina Rodriguez (“Not Dead Yet”) and Kerry Washington (“UnPrisoned”) discuss being a woman in comedy at Variety TV FYC Fest’s Disney Women of Comedy panel, moderated by Variety’s Angelique Jackson. Each TV character they play — whether she’s an empress of Russia, a public school principal, a family therapist or a journalist who talks to the dead — is layered and complicated. Through comedy, these actors have found the freedom to be contradictory, to not have it all together and to be a little messy.

Nick Vivarelli International Correspondent Pablo Larraín is in Italy where the prolific Chilean auteur – whose body of work comprises “Spencer” with Kristen Stewart as Princess Diana and “Jackie,” in which Natalie Portman portrayed Jackie Kennedy, as well as scathing criticisms of the Chilean dictatorship “Post Mortem,” “No,” and “Neruda” – is being honored by Italy’s National Museum of Cinema with a lifetime achievement award. Prior to his masterclass conducted on Tuesday by museum president Domenico De Gaetano, Larraín spoke to Variety about his two latest projects: Netflix movie “El Conde” which is tipped to launch from Venice, and “Maria,” the biopic of late great soprano Maria Callas, to be played by Angelina Jolie, which is now in prep.

Italian filmmaker Alice Rohrwacher’s latest pic La Chimera has inked a series of international deals for The Match Factory following its well-received debut at last month’s Cannes Film Festival.

teenage hypersexualization in the media.“The Great” star, 25, got candid during the Hollywood Reporter’s Comedy Actress Roundtable interview recently, recalling how she lost out on a role because she wasn’t sexually attractive enough to casting directors when she was just 16 years old — for a “father-daughter road trip comedy,” no less.Fanning explained how her team had to “filter” explicit comments that people had said of her audition. “I was 16 years old, and a person said, ‘Oh, she didn’t get the father-daughter road trip comedy because she’s unf – – kable.'”“It [was] so disgusting.

, Chanel presented its Chanel Métiers D’Art collection in Tokyo on June 1. As always, a roster of international stars were in attendance, from actor Park Seo-joon to Blackpink’s Jennie Kim, who performed renditions of “Fly Me to the Moon” and “Killing Me Softly” at the event.Kristen Stewart in Tokyo on June 1. Another standout A-lister on the FROW: long-time brand ambassador Kristen Stewart, who put a contemporary spin on the iconic Chanel suit.

Wim Wenders’ Tokyo-based Cannes Competition title Perfect Days has clocked a series of international deals for The Match Factory.

William Earl Leaders in the TV industry will convene at Variety’s in-person TV FYC Fest on June 7 in Los Angeles, featuring Christina Applegate, Kerry Washington, Elle Fanning and more. Fanning (“The Great”), Janelle James (“Abbott Elementary”), Rodriguez (“Not Dead Yet”) and Washington (“UnPrisoned”) will participate in a roundtable celebrating Disney’s TV female comedy standouts, moderated by Angelique Jackson, Senior Entertainment Writer, Variety. Jean Smart will present Christina Applegate with the 2023 Variety TV Fest Legacy award, recognizing her storytelling achievements as an actor and producer.

Alice Rohrwacher’s “La Chimera” flits between languages (English, Italian, French, German) as fluidly as it does mediums (35mm, Super16mm, and 16mm cinematography) and styles (jerkily sped up Chaplin-esque scenes, clinical CCTV footage, audacious 180-degree camera flips). Rohrwacher uses this mosaic of disparate approaches to hone in on other kinds of incongruous and unpredictable interplay: modern Italy and its ancient past, heartbreak and new love, and the real world and its spiritual mirror realm.

Italian filmmaker Alice Rohrwacher’s La Chimera absolutely charmed the Cannes Film Festival audience at its world premiere in competition this afternoon, receiving a 9-minute standing ovation inside the Palais’ Lumière theater. For those keeping score, that ties for the longest of this year’s event with Martin Scorsese’s Killers of the Flower Moon which played out of competition.

