Paul Thomas Anderson and Steven Spielberg to Appear at TCM Festival for Warner Bros Centennial

EXCLUSIVE: In one of the wildest book rights auctions the town has seen in some time, Warner Bros. production co-heads Michael De Luca and Pam Abdy tonight landed screen rights to the upcoming T.J. Newman novel Drowning: The Rescue Of Flight 1421. Studio paid $1.5 million against $3 million, and there were five seven-figure bids on the table, sources said.    

In 1982, the same year Sir Ben Kingsley won his Best Actor Oscar for Gandhi, the year’s other big movie was Steven Spielberg’s E.T.: The Extra Terrestrial. Now, 40 years later, Kingsley has found his own E.T., a sort of combination of that classic with a bit of Cocoon, and perhaps The Father. But Jules, the new dramedy having its World Premiere as opening night of the Sonoma Film Festival, marches to its own sweet beat, and represents yet another game attempt to bring that older adult audience back to theaters. A smart distributor should take a close look.

Todd Gilchrist editor Warner Bros. will commemorate its 100th anniversary with a block of programming on Turner Classic Movies starting April 1. TCM will broadcast remastered and newly restored versions of 10 classic Warner Bros. films, each featuring an introduction from a filmmaker or film expert culled from the network’s ongoing partnership with the Film Foundation, a non-profit preservation and exhibition organization. The program coincides with the April 13-16 run of the TCM Classic Film Festival in Hollywood. On April 13, a new 4K restoration of 1959’s “Rio Bravo,” Howard Hawks’ classic western starring John Wayne, Dean Martin, Ricky Nelson and Angie Dickinson, will premiere on TCM and serve as the opening night film of the festival. Dickinson will attend the in-person event, while Martin Scorsese will introduce the film on TCM’s small-screen presentation. Similarly, Warner Bros. will premiere a new 4K restoration of Elia Kazan’s “East of Eden,” starring James Dean, on both the big screen and the network, the latter featuring an introduction by filmmakers Wes Anderson and Joanna Hogg.

Djimon Housou is getting candid about the systemic problems in Hollywood.The actor opened up in a new interview, while promoting his most recent film,, noting that, despite Oscar-nominated starring roles in acclaimed films likeand he still struggles to get his due respect when it comes to meaningful roles and contracts.«I still have to prove why I need to get paid,» he shared with. “They always come at me with a complete low ball: 'We only have this much for the role, but we love you so much and we really think you can bring so much.'«The Benin-born actor broke through on the international stage with his role as Cinqué in Steven Spielberg's.

Djimon Hounsou is getting very candid about how Hollywood has treated him.

Zack Sharf Digital News Director Djimon Hounsou’s acting career spans 33 years and includes two Academy Award nominations (“In America” and “Blood Diamond”), action blockbusters like “Furious 7,” superhero movies such as “Shazam!” and collaborations with Steven Spielberg (“Amistad”) and Ridley Scott (“Gladiator”), yet he told The Guardian that he still feels “tremendously cheated” when it comes to Hollywood pay. “I’m still struggling to try to make a dollar!” Hounsou said. “I’ve come up in the business with some people who are absolutely well off and have very little of my accolades. So I feel cheated, tremendously cheated, in terms of finances and in terms of the workload as well.”

was an emotional reunion with Ford, Quan’s co-star in 1984’s “Indiana Jones and the Temple of Doom” — and the origin of that friendship can be seen in newly released photos, shot by Eva Sereny, as they hung out while filming.“Temple of Doom,” in which Quan played Indy’s chatty kid sidekick Short Round, was his first film as an actor. He was just 12, and superstar Ford was 40.

Magnolia Pictures has released the official trailer for “Little Richard: I Am Everything,” Lisa Cortés’ latest documentary, which focuses on the iconic rock n’ roll musician Richard “Little Richard” Penniman. The film explores how Little Richard and the Black queer origins of rock n’ roll founded the whitewashed canon of American pop music. The documentary follows how Richard contributed and created a self-expressive art form for musicians that ultimately would shape the music industry throughout the following decades. “Little Richard: I Am Everything,” interview subjects include the musician’s family, Black and queer scholars and celebrity subjects including Billy Porter, Mick Jagger, Sir Lady Java, John Waters, Nile Rodgers and many more.

