Overlook Film Festival To Open With World Premiere Of ‘Renfield,’ Close With ‘Evil Dead Rise’ — View The Full Lineup

Ed Meza @edmezavar Estíbaliz Urresola Solaguren’s celebrated Spanish feature “20,000 Species of Bees” and Kattia G. Zúñiga’s Panamanian drama “Sister & Sister” took the top prizes at the Malaga Film Festival, garnering the Golden Biznagas for Spanish and Latin American pictures respectively.   “20,000 Species of Bees” also won best supporting actress for Patricia López Arnaiz and picked up theSpanish Cinematographic Informers Association’s Feroz Puerta Oscura award. The film’s success follows two awards in Berlin, including a Silver Bear for Sofía Otero for her portrayal of a young girl going through a gender crisis. For Zúñiga, the Golden Biznaga is sure to help further propel “Sister & Sister,” an autobiographical story about two teenage sisters who travel from Costa Rica to Panama in search of their absent father.

Charna Flam Rodrigo Sorogoyen’s “The Beasts” (Spain), Lilo and Camilo Vilaplana’s “Plantadas” (U.S.), Hansel Porras Garcia’s “Febrero” (U.S., Cuba), Chandler Levack’s “I Like Movies” (Canada) and Pavel Giroud’s “The Padilla Affair” (Cuba, Spain) were among the winners at the 40th edition of Miami Dade College’s Miami Film Festival, which ran March 3-12. “The Beasts,” won the festival’s top awards, including the top jury prize, the $25,000 Knight Marimbas trophy and the Rene Rodriguez Critics nod. In addition to the two awards, “The Beasts” composer, Oliver Arson was recognized for his soundtrack and awarded the Alacran Music in Film Award, he was selected by Art of Light (Composer) Award honoree Nicholas Britell.

EXCLUSIVE: The Sands: International Film Festival of St Andrews, held in northern Scotland, has set the lineup for its second edition, running April 14 – 16.

Evil Dead Rise event to “get the fuck out”.The veteran actor, and undisputed star of the horror franchise, refused to be phased when one audience member acted up.Campbell told the unhappy member of the audience to leave the film’s premiere event after he acted up and caused a scene, according to Variety.The man is said to have been approached by venue staff after falling asleep with his legs propped up on a seat, before yelling “something unintelligible” at the staff.When the room went silent following his outburst, the man is said to have shouted: “This movie fucking sucks!” He then threw an empty bucket of popcorn into the air.The audience at the premiere reportedly erupted into a chorus of boos, and as the heckler stormed out of his balcony seat Bruce Campbell spoke up. “What are you doing here? Get the fuck out of here!” he told the man.

The “Evil Dead” franchise has a reputation that precedes it. Blood oozing, guts being laid bare, unspeakable cruelties—these movies, a set of five that span back as far as 1981, have it all when it comes to everything a diehard horror fan might want.

Deadites are everywhere in Lee Cronin’s newest film Evil Dead Rise. Taking place in cosmopolitan Los Angeles, these wacky demons still cause high-rise havoc in the modern era. Also written by Cronin, a true fan of the franchise, the movie stars Alyssa Sutherland, Lilly Sullivan, Morgan Davies, Gabriele Echols and Nell Fisher. It is interesting seeing these stories shift from a male to female perspective, showing that women can also be heroes of the supernatural as well. 

pic.twitter.com/aocgJ4e3mQ“I think someone got possessed during the movie,” one of the panelists said, followed by “Keep back, keep Austin weird, right?”“There was no alcohol involved in that whatsoever,” Campbell added.“Evil Dead Rise” is a sequel/reboot to the franchise that follows Beth (Lily Sullivan), a road-weary traveler who visits her older sister Ellie (Alyssa Sutherland). Ellie is raising three kids in a small Los Angeles apartment, and their reunion gets interrupted by a book beneath Ellie’s basement that gives rise to flesh-possessing demons. The film stands alone from Sam Raimi’s trilogy starring Bruce Campbell as Ash as well as the television series continuation “Ash vs.

Lee Cronin’s “Evil Dead Rise” calls to mind those items we used to read before every “Die Hard” sequel, about how each had begun its life as a completely different story having nothing to do with “Die Hard” that was hastily re-written into another John McClane movie. That is not, as far as I know, the origin story of this “Evil Dead” sequel.

Joe Leydon Film Critic Just a skosh more than a decade after Fede Alvarez’s carnage-crammed “Evil Dead” reboot jump-started the horror franchise spawned by Sam Raimi’s low-budget 1981 cult favorite, writer-director Lee Cronin has delivered his own imaginatively scary take on the “Book of the Dead” mythos with “Evil Dead Rise.” A kinda-sorta sequel, it offers incontrovertible evidence that predatory and possessive bogeymen are just as frightful when their hunting ground shifts from a cabin in a dark corner of the woods to a gone-to-seed apartment building in downtown Los Angeles.    Said building — aptly described by one holdout resident as a “condemned dump” — just happens to have been built on the site of a long-closed bank that evidently shuttered before certain mystical merchandise could be retrieved from its vault. Specifically, we’re talking about yet another Book of the Dead: an ancient tome with a binding of human skin that can serve as an entryway for savage supernatural creatures eager to infect and forage in our world. This particular edition was locked away along with some 1923-era vinyl recordings of a clergyman’s warnings about the dangers of even glancing between the covers. Trouble is, all it takes is an earthquake, and a curious adolescent living with his family several stories above the buried material, for all hell to break loose.

