EXCLUSIVE: Showtime’s Fire Island helmer Myles Clohessy is directing a late-19th century Western feature.
22.05.2023 - 17:59 / variety.com
John Hopewell Chief International Correspondent CANNES — Belinda, one of Mexico’s biggest popstars and a star of Netflix hit “Welcome to Eden,” is attached to headline “The Red Diamond,” the latest project from Erik Barmack’s L.A. and Mexico City-based Wild Sheep Content. One of the fastest-growing of production companies in international markets, Wild Sheep has a production alliance with The Mediapro Studio. “The Red Diamond” is also set up at Mexico City’s Wild Sheep Content Latin America, headed by producer Jimena Rodríguez who produced “3 Idiots,” the second highest-grossing Mexican movie of 2017. Rodríguez was instrumental in helping bringing Belinda to the project.
A six-part series, “The Red Diamond” ticks multiple boxes which are keys to success in the current international TV scene.
It adapts hot IP: the same-title book series, described by Barmack as “a popular, sexy action thriller,” from Angy Skay, one of Spain’s most popular romance novelists. “There’s a huge demand for escapist thriller content in Mexico and Colombia with shows like La Reina del Sur,’ ‘Who Killed Sara?” and ‘Pálpito’ dominating the streaming charts,” Barmack argued. “Who Killed Sara?” is a melodrama wrapped in a thriller, Fremantle’s Manuel Martí has observed. By the same count, “The Red Diamond” is romance wrapped in an action thriller, Barmack argued. “It’s an interesting genre that is kind of becoming a global phenomenon,” he added, citing the BBC’s “The Bodyguard,” Netflix’s “Night Agent” and Amazon Prime Video’s “Citadel.” “The Red Diamond,” however, is “more like romance and fun and action all at once,” he said. Billed as a sexy revenge thriller, “The Red Diamond” stars Belinda as Micaela Bravo who escapes her family
EXCLUSIVE: Showtime’s Fire Island helmer Myles Clohessy is directing a late-19th century Western feature.
Heather Dubrow has two words to describe season 17 of : «Very tough.» «This was not an easy season for me,» she admits to ET, sitting down inside her new Los Angeles penthouse. «I think, first of all, I was dealing with a lot in my life, in my personal life with my children, and we don't show everything about our kids and our families on the show, obviously; they are minors, you know? You don't tell everyone's stories for them, but you are still dealing with those things and so that, and two kids going to college and being involved in this group… it's a lot.»«I could very easily sit here and say, I had a terrible season and everyone was mean to me and it was just the worst,» she adds. «I mean, do I have PTSD from some things that happened? Yeah, I really do.»Heather returned to last year, her first season back after exiting the series in 2016. «It was so weird coming back last year,» she reflects.
Jazz Tangcay Artisans Editor Max will be celebrating Pride Month in June through a series of events, programming and partnerships highlighting LGBTQ+ voices. Among the initiatives will be partnerships with Them and Newfest to help amplify queer voices, stories and content. The streamer has planned an in-app Pride takeover of the LGBTQ+ Voices page which will highlight queer content premiering in June. Among the programs will be the premiere of the HBO documentary “The Stroll,” which tells the powerful and poignant history of transgender sex workers in New York’s pre-gentrified meatpacking district in the 1990s. The Max original documentary reality series “Naked. Loud. Proud.” will stream. HBO documentaries “Rock Hudson: All That Heaven Allowed” and TaylorMac’s “24-Decade History of Popular Music” are set to air.
EXCLUSIVE: Doug Herbert and George Poteet are two land speed racers who are competing to see who can next break the existing record and they’re now set to be the subjects of a new docuseries.
Leo Barraclough International Features Editor Family animated movie “Pirate Mo and the Legend of the Red Ruby” proved to be a smash hit with international distributors during the Cannes Film Market, with sales agency The Playmaker Munich delivering the film to multiple buyers. During the market, The Playmaker announced first presales to Benelux (Just4Kids), Turkey (Filmarti), Baltics (GPI), Greece (Rosebud) and Bulgaria (Pro Films). The company has now revealed further sales to Poland (M2 Films), Scandinavia (Njuta Films), Hungary and Romania (ADS), Portugal (Outsider Pictures), and Yugoslavia (Blitz Film).
John Hopewell Chief International Correspondent Germany’s Beta has licensed Spanish special ops thriller “La Unidad – Kabul,” to Max for the U.S., the third instalment in one of Movistar Plus+’s longest running franchises, “La Unidad,” whose six episodes deliver an engrossing and sometimes shocking take on the 2021 Fall of Kabul. With the purchase, all 18 episodes of Spanish series “La Unidad” are now available to stream on Max in the U.S. Beta has previously sold the thriller, spangled by action scenes and haunting in its sudden deaths, to 50 territories including France, Latin America, Finland, Sweden, Norway, Denmark, and Australia.
Glitz and glamour! Hollywood’s biggest names brought their fierce fashion sense to France at the 2023 amFAR Gala during the 76th annual Cannes Festival.
Emiliano De Pablos Variety’s Global Locations Panel Conversations kicked off Saturday with a focus on Spain in which Juan-Manuel Guimeráns, Spain Film Commission general secretary, posited a new further reason for shooting in Spain. Much is made of the country’s OMG locations, highlighted in “Game of Thrones,” its talent and technical prowess, and now extraordinary incentives. Now, as big international companies seek cost control and to promote sustainability, increasing attention will be paid to the Spanish industry’s ability to produce quality, cost-effective film and TV content very largely shot on a limited number of soundstages. Variety’s John Hopewell, in conversation with Guimeráns, pointed to the example of milestone series from Spain, such as “Grand Hotel,” “Velvet” and the first two parts of “Money Heist” (“La Casa de Papel”). In the final stretches of the conversation, Guimeráns drilled down on some of key projects and recently opened studio facilities in Spain.