Ke Huy Quan was on a mission. He’d just been named best supporting actor for his performance as Waymond Wang, the goofy husband of a laundromat owner in “Everything Everywhere All at Once,” and he wanted to experience the moment with Steven Spielberg. Spielberg, you see, was the filmmaker who cast him in his breakout role in 1984’s “Indiana Jones and the Temple of Doom” when Quan was 12 years old. So during a commercial break in the Academy Awards telecast, Quan, 51, went over to where Spielberg was sitting with his wife, actress Kate Capshaw, whom Quan hadn’t seen since they co-starred in “Temple of Doom” four decades earlier. After hugs all around, Spielberg put his hands on Quan’s shoulders and said, “You are now an Oscar-winning actor.”

Naman Ramachandran Emile Hirsch (“Once Upon a Time in Hollywood”) and Inbar Levi (“Fauda”) lead the cast of WWII-set drama “Bau, Artist at War,” which is now in production. The film is based on the true story of Joseph and Rebecca Bau whose wedding in the Plaszow concentration camp was depicted in Steven Spielberg’s “Schindler’s List.” It follows Joseph’s journey as an artist and prisoner in the Plaszow camp and his fight for justice years later. Using his skills to forge IDs, Joseph manages to stay alive while helping hundreds of prisoners escape from the camp, with his creativity and humor providing hope in a place of hopelessness. Rebecca, also a Resistance worker, serves as a spy in Kommandant Goeth’s (Josh Blacker) office. After the liquidation of the Plaszow camp, Rebecca is sent to Auschwitz, while Joseph is sent to Oskar Schindler’s (Edward Foy) factory in Brunnlitz.

Duped,” and a photo of Leonardo DiCaprio in full pilot regalia accompanied the piece. It was the famous still from “Catch Me if You Can,” Steven Spielberg’s 2002 film inspired by Abagnale’s best-selling memoir from 1980.Via email, the “reformed” con artist and author — who now advises businesses, banks, department stores and the FBI on fraud prevention and cybercrime — wanted me to know that it bothered him that “everyday someone writes an article about a bank robbery, forgery, con artist, or even cybercrime and they refer to me.“The crime I committed was writing bad checks,” he wrote.

is once again one of the most talked-about films in 2023, in large part thanks to one of its former child stars, Ke Huy Quan, who has made a major Hollywood comeback with . In the 1985 film directed by Richard Donner, written by Chris Columbus and based on a story by Steven Spielberg, Quan plays Richard «Data» Wang, a spy fanatic obsessed with making his own gadgets who is one of several kids living in a coastal Oregon town attempting to save their homes from foreclosure by searching for the long-lost fortune of legendary pirate One-Eyed Willy.During his emotional speech for his historic Best Supporting Actor Oscar win on Sunday for his role in, Quan personally thanked his co-star Jeff Cohen, who later became his lawyer and negotiated his deal for Cohen played Chunk in. Quan was in tears as he thanked Cohen, calling him his «Goonies brother for life.»The longtime friends later happily posed at the after-party alongside Ana de Armas.Back in January when Quan received an Oscar nomination, Cohen — who's a partner at entertainment law firm Cohen Gardner LLP — shared a heartfelt message for him on Twitter.«Could not be more proud of and excited for my Brother, Ke Huy Quan,» he wrote while sharing pictures of the two, including a throwback on of them on the set.

