People urged to check their pocket change after rare 50p coin sells for £137 in bidding war

In 2019, a source told The Hollywood Reporter that China’s ban on zombie movies was the main reason why the sequel, budgeted at $200 million, never happened. Fincher went on to make “Mindhunter” for Netflix and Bayona signed on to direct “Jurassic World: Fallen Kingdom” instead.Enos was delighted to see that “World War Z” is a featured move on Netflix this month, however.

How could a trip to the motherland go so hilariously, disastrously wrong? The quartet at the heart of Adele Lim’s “Joy Ride” – Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu – have no idea what they’re in for at the top of the trailer, which Lionsgate released Friday ahead of the film’s premiere at SXSW.The trailer begins with the origin story of Audrey (Park) and Lolo’s (Cola) friendship, when they meet at a park as young kids. Lolo punches a white boy in the throat after he calls Audrey a racist slur, sealing the deal on their lifelong friendship.

Patrick Frater Asia Bureau Chief “Post-Truth,” a Chinese comedy film about a cemetery plot salesman trying to salvage his reputation in the face of online assaults, topped the cinema box office in mainland China over the weekend, ahead of another new release title “Revival.” Data from consultancy Artisan Gateway showed that “Post-Truth” earned $17.0 million between Friday and Sunday. Including preview, it has a cumulative of $20.3 million. Crime drama, “Revival” earned $10.3 million over the weekend and has a running total of $11.4 million including previews. The two newcomers dominated the box office and relegated Hong Kong-produced courtroom drama “A Guilty Conscience” to a distant third place. “Guilty” took $2.3 million (RMB15.8 million) for a cumulative of $23 million since releasing on Feb. 24.

Everything Everywhere All At Once‘s Paul Rogers was clearly overwhelmed following the film’s Oscar win for Film Editing. “This is too much, wow, this is my second film y’all, this is crazy.” He went on to thank his wife, “the most incredible woman in the room,” his family, and cast.

EXCLUSIVE: Drift director Anthony Chen is gearing up to direct his first US-set project, Heartbeat: A New York Story, about the rarely-told experiences of the Asian gay community during the AIDS epidemic in 1980s New York.

Patrick Frater Asia Bureau Chief After three editions that were canceled due to a combination of COVID and bad timing, Hong Kong’s FilMart film rights market may have finally had some things go its way. It opens March 13 with many factors now moving in its favor. Not least of these are the moves by the Hong Kong government to end its previously harsh and persistent disease-control measures. The city wound down its disruptive quarantine and tracking measures at the end of 2022, opened its borders in January and finally dropped its mask mandate in the last 10 days. “We saw an immediate jump in interest from buyers and sellers after Chinese New Year’s border opening and there were no more restrictions on the food and beverage sector,” says Gloria Chan, section head for the entertainment industry at FilMart organizer, the Hong Kong Trade Development Council.

Paul Scholes believes Facundo Pellistri has shown why he deserves more minutes on the pitch after yet another exciting cameo on Thursday's win over Real Betis.

TikTok could risk musicians losing out on royalties, according to a former tech minister.The Conservative MP Damian Collins, the former Minister For Tech and the Digital Economy, has said that potential changes to the app that are currently being trialed in Australia will be unhelpful for artists who have achieved particular success on the platform.Per The Telegraph, TikTok has been carrying out a trial in Australia that limits the number of songs users can use in their videos. The move is part of an effort by TikTok to prove that music isn’t crucial to the app’s success amid clashes with record labels over royalties.Collins, the MP for Folkestone and Hythe, accused TikTok, which is owned by Chinese tech company ByteDance, of “silencing creators in favour of their own self-interests” and “degrading” the music experience for users.

Zack Sharf Digital News Director Michelle Yeoh was already an actor star overseas by 1997 thanks to popular Hong Kong movies like “Police Story 3: Super Cop” and “Supercop 2,” but it wasn’t until the James Bond tentpole “Tomorrow Never Dies” opened that year that Yeoh had her Hollywood breakthrough. The actor played Wai Lin, a Chinese spy who is highly skilled in marital arts and bucks every “damsel in distress” and “Bond girl” stereotype. “The first movie I did after I came to America was ‘Tomorrow Never Dies’ with Pierce Brosnan,” Yeoh recently told People magazine. “James Bond at that point had only been known as macho, and the girls were just the ones with cutesy names.”

At previous in-person editions of Filmart, Hong Kong’s major film companies, including Edko Films, Emperor Motion Pictures (EMP), One Cool Group, Universe Films and Media Asia, always anchored the trade show floor with huge, elaborate booths promoting the latest Hong Kong films, animation and TV series. 