In less than 10 years, Alice Rohrwacher has carved out a formidable reputation for herself, notably by gatecrashing the boys’ club that is traditionally the Cannes competition, and the fact that she did so in 2014 with only her second film, The Wonders, is further proof of a distinctive talent. One competition slot doesn’t guarantee another, yet Rohrwacher was back in 2018 with the follow-up, Happy as Lazzaro. Both films won prizes — Grand Prix and Best Screenplay, respectively — which means that expectations are high for the Oscar-nominated 41-year-old Italian, whose new film, La chimera, makes it three in a row.

Nick Vivarelli International Correspondent Italy’s RAI Cinema, which has four titles in this year’s Cannes selection, has closed a deal on Ron Howard’s next movie “Origin of Species,” a hot project at the Cannes market starring Daisy Edgar-Jones, Ana de Armas, Jude Law and Alicia Vikander. RAI Cinema chief Paolo Del Brocco said the company – which is the film arm of Italian state broadcaster RAI – has teamed up with Rome-based Lucisano Media Group to acquire Italian rights from CAA Media Finance on Howard’s survival thriller penned by Noah Pink (“Tetris”) about a a group of eclectics who turn their backs on civilization and head to the Galapagos. In Cannes, RAI Cinema also picked up Italian rights from Gaumont on family movie “Moon The Panda,” by French humans and animals adventures specialist Gilles de Maistre, known for “Mia and the White Lion”and “The Wolf and the Lion.” De Maistre’s latest, about the friendship between a boy and a panda, is set to shoot later this month in China’s Sichuan mountains.

Kristen Stewart, Josh O’Connor and Elle Fanning are to lead The Match Factory and Mubi’s Rosebushpruning from Firebrand director Karim Aïnouz.

“I didn’t make a film against the pope or to condemn the Pope,” Italian filmmaker Marco Bellocchio said of his Cannes competition title Kidnapped at the official festival presser this morning.

Nick Vivarelli International Correspondent Revered Italian auteur Marco Bellocchio is returning to Cannes with “Kidnapped,” a drama that reconstructs the true tale of Edgardo Mortara, a young Jewish boy who was kidnapped and forcibly raised as a Christian in 19th century Italy. It’s a story that Steven Spielberg had his eye on, having announced in 2016 that he would make a drama about Mortara for which he began scouting locations in Italy. Last year, Bellocchio was in Cannes with another kidnapping drama, the limited TV series “Exterior Night,” about the abduction and assassination of former Italian premier Aldo Moro by Red Brigades terrorists. The veteran auteur’s first foray in TV has had the rare distinction of playing well in Italian cinemas — in two installments — before airing on RAI and selling globally. Earlier this month it also scored a slew of statuettes, including best director, at Italy’s David Awards, the country’s top film prizes.

Brent Lang Executive Editor When his agent first suggested that Karim Aïnouz direct an adaptation of Elizabeth Fremantle’s “Queen’s Gambit,” a historical novel about Katherine Parr, the sixth and final wife of Henry VIII, he thought she was joking. The Brazilian director of “The Invisible Life of Eurídice Gusmão” wasn’t a natural choice to bring 16th century England to life on screen. For one thing, Aïnouz didn’t really know anything about the oft-married monarch. “I could barely identify who Henry VIII was, and I’m not into the monarchy,” he says on the eve of the Cannes premiere of “Firebrand,” the movie he made from Fremantle’s book. “I’m not into British history. I was very puzzled.”

Of King Henry VIII’s six wives, his final marriage to Catherine Parr is perhaps the most ignored. The others are rife with tragedy: there are the two he detested the most that he bent the will of God to legalize divorce; there’s Jane Seymour, who died soon after giving birth to an heir; and most notoriously of all, there are the wives he beheaded.

Sunday night at the 76th Cannes Film Festival was all about the world premiere of the Jude Law and Alicia Vikander Henry VIII period pic Firebrand, which received a royal response from the crowd in the Grand Theatre Lumiere with an eight and a half minute standing ovation.

Kristen Stewart and Dylan Meyer are stepping out for the night.