Natalie Portman reflects on ‘Léon: The Professional’ calling it ‘cringey’

Natalie Portman and her husband, Benjamin Millepied, are reportedly working on their marriage following allegations of cheating.According to multiple reports, Millepied's alleged affair with a 25-year-old woman was revealed in the French outlet . A source told  that the alleged affair was «short-lived and it is over,» adding that the Oscar winner and her dancer husband have been privately working through their marital struggles despite the allegations.«He knows he made an enormous mistake and he is doing all he can to get Natalie to forgive him and keep their family together,» the source told the outlet.

Selena Gomez always looks out for her fans.

Beyoncé’s concert in Paris, France, was just blessed by not only her but by her mini-me,Blue Ivy, who she shares with her husband Jay-Z. Video clips have been making their way around social media, showing the 11-year-old’s impressive dance skills. Blue Ivy looked cooler than ever as she danced next to her mom in a matching jumpsuit, making her way to the front of the stage.The “CUFF IT” singer introduced her daughter to the 80,000 fans who packed the Stade de France while performing her The Lion King track, “My Power,” per Entertainment Tonight.Beyoncé, who recently honored Tina Turner, stopped and told the crowd, “Give it up for Blue.” The pre-teen looked confident and unphased by the thousands of screaming fans, proving she is a natural entertainer, just like her parents.Will Destiny’s Child reunite? Beyoncé’s dad says the world needs ‘One Last Album’Tina Turner’s biological and step children: learn about their livesMaria Dueñas Jacobs: a family in New YorkBeyoncé ’s show in Paris was filled with celebrities.

Beyoncé's concert on Friday.

Beyoncé and JAY-Z's daughter, Rumi, was on hand to watch her big sister, Blue Ivy, make a surprise appearance during Bey's Renaissance World Tour, and Rumi couldn't look prouder!A fan account took to Twitter on Saturday morning and shared a one-minute video of the moment the 5-year-old, who also has a twin brother, Sir, cheered from a luxury box Friday night while sitting with friends and family at Stade de France in Paris. The video was overlayed with the text, «POV: I saw Beyoncé's 3 children from my seat at Renaissance Tour,» though there was no sign of Sir. The video then shows Blue Ivy on the big screen nailing the choreography, and after showing a snippet of the performance the video then cuts to Rumi and a friend holding a sign that read, «We Love You Blue!»Moments later, Blue Ivy can be seen back in the luxury box sitting with a friend while still wearing her outfit from her surprise performance. Rumi Carter shows her support for her sister and mother with her friend while holding a «We love you, Blue!!» banner❤️ #RenaissanceWorldTourpic.twitter.com/BuudYL9sA7Beyoncé's fans were in pure delight after Blue Ivy made a surprise appearance. While in the middle of performing her  track, «My Power,» Bey stopped and announced to the 80,000 fans to «give it up for Blue.»Blue Ivy, 11, matched her mother in a sequined jumpsuit and danced like a true pro.

Beyoncé's Renaissance World Tour couldn't get any better, things leveled up when Blue Ivy made a surprise appearance Friday night in Paris, sending the crowd into a frenzy.While in the middle of performing her track, «My Power,» Bey stopped and announced to the 80,000 fans who packed the Stade de France to «give it up for Blue.» Blue Ivy, 11, matched her mother in a sequined jumpsuit and danced like a true pro.The concert was attended by a bevy of celebrities, including Natalie Portman, Lenny Kravitz, Selena Gomez, Pharrell Williams and Kris Jenner. The tour heads over to London next for two nights (May 29-30) at Tottenham Hotspur Stadium.It's not the first time Blue Ivy's made an appearance onstage with her famous mom.

“Perfect Days” makes a perfect debut.PERFECT DAYS. Did Wim Wenders just make his best film since UNTIL THE END OF THE WORLD? Holy crap.Wim Wenders’ “Perfect Days” was the hero of the day, earning strong notices and the now-standard standing ovation.

CANNES – It was a warm afternoon on la Croisette when Todd Haynes sat down to chat about his celebrated new drama, “May December.” The Killer Films produced project still hadn’t been acquired yet (Netflix picked up North American rights for a reported $11 million), but the “Carol” auteur was in good spirits. Maybe he’d read the reviews.

Natalie Portman is tackling fan-asked questions and sharing some fascinating tidbits about her career — including some key questions about her role in the franchise.The actress recently sat down for the video segment «Actually Me,» in which she went onto various online forums and fielded fan questions with official, candid answers.One moment that has drawn a lot of interest came when someone on Reddit asked if her character from the prequels, Padme, might ever return to the franchise in some future film.«I have no information on this. No one's ever asked me to return,» Portman revealed, before adding the hopeful addendum, «but I'm open to it.»While Portman's Queen Padme Amidala starred in George Lucas' prequel trilogy — and served as a key character who was both a love interest for Anakin Skywalker (Hayden Christensen) and the mother of Luke Skywalker and Princess Leia — she died after giving birth at the end of Her character's death meant she wasn't involved in the sequel trilogy.

