Oscar Isaac Wants Pedro Pascal To Join The ‘Spider-Verse’ As A “Cranky, Old Spider-Person”

our box office analysis last week of the struggles of “The Flash” and Disney/Pixar’s “Elemental,” the DC film suffered from multiple problems, including tepid word-of-mouth upon release, the deep disinterest among casual audiences in DC given its impending reboot, and lead star Ezra Miller’s public scandals, which left Warner Bros. unable to build a marketing campaign around the actor playing the film’s title star like most superhero films.

Rebecca Rubin Film and Media Reporter “Spider-Man: Across the Spider-Verse” has notched another box office milestone, crossing $500 million globally. So far, Sony’s animated comic book sequel has grossed $290.4 million in North America and $215.9 million internationally, which brings its worldwide tally to a mighty $506.3 million. It currently stands as the third-highest grossing domestic release of the year, behind Universal’s “The Super Mario Bros. Movie” ($572 million) and Disney’s “Guardians of the Galaxy Vol. 3” ($345 million). And it’s the fourth-biggest global release following “Mario” ($1.3 billion), “Guardians” ($822 million) and “Fast X” ($679 million). “Across the Spider-Verse” opened on June 2, collecting a huge $120 million during its first weekend in theaters. Despite competition from “Transformers: Rise of the Beasts,” another comic book adventure “The Flash” and Pixar’s animated “Elemental,” the second “Spider-Verse” remained a huge draw at the movies and even managed to surpass the entire run of its 2018 predecessor, “Into the Spider-Verse” ($384 million), after just 12 days of release.

With Tuesday’s global business factored in, Columbia Pictures and Sony Pictures Animation’s Spider-Man: Across the Spider-Verse has swung past the half-a-century mark worldwide, grossing $506.3M through yesterday.

Clayton Davis Senior Awards Editor Pedro Pascal is charming, funny and incredibly talented. His resume thus far includes notable films and television series such as HBO’s “The Last of Us” and Lionsgate’s “The Unbearable Weight of Massive Talent.” During his interview, I referenced his 2020 cover story. In that story, he said he couldn’t believe Patty Jenkins cast him in “Wonder Woman 1984” without auditioning. Then something happened that you don’t typically see. When asked what it feels like to be a role model to young Latinos, LGBTQ and Hollywood dreamers everywhere who yearn to sit in the same position he finds himself in, his usual charisma and confidence melted away.

The Last of Us walked away from the Banff Rockie Awards with the Program of the Year gong.

DORIAN TV AWARDS NOMINEES—FULL LISTBEST TV DRAMAInterview with the Vampire (AMC)The Last of Us (HBO)Succession (HBO)The White Lotus (HBO)Yellowjackets (Showtime)BEST TV COMEDYAbbott Elementary (ABC)The Bear (FX on Hulu)The Other Two (HBO Max)Poker Face (Peacock)Somebody Somewhere (HBO)BEST LGBTQ TV SHOWInterview with the Vampire (AMC)A League of Their Own (Amazon)Somebody Somewhere (HBO)The Last of Us (HBO)The Other Two (HBO Max)BEST TV MOVIE OR MINISERIESBeef (Netflix)Daisy Jones & The Six (Amazon)Dead Ringers (Amazon)Fire Island (Hulu)Rye Lane (Hulu)BEST UNSUNG SHOWA Black Lady Sketch Show (HBO)Derry Girls (Netflix)Jury Duty (Amazon Freevee)Los Espookys (HBOReservation Dogs (FX on Hulu)Somebody Somewhere (HBO)BEST NON-ENGLISH SHOWElite (Netflix)Extraordinary Attorney Woo (Netflix)Los Espookys (HBO)Smiley (Netflix)Young Royals (Netflix)BEST TV PERFORMANCE—DRAMAKieran Culkin, Succession (HBO)Melanie Lynskey, Yellowjackets (Showtime)Pedro Pascal, The Last of Us (HBO)Bella Ramsey, The Last of Us (HBO)Sarah Snook, Succession (HBO)BEST SUPPORTING TV PERFORMANCE—DRAMAMurray Bartlett, The Last of Us (HBO)Jennifer Coolidge, The White Lotus (HBO)Meghann Fahy, The White Lotus (HBO)Nick Offerman, The Last of Us (HBO)Aubrey Plaza, The White Lotus (HBO)BEST TV PERFORMANCE—COMEDYRachel Brosnahan, The Marvelous Mrs. Maisel (Amazon)Quinta Brunson, Abbott Elementary (ABC)Bridget Everett, Somebody Somewhere (HBO)Natasha Lyonne, Poker Face (Peacock)Ali Wong, Beef (Netflix)BEST SUPPORTING TV PERFORMANCE—COMEDYAlex Borstein, The Marvelous Mrs.