A post-screening Q&A for the Evil Dead Rise briefly turned into a shouting match at SXSW Wednesday evening after the film’s executive producer Bruce Campbell clashed with a heckler in the audience.

Selome Hailu After sitting through an hour and a half-long movie and 10 minutes of a post-screening Q&A, one spectator at the world premiere of “Evil Dead Rise” decided he had finally had enough. The man was approached by South by Southwest venue staff after falling asleep with his legs propped up and yelled something unintelligible in response. When the room went silent to hear him out, he shouted, “This movie fucking sucks!” and threw an empty bucket of popcorn into the air. The audience immediately erupted into a chorus of boos. As the heckler stormed out of his balcony seat, they quieted, offering scattered applause — until original “Evil Dead” star and current executive producer Bruce Campbell got involved.

A big feature of the TCM Classic Film Festival is providing world premieres of major restorations of some of those classics. This year’s 14th annual fest is no different as Turner Classic Movies has announced its opening night, April 13, will feature the premiere of a 4K restoration of Howard Hawk’s 1959 Western Rio Bravo, in partnership with Martin Scorsese’s Film Foundation, as part of the yearlong celebration of Warner Bros’ 100th anniversary.

This year’s Hong Kong International Film Festival (HKIFF) will open with two local films – Soi Cheang’s noir thriller Mad Fate and the world premiere of Ann Hui’s Elegies, a documentary about contemporary local poetry.

Nick Vivarelli International Correspondent Kuwaiti-born writer-director Zeyad (also known as “Z”) Alhusaini, whose action movie with comedic undertones “How I Got There” recently won the audience award at Saudi Arabia’s Red Sea Film Festival, has joined United Talent Agency for representation in all areas. The groundbreaking film about two best buddies from childhood, named Salem and Asad, who stumble upon a gun shipment and try to seize this opportunity to get rich quick is set entirely in the Persian Gulf. “How I Got There” provides a relatively realistic glimpse of Kuwait’s present-day melting-pot of cultures, and its underworld of gun-running mercenaries, gangs, and terrorists, plus the local rap scene.

Emily Longeretta Amid a bit of drama surrounding HBO’s “The Idol,” the Weeknd-led series is in talks to debut at the Cannes Film Festival in May, multiple sources confirm to Variety. Star Abel “The Weeknd” Tesfaye previously attended Cannes Film Festival and is hopeful the show premieres there, according to one source, but the festival has not yet screened the drama, which has undergone a great number of changes behind the scenes. HBO is not commenting at this time. Though primarily a film festival, a handful of TV series have been brought to Cannes in the past, including “Twin Peaks: The Return” and “Top of the Lake: China Doll.”

Charna Flam Outfest has announced the lineup for its 2023 Outfest Fusion QTBIPOC (Queer, Trans, Black, Indigenous and People of Color) Film Festival, which will run from March 24 through April 2. Outfest Fusion will be celebrating its 20th anniversary by showcasing LGBTQIA+ filmmakers and their various films depicting queer and transgender stories. There will be nine features, including two 2023 Sundance documentaries, “Little Richard: I Am Everything” from Lisa Cortés and “The Stroll” from Kristen Lovell and Zackary Drucker. Cortés documentary explores how Richard “Little Richard” Penniman worked through his struggles with his sexuality, all while he made his mark on rock n’ roll. While Lovell and Drucker follow transgender women of color as they detail the community’s history of sex work in New York City.

Anna Marie de la Fuente Miami Dade College’s Miami Film Festival marks its 40th edition, running March 3-12, with a full-blown return to the in-person festival experience with a sidebar of only 10 titles available online.  “We’re celebrating the human connection and getting back into cinemas again,” says programming head Lauren Cohen who in her first year flying solo at the helm, is putting her personal stamp on the festival with female-centric topics dominating the Master Classes.  “It’s our 40th anniversary, which is such a milestone for us, we want it to be bigger and better than ever,” she continues. 

EXCLUSIVE: The British Film Institute is close to appointing a new Festivals Director, with an announcement expected imminently, Deadline understands.

EXCLUSIVE: Clock, a timely horror feature from 20th Digital Studio and Hulu Originals has dropped new images.

Clock, a timely horror feature from 20th Digital Studio and Hulu Originals will have its World Premiere at the Overlook Film Festival in New Orleans, Louisiana before debuting exclusively on Hulu on April 28. The film will be available on Disney+ internationally at a later date.