Ramin Setoodeh Co-Editor-in-Chief At 11:30 p.m., Daniel Kwan was ready for a late dinner. The movie that he co-directed — “Everything Everywhere All At Once” — had swept the 95th annual Academy Awards, winning a historic seven statues, including best picture and best director. But he hadn’t had a bite to eat in hours. So at Vanity Fair’s annual Oscars party, he grabbed an In-N-Out burger from a tray to refuel. But before he could dig in, he was greeted by one of his many fans — named Steven Spielberg. The man who saw his cinematic memoir, “The Fabelmans,” get crushed by the Daniels (as Kwan and his collaborator Daniel Scheinert are called) didn’t seem the least bit upset.

Zack Sharf Digital News Director Ke Huy Quan ended an emotional Oscars night by reuniting with his “Indiana Jones and the Temple of Doom” co-star Harrison Ford on stage. Ford presented the final award of the 2023 ceremony, which went to “Everything Everywhere All at Once” for best picture. As Quan and Ford came face to face as the “Everything Everywhere” cast took the stage to accept the prize, the two actors and former co-stars shared an emotional hug. Quan won the Oscar for best supporting actor earlier in the ceremony. Ford championed Quan’s performance in “Everything Everywhere” all awards season long. Quan got his start in Hollywood as a child actor, making his feature film debut opposite Ford in Steven Spielberg’s 1984 adventure “Indiana Jones and the Temple of Doom.”

Academy Awards brought out the biggest names in Hollywood for a night of fun and celebration.Coming together at the Dolby Theatre in Hollywood, this year's Oscars was a musical performance-filled gala that also served as a celebration of cinema greatness and delivered some truly unexpected surprises and category upsets.Hosted once again by Jimmy Kimmel — serving as emcee for the third time -- this year's show expertly navigated the potentially choppy waters of the first show since the infamous slap heard 'round the world.From some long-awaited wins to some truly touching acceptance speeches, here are all the best, biggest and most memorable highlights from Sunday's 95th Oscars ceremony!After parachuting into the Dolby Theatre (literally dropping down from the rafters), Kimmel delivered a monologue that was gently playful, poking fun at some of the nominees but with a loving and considerate tone — for the most part.After ribbing Steven Spielberg, James Cameron and Tom Cruise, he addressed last year's infamous slap toward the end of his monologue, explaining, «We want you to have fun, feel safe, and most importantly, we want me to feel safe. So, we have strict policies in place.

Rebecca Rubin Film and Media Reporter Ke Huy Quan, a child star who returned to the spotlight after decades for “Everything Everywhere All at Once,” won the Oscar for best supporting actor. Earning the first standing ovation of the night, Quan took the stage and shouted out his 84-year-old mother, who is watching at home. “Mom, I just won an Oscar!” For Quan, the victory marks an especially emotional coda to awards season. He rose to fame before his teenage years, playing Harrison Ford’s sidekick in 1984’s “Indiana Jones and the Temple of Doom” and appearing in 1985’s “The Goonies.” But Quan quit acting shorty after because he found there weren’t many substantial film roles for Asian people. He didn’t return to acting until 2021 in “Everything Everywhere” as Waymond Wang, the goofy husband to Michelle Yeoh’s multiverse-straddling laundromat owner.

Michelle Williams is ready for the big night!

Marc Malkin Senior Film Awards, Events & Lifestyle Editor Patty Jenkins says she was more than disappointed that no women were nominated for best director this year. “I give up, I give up,” the “Wonder Woman” director told me Saturday at the Charles Finch and Chanel pre-Oscars dinner at the Beverly Hills Hotel’s Polo Lounge. “I say that even with all of their push to have diversity. The numbers are just hugely imbalanced of who votes for these things. I sort of just stopped paying attention to it. It’s still going to take a long ways to go. It’s going to take a lot more to really see truly more diverse awards. I really appreciate the efforts that they’re making but we have a long way to go.”

The 95th Academy Awards are finally here. Tonight, some of the world’s biggest stars will descend on Hollywood to attend the film industry’s most prestigious awards ceremony.

A stage adaptation of Sufjan Stevens’ acclaimed 2005 album Illinois will make its world premiere this summer in a production by The Fisher Center at Bard where Daniel Fish’s eye-opening Tony-winning revival of Oklahoma! got its start.