John Hopewell Chief International Correspondent Álvaro Morte, immortalized by his performance as the Professor in “Money Heist,” has inked a multi-year producing deal with Sony Pictures Television through his Madrid-based production company 300 Pistolas, which he founded alongside Blanca Clemente. The accord sees 300 Pistolas, a theater company, making the transition into producing scripted TV, with Morte developing English-language scripted series exclusively with SPT, which he and Clemente will serve on as producers via 300 Pistolas. Morte and Clemente will have access to SPT’s development teams. SPT will serve as exclusive production and distribution partner to any projects produced under the deal, SPT confirmed Wednesday.
every year, and 2023 is no different. Among all the diamonds and show-stopping gowns are the beauty looks, both classic and experimental, that are just as much of a spectacle as the outfits.Take Helen Mirren, who switched up her signature silver strands for a very modern .
Gigi Hadid and Irina Shayk had heads turning at the 2023 Cannes Film Festival this weekend!
John Hopewell Chief International Correspondent Spain’s Revelations showcase has focused on shorts, not features, unveiling the huge breadth of animation talent and techniques in Spain. Some shorts directors are already stars, such as Alberto Mielgo with the Oscar-winner “The Windshield Wiper.” Diego Porral, director of “Leopoldo From the Bar,” served as animation lead on “Love, Death + Robots” episode “Kill Team Kill.” Standouts among new projects in Revelations included “Latente,” a Next Lab Generation winner from Carlos Zaragoza and Aurora Jiménez, and Martín Romero’s “To Bird or Not to Bird,” from Uniko and Abano Producións, which is a 2D short made largely in black and white featuring an angst-ridden clock cuckoo and other birds beset by environmental destruction.
He was the man responsible for communicating the policies of Tony Blair's New Labour government to the public in the 1990s and early 2000s.
EXCLUSIVE: Paramount’s Republic Pictures label has acquired North American rights to dystopian drama-thriller The End We Start From, starring BAFTA and Emmy winner Jodie Comer (Killing Eve).
Three of this year’s Sports Illustrated Swimsuit Issue cover stars celebrated the release at a launch party on Friday night (May 19) in Hollywood, Florida.
John Hopewell Chief International Correspondent Former Netflix exec Juan Mayne has hung up his own shingle, Madrid-based N&L Films, built with strong talent relationships, a strategic alliance with Exile Content Studio and a sure sense of market opportunities. Exile Content Studio and N&L Films have struck a first-look development deal. Jeff Glaser, who oversaw Netflix production finance in Mexico City and Madrid, has joined N&L Films. N&L’s first slate include a Mexican remake of “Miracle in Cell No. 7” and “Aristides: A Righteous Life,” the true-life account of a Portuguese diplomat who saved thousands from the Nazis in WWII, from Seanne Winslow.
John Hopewell Chief International Correspondent Spain’s Nostromo Pictures, producer of “Through My Window,” one of the most-watched non-English movies ever on Netflix, is producing “Control Room,” a female-led sci-fi action movie pitched by producer Adrián Guerra as “‘Aliens’ meets ‘The Guilty.’” Based on an original screenplay from Julien Deladrière, “Control Room” is directed by Luiso Berdejo, helmer of “The New Daughter,” starring Kevin Coster, and writer of horror smash hit “[REC”].” Produced by Guerra, Nuria Valls and Miguel Angel Faura for Nostromo Pictures, “Control Room” is currently in post-production. Film Factory is launching worldwide sales at Cannes.
not feel at ease overlooking the French Riviera? Though the films are the main event, luxurious fashion is the .Year after year, celebrities serve iconic looks that live in my head rent-free all year round. In 2022, Viola Davis shone like the sun in a bright yellow Alexander McQueen gown and eye-catching Boucheron jewels.
John Hopewell Chief International Correspondent Spanish genre producer Filmax, which is behind such films as “The Machinist,” “Darkness” and “[REC],” is bringing Carlota Pereda’s “The Chapel,” the Spanish director’s follow-up to “Piggy,” to the Cannes market. Bowing at 2022’s Sundance, “Piggy” was hailed by Variety as a “viciously impressive debut.” A Filmax and Bixagu Entertainment production backed by Netflix, RTVE and EiTB, “The Chapel” is written by Albert Bertrán Bas, Carmelo Viera and the director. It turns on Emma, 8, who seeks out Carol, a fake medium, to communicate with the spirit of a little girl which has spent centuries trapped in a chapel. Contact, Emma thinks, will allow her to still talk with her own terminally ill mother when she dies. What Carol doesn’t realise is that Emma has a real gift and, if she goes on trying to use it without Carol’s help, will put her young life in mortal danger.
John Hopewell Chief International Correspondent “Lobo Feroz,” the latest film from “La Casa Muda” director Gustavo Hernández, has sold to getting on half the world, underscoring the market punch of high-profile genre movies from name directors. Sold by FilmSharks International, “Lobo Feroz” has closed Australia and New Zealand (Palace Film), the U.S. and Spanish-speaking Latin America (ViX) and Russia/CIS (Nashe Kino). A Spanish-language remake of Israel’s “Big Bad Wolves,” “Lobo Feroz” has also a licensed Taiwan (AV-Jet Intl. Media), Eastern Europe (AMC for TV/SVOD) and Uruguay (Alvaro Caso-ENEC Cine). The Palace, Nashe Kino, AV-Jet and ENEC deals all have a theatrical component, said FilmSharks’ Guido Rud. France, Italy, Japan, Korea and Germany/GAS are in discussions, he added.