Pedro Pascal, known for his role in The Last of Us, recently shared that he experienced three incidents of anger while driving. During a conversation with Steven Yeun for Variety, Pascal, 48, recounted his latest altercation on the road. It’s important to remember that road rage can have serious consequences, and it’s best to remain calm and composed while driving.“Yesterday was a day.

Jazz Tangcay Artisans Editor Production designer Patrick O’Keefe drew inspiration from brutalist architecture, graphic artist Syd Mead and British punk band The Sex Pistols when animating the world of “Spider-Man: Across the Spider-Verse.” As Miles Morales crosses path with different Spider-People from other dimensions, it was up to O’Keefe and his team of animators to create visual worlds that reflect those counterparts. With Variety, he breaks down the looks of each world and shares his favorite easter eggs that pay homage to the Canadian animators who worked on the film. “Whenever it comes to developing anything for the film, I’m always asking myself, whose point of view are we seeing this from? And what does it need to do?

Spider-Man: Across The Spider-Verse hired a 14-year-old to animate a LEGO sequence in the movie.Preston Mutanga, from Toronto, Canada, landed the role after he recreated the film’s trailer shot-for-shot with his own supply of LEGO, and caught the attention of producers Chris Lord and Phil Miller.Mutanga shared his remake of the trailer on Twitter on January 2. Lord and Miller – who also directed 2014’s The Lego movie – were stunned by the young animator’s talent.

Jazz Tangcay Artisans Editor Composer Daniel Pemberton pushed a few boundaries and “made something really creative and different” when he scored 2018’s “Spider-Man: Into the Spider-Verse.” When he returned to score the sequel, “Spider-Man: Across the Spider-Verse,” he knew he would have to “push it as far as we can go.” Pemberton says he had to build the score from the ground up, which was complicated. “You’re trying not to make a score that sounds like other film scores. You’re trying to invent your own language.” Inventing that language took experimentation, research and failure. He explains, “I spent two years researching and developing this score, going through ideas, coming up with concepts and throwing them out.”

Preston Mutanga is 14-years-old, and like many kids, he likes to post things online.

Spider-Man: Across the Spider-Verse” using Legos. The trailer became such a viral sensation that he got a call from the film’s writer-producers Phil Lord and Chris Miller, who wanted him to make a scene for the film.

Zack Sharf Digital News Director The name Preston Mutanga might not ring a bell, but anyone who has contributed to the $235 million and counting box office haul for “Spider-Man: Across the Spider-Verse” has seen his work on the big screen. Mutanga is a 14-year-old from Toronto, Canada, who landed a role as an animator on “Across the Spider-Verse” after he recreated the film’s trailer shot-for-shot in the style of LEGO blocks and left producers Chris Lord and Phil Miller dazzled (via The New York Times). Not too bad for your industry debut. Mutanga uploaded his LEGO remake of the “Across the Spider-Verse” trailer to Twitter on Jan. 2 (see the post below). Lord and Miller, both active Twitter users, caught wind of the clip and were impressed — the directors know a thing or two about crafting LEGO-inspired sequences as the directors of 2014’s “The LEGO Movie.” When the team decided they wanted a scene in “Across the Spider-Verse” set in a LEGO universe, they decided to reach out to Mutanga.

Since the debut of Sam Raimi’s first ‘Spider-Man’ film back in 2002, there have been quite a few films featuring the wallcrawler over the past 20 years. Three of those feature none other than Tom Holland as Peter Parker.

