Daisy Jones & The Six just wrapped the first season on a high note but fans are dying to know if there will be a second season for the series at all.
08.03.2023 - 03:33 / justjared.com
Netflix has announced that sports docu-series Break Point has been renewed for a second season.
The first part of the tennis series premiered on January 13 and the second part of the first season will debut in June this year. Season two is expected to happen in 2024.
Break Point follows a select group of top tennis players on and off the court as they compete in the biggest and most grueling events in tennis with hopes of emerging as champion and even bigger dreams of becoming world number one. As some of the greatest players tennis has ever seen reach the twilight of their careers, there is room for a new generation of players to claim the spotlight. Break Point gets up close and personal with these top players on the tennis circuit through an entire year traveling across the globe for all four Grand Slams and the ATP Tour and Hologic WTA tour. From physical injuries and emotional heartbreak, to triumphant victories, to personal moments off the court, viewers get a behind the scenes look at the pressure-tested lives of these pro tennis players.
ATP players include Felix Auger-Aliassime, Matteo Berrettini, Taylor Fritz, Thanasi Kokkinakis, Nick Kyrgios, Casper Ruud, Frances Tiafoe and Stefanos Tsitsipas.
WTA players include Paula Badosa, Ons Jabeur, Aryna Sabalenka, Maria Sakkari, Sloane Stephens, Iga Swiatek and Ajla Tomljanovic.
Executive producers Martin and Gay-Rees from Box to Box Films will continue to helm the show.
Check out all of Netflix’s renewals and cancellations so far this year.
Daisy Jones & The Six just wrapped the first season on a high note but fans are dying to know if there will be a second season for the series at all.
You will return for a fifth and final season in 2024! pic.twitter.com/rbQBOnQPSJ“You,” which was developed by Sera Gamble and Greg Berlanti, is based on Caroline Kepnes’ book series of the same name.Along with the renewal news, Gamble said she is stepping down as showrunner to focus on other projects. “I’m immensely grateful to co-creator and all-around genius Greg Berlanti, Caroline Kepnes, my friends at Berlanti Productions and Alloy Entertainment, and our steadfast partners at Warner Bros and Netflix,” she said in a statement.
Tennis star Reilly Opelka and former tennis pro Tommy Haas attend “FILA’s 50 Years in Tennis” celebration held at the Holloway House on Wednesday (March 22) in West Hollywood, Calif.
Christina Ricci is always down to play around in the weird and macabre world of Netflix's She just can't say whether or not that's actually in the cards just yet.The celebrated actress walked the carpet at the season 2 premiere of, held at the TCL Chinese Theater in Hollywood on Wednesday, and she spoke with ET's Deidre Behar about both of the highly rated TV shows she's been a part of just in the past year.In, Ricci stars as the seemingly sweet and supportive teacher Marilyn Thornhill, who is ultimately revealed to be secretly evil. She's ultimately defeated by some angry bees and a swift kick in the face, but her actual fate is left somewhat ambiguous.However, Ricci understandably played coy when asked if she might be a part of the hotly anticipated second season, telling ET, «I don't think I'm allowed to say.»However, Ricci happily added, «On my end, the door is open» for a return, if the show wants to bring her back.«She was so fun to play!» Ricci marveled.
Netflix is facing some backlash from Shadow And Bone fans – with some threatening to boycott the streaming service.The fantasy drama is now in its second series, and stormed into the top two of the Netflix’s most-watched series last week upon its release. But, despite this good news, fans are concerned that a third series won’t be commissioned.Many fans took to Twitter imploring others to watch season two to increase figures to make it impossible for Netflix to decline a third season.
Netflix‘s popular K-drama series The Glory is the streaming platform’s most-watched programme for the second week running.According to data from Netflix’s latest weekly lists of Top 10 most-watch TV shows and movies, The Glory racked up over 123.59million hours viewed for the week of March 13 to 19. Notably, the figure is just a slight dip from the 124.46million hours viewed it garnered in the previous week.The Glory has also become the seventh most-popular Non-English TV release on Netflix ever, with a current total of 380million hours viewed within its first 28 days of release.