TikTok.The House Foreign Affairs Committee’s 24 Republicans voted a bill through which could give the President powers to ban the video-sharing app over claims that it is a Chinese espionage tool, or any other app deemed a security risk.However, the 16 Democrats voted against the bill with Ranking Member Gregory Meeks saying he opposed the legislation because it would “damage our allegiances across the globe, bring more companies into China’s sphere, destroy jobs here in the United States and undercut core American values of free speech and free enterprise” [via The Independent]. Members of both parties have called for a ban on TikTok on the basis of its Chinese ownership, which means the company is legally obliged to turn user data over to the Chinese government upon request.The bill still needs to be passed by the full House of Representatives and the Senate before  it goes to Biden and it officially becomes law. Foreign Affairs Committee chair Michael McCaul said he expects the full House to vote on the measure this month.However, Jenna Leventoff, a senior policy counsel for the American Civil Liberties Union, criticised the legislation in a statement.“We’re disappointed that the House Foreign Affairs Committee voted to approve a bill that would effectively ban TikTok in the United States, in violation of Americans’ First Amendment rights.

The horrific search for Abby Choi’s body parts is still underway, with authorities eager to find more clues about the model’s tragic death. If you haven’t been following this har

A popular brand of air fryers has been recalled in the US due to reports of fires and burns, the country Consumer Product Safety Commission said.

One year since Russia launched its invasion of Ukraine, networks continue to rotate reporters in and out of the country. Media outlets reassess security precautions as the nature of the battle changes. Correspondents are preparing for the possibility of an even longer and more brutal war, perhaps with even more risks and uncertainties.

Brent Lang Executive Editor Sometimes it takes more than a pair of global blockbusters to shake off the lingering impact of a devastating public health crisis. Quarterly sales and profits fell at Imax despite the commercial success of “Avatar: The Way of Water” and “Black Panther: Wakanda Forever.” The big screen company recorded revenues of $98 million, a 10% drop from the $108.6 million that Imax recorded in the year-ago period. The company also recorded profits of $2.6 million, compared to the $10.1 million that Imax logged in the year-ago period. That came out to earnings of 19 cents a share, which failed to match the profits of the 31 cents that Imax recorded in the same period in 2021.

Imax chief executive Rich Gelfond said blockbuster titles will probably be back on Imax screens later this year, as per Top Gun: Maverick last year and, more recently, Titanic’s 25th anniversary re-release.

threadbare release slate and decades-low grosses in August and September. The premium format company reported earnings of $2.6 million or 19 cents per share, an improvement from last quarter’s loss of 3 cents per share and beating projections of 15 cents per share.While Imax’s total box office only reached $177 million in Q3, “Avatar: The Way of Water” alone nearly eclipsed that total with $160 million grossed in Q4.

Ant-Man and the Wasp: Quantumania,” Disney/20th Century’s “Avatar: The Way of Water” has reached one last box office milestone in its tenth weekend in theaters by passing the lifetime gross of “Titanic” with a global total of $2.24 billion. This means that the Best Picture Oscar-nominated sequel sits only behind the first “Avatar” and “Avengers: Endgame” in third on the all-time global box office list before inflation adjustment.

Despite Disney/Marvel Studios’ Ant-Man and the Wasp: Quantumania soaking up the global box office with $225M start, the studio’s sister 20th Century Studios/Lightstorm James Cameron sequel Avatar: The Way of Water refuses to stop, despite the fact that the former title has all the premium tickets. Avatar: The Way of Water‘s running worldwide total now stands at $2.243 billion, making it the third highest movie ever, sending Cameron’s own Titanic (which recently had a re-release) to fourth with $2.242 billion.

Rebecca Rubin Film and Media Reporter James Cameron’s blockbuster epic “Titanic” has relinquished its spot as the third-highest grossing movie in history to another James Cameron blockbuster epic, “Avatar: The Way of Water.” The sci-fi sequel has generated $2.2433 billion globally, enough to overtake “Titanic” with $2.2428 billion at the worldwide box office. Now, “The Way of Water” trails only “Avatar” ($2.92 billion) and “Avengers: Endgame” ($2.7 billion) on all-time box office charts. Cameron, the sole filmmaker with three movies to gross $2 billion or more, has directed the first, third and fourth biggest releases ever. Like the original “Avatar,” the follow-up’s success is attributed to its generation-spanning appeal as well as the incentive to watch the film in premium and 3D formats. On Imax screens, the movie has crossed $250 million. That’s more coinage than many films manage to earn in their entire theatrical runs.