Rebecca Rubin Film and Media Reporter “Spider-Man: Across the Spider-Verse” webbed up a stellar $120.5 million in its domestic box office debut. In beating expectations, it landed the second-biggest opening weekend of the year, behind only “The Super Mario Bros. Movie” with $146 million, as well as the third-biggest opening weekend for any “Spider-Man” film. Sony’s animated sequel is benefitting from great reviews and positive word-of-mouth, as well as goodwill from its predecessor, 2018’s Oscar-winning “Spider-Man: Into the Spider-Verse.” Initial ticket sales were significantly higher than the first film, which introduced audiences to Miles Morales and the idea that “anyone can wear the mask” and opened to just $35.5 million. But it stuck around in theaters for a while, ending its big-screen run with $190 million in North America and $384 million globally.

according to IMDB’s Box Office Mojo.The computer-animated flick enjoyed the biggest opening day of any movie so far this year, according to Deadline. It is also the third highest earner of any animated film, after “Incredibles 2” and “Finding Dory.”The Post called the follow-up to 2018’s “Spider-Man: Into the Spider-Verse” “a dazzling, brilliant sequel.”“The Little Mermaid,” which opened last week and made a big splash in theaters, fell to second place, with $11.8 million in sales.Disney’s live-action adaption of the 1989 classic made headlines this week after IMDB announced it was changing its rating system due to “unusual voting activity” involving the film.

Marvel‘s Spider-Verse franchise in a new interview.The suggestion came up while Isaac was speaking to to the British edition of GQ to promote the latest animated Spider-Man movie, Spider-Man: Across the Spider-Verse.Isaac – who voices Spider-Man 2099, a futuristic version of the web-slinger in the film – was asked by journalist Lucy Ford if there was anyone he hoped would join the cast in the franchise’s coming films.“I don’t know,” he responded. “They’re so brilliant at finding the right person for the right character, but maybe Pedro Pascal.

Spider-Man: Across the Spider-Verse (★★★☆☆).Diehard fans of Spidey comics, games, cartoons, and movies will have a field day trying to spot every iteration of Spider being, gathered from various storylines and product lines, some dating back decades, who pop up here. But there are far too many for our hero, Miles Morales, the bright Brooklyn teen introduced as the new Spider-Man in the 2018 animated Oscar-winner Spider-Man: Into the Spider-Verse, to fully grasp.Miles (Shameik Moore) is still stuck on Gwen Stacy (Hailee Steinfeld), a fabulous Spider-Woman from another dimension, who teamed with him and a loosely assembled squad of Spider-friends in the first film to defeat Kingpin and Doctor Octopus, and destroy the villains’ black hole-spawning collider.A masterpiece of style and storytelling, Into the Spider-Verse ended with the sound of Gwen’s voice ringing out from her dimension to contact Miles relaxing in his room.

Ellise Shafer Tom Holland’s favorite movie starring the Marvel superhero Spider-Man is actually not one of his own. Holland, who has donned the Spidey suit for three standalone movies as well as “Captain America: Civil War,” “Avengers: Infinity War” and “Avengers: Endgame,” told the Associated Press on Thursday night that 2018’s animated “Spider-Man: Into the Spider-Verse” is “the best Spider-Man movie that’s ever been made.” “I think the first ‘Spider-Verse’ movie is the best Spider-Man movie that’s ever been made,” Holland told the AP at the premiere of his new Apple TV+ series “The Crowded Room.” “I’m so proud of everyone involved. [Producer] Amy Pascal is like my mom. I was supposed to go with her [to the premiere] as her date, I couldn’t go because I’m here working. But I’m incredibly proud of them, I’m excited for the second one. I’m sure it will live up to every expectation, and I can’t wait to see it.”

“Spider-Man: Across the Spider-Verse,” the sequel film to 2018’s “Into the Spider-Verse.” Miles Morales (voiced by Shameik Moore) returns to meet even more Spider-people as he and Gwen Stacy (Hailee Steinfeld) travel to more crazy dimensions, meeting Oscar Isaac’s Spider-Man 2099.Another loaded soundtrack accompanies the even more ambitiously animated sequel film. Executive Produced by Leland “Metro Boomin” Wayne (who features in many of the songs) and Ethan Stevens, the “Across the Spider-Verse” soundtrack also includes Swae Lee, Lil Wayne, A$AP Rocky, Offset, James Blake, Lil Uzi Vert, Don Toliver, Nas, 2 Chainz and 21 Savage.