Joshua Alston Showtime’s buzzy, bloody drama “Yellowjackets” finds itself in a most precarious position going into its second season. Trying to top a successful first season is always a challenge, particularly when the maiden voyage earns six Emmy nominations, including one for Outstanding Drama. But the inherent pressure to maintain the momentum is acute for “Yellowjackets,” a puzzle-box show that teases supernatural elements. Recent television history is littered with the wreckage of similar shows that started out tense and intriguing, then collapsed once it became clear that the storytellers built an ornately beautiful box but forgot to put anything rewarding inside it. Creators Ashley Lyle and Bart Nickerson, along with showrunner Jonathan Lisco, solved that issue by stuffing their puzzle box to the brim with two harrowing serialized stories. In one story, members of a high school girls’ soccer team survive a plane crash en route to a tournament only to face an unforgiving, wintry wilderness and what could be a malicious supernatural entity pushing them toward madness. In the other story, set 25 years later, the Yellowjackets who survive the woods are freighted with trauma, and desperate to conceal the grave choices they made as kids.
The Miami Open tennis tournament kicks off this week and Denmark’s Holger Rune and Greece’s Stefanos Tsitsipas were just two of the ATP stars who volunteered during the Miami Open Unites campaign on Monday (March 20) in Miami, Fla.
It appears that acclaimed filmmaker Drake Doremus is set to make his debut on the TV side of things with a new series coming to Netflix, “One Day in December.” And he has a great leading lady already signed up for the job. According to Deadline, Drake Doremus is set to write, direct, and executive produce “One Day in December,” a new romantic drama series coming to Netflix.
Road rage is a scary thing. You never know what type of day another person is having, so the idea of someone just snapping at you is very real, especially when you’re in a car.
Sweet Tooth” will premiere on April 27 and released first-look images of the Emmy-winning show. Season 2 will illustrate the Last Men holding Gus and the other hybrids captive. Gus has to find his strength in order to save his friends and discover the secrets of the Great Crumble. The show is based on Jeff Lemire’s DC comic book series. The series features Christian Convery, Nonso Anozie, Adeel Akhtar, Stefania LaVie Owen, Dania Ramirez, Aliza Vellani, Naledi Murray, Neil Sandilands, Marlon Williams, Christopher Sean Cooper Jr. and Yonas Kibreab as well as narrator James Brolin.
THR sources.Amazon declined to comment.Co-created by Jacobson and Graham, the first season of the show delved into the diverse history of the All American Girls Professional Baseball League made famous in Penny Marshall’s original film starring Geena Davis, Lori Petty, Tom Hanks and Madonna. Carson Shaw (Jacobson) takes a risk and leaves home to try out for the AAGPBL while her husband is away at war. On the way to tryouts, she meets Jo De Luca (Melanie Field) and Gretta Gil (D’Arcy Carden), who become her teammates on the Rockford Peaches.
Netflix has renewed 3 TV shows this month so far, with 2 of the renewals happening today and one being announced yesterday!
a larger trend of sports-programming success on streaming.“Full Swing” is executive produced by Chad Mumm and Mark W. Olsen of Vox Media Studios; and Paul Martin, James Gay-Rees and Warren Smith of Box to Box Films.
Netflix is taking another shot at both Full Swing and Break Point.
If you want to see what everyone is talking about in Sex/Life season two, but don’t have time to watch the whole season, you’re in luck.
EXCLUSIVE: Hallmark’s The Way Home — the network’s first new original series in almost seven years — has been renewed for a second season.
K.J. Yossman “Prehistoric Planet” – exec produced by Jon Favreau and narrated by naturalist David Attenborough – has been given a second season order from Apple TV+. The five-episode season promises new dinosaurs, habitats and scientific discoveries when it returns for a week-long event on May 22 as well as glimpses of fan favorites such as Tyrannosaurus rex. Favreau returns to exec produce alongside Mike Gunton and BBC Studios Natural History Unit while Hans Zimmer, Anže Rozman and Kara Talve for Bleeding Fingers Music provide a soaring prehistoric score. The show combines high tech wildlife filmmaking alongside state-of-the-art technology and insight from dinosaur and natural history experts with support from the photorealistic visual effects of MPC (“The Lion King”) applied to concept art created by Jellyfish Pictures (“The Book of Boba Fett”). The result is an immersive experience that transports the viewer back to the prehistoric age.
EXCLUSIVE: Krapopolis has scored a third season renewal before a frame of the animated series has been seen by the viewing public.
Joe Otterson TV Reporter Netflix has ordered the limited series “Zero Day” starring Robert De Niro in his first regular television role, Variety has learned exclusively. In addition, Lesli Linka Glatter has boarded the show and will direct and executive produce all six episodes. Variety previously reported that the series was in development at Netflix in November. It hails from writers and executive producers Eric Newman and Noah Oppenheim. Per the official logline, “Zero Day” “asks the question on everyone’s mind — how do we find truth in a world in crisis, one seemingly being torn apart by forces outside our control? And in an era rife with conspiracy theory and subterfuge, how much of those forces are products of our own doing, perhaps even of our own imagining?”