Natalie Portman has called out “the different” ways men and women are still expected to act in society and at events like the Cannes Film Festival.

has already delivered a slew of breathtaking red-carpet looks, including Elle Fanning’s for the opening ceremony and Naomi Campbell’s crimson Valentino gown with a pink feathered cape at the Killers of the Flower Moon screening. However, Natalie Portman’s arrival at the May December premiere in a glittering custom Dior number that’s an ode to a museum piece really captivated die-hard fashion enthusiasts.’s ivory strapless gown—meticulously adorned with ornate beading and featuring a layered skirt reminiscent of a fan of eyeless peacock feathers—is inspired by the Junon dress that  himself created for his 1949-1950 autumn/winter collection (named after the Ancient Roman goddess, who was wife to Jupiter and patron goddess of Rome).

Coming into Cannes 2023, there was a lot of discussion about Todd Haynes’ new dramedy, “May December.” Haynes is one of the most acclaimed filmmakers working today and his latest stars none other than Julianne Moore and Natalie Portman, two of the most respected actors in the world. It appears, judging by early reviews, “May December” delivers the goods and is likely going to be in the mix come awards season.

Todd Haynes is having a great Cannes, isn’t he? His new film, “May December,” has earned rave reviews (including our own), with folks already predicting Oscars love. And now, it appears he has nothing but amazing projects to talk about coming in the future, including a new film with Joaquin Phoenix.

Clayton Davis Senior Awards Editor Todd Haynes is the latest auteur to use Cannes as a launching pad for a potential Oscar contender, debuting his delicious dramedy “May December” at the festival on Saturday. Premiering less than one hour after Martin Scorsese’s 202-minute “Killers of the Flower Moon” conquered Cannes, the torrential downpour on Saturday night couldn’t keep many patrons away from taking in the Haynes movie. And not just because the movie reunites the director with his muse Julianne Moore, who he worked wonders with on “Safe” (1995) and “Far from Heaven” (2002), the latter which earned an Oscar nomination for Moore’s performance and one for Haynes’ script.

There’s trouble in the paradise of Savannah, Georgia, where the skeins of Spanish moss-draped over corridors of trees wave in the gentle coastal zephyrs with each night’s picture-perfect sunset. Spouses Gracie (Julianne Moore) and Joe (Charles Melton) have opened their palatial home for a backyard BBQ; he’s manning the grill, and she’s darting about trying to make everything just right, each well aware of their role to play.

CANNES – Perhaps it was the fact we’ve reached the halfway point of the 2023 Cannes Film Festival and the media have reached an inevitable breaking point with lack of sleep. Or maybe it was the often (but not talways) demure personalities of “May December’s” Oscar-winning stars, Julianne Moore and Natalie Portman.

May December, Todd Haynes’ film that received an eight-minute standing ovation at Cannes late on Saturday evening, is a film all about transgression, Julianne Moore told the press on Sunday. 

May December co-stars Natalie Portman and Julianne Moore were joined by producer Will Ferrell when they walked the red carpet at the movie’s premiere during the 2023 Cannes Film Festival on Saturday (May 20) at the Palais des Festivals in Cannes, France.

Todd Haynes has a way with female stars. I would even call him the new-age George Cukor in that regard. Whether in Carol with Cate Blanchett and Rooney Mara, or his HBOlimited series Mildred Pierce with Kate Winslet, or his homage to the director of so many so-called “women’s pictures” of the ’50s Douglas Sirk in Far From Heaven with Julianne Moore, he seems to be in his comfort zone with women. That has never been more apparent than his latest, May December, a deliciously entertaining showcase for Natalie Portman and Moore (her and Haynes’ fourth film together), which just had its world premiere Saturday in competition at the Cannes Film Festival.

Zack Sharf Digital News Director The 2023 Cannes Film Festival is jam-packed with buzzy world premieres, from Martin Scorsese’s “Killers of the Flower Moon” to Wes Anderson’s “Asteroid City.” Todd Haynes is also back to unveil “May December,” featuring the A-list pairing of Natalie Portman and Julianne Moore, while Disney is bringing Harrison Ford to the Croisette for “Indiana Jones and the Dial of Destiny.” New films from Pedro Almodovar, Jessica Hautner, Jonathan Glazer, Catherine Corsini, Hirokazu Kore-eda and more are also set to make their debuts at Cannes this year. Cannes is often seen as a launching pad for Oscar season. Warner Bros. in 2022 kicked off its lengthy awards run for Baz Luhrmann’s “Elvis” on the French Riviera, with the film going on to land eight Academy Award nominations, including best picture. Palme d’Or winner “Triangle of Sadness” also picked up Oscar nods for best picture, director and original screenplay. Two international film nominees, “Close” and “EO,” launched at last year’s festival, while “Aftersun” best actor nominee Paul Mescal got his awards start in the Directors Fortnight sidebar. All of this is to say the industry will be closely watching the buzz on all of this year’s world premieres.