Matters of the heart. Natalie Portman was private about her romantic life prior to her 2012 nuptials to husband Benjamin Millepied.
21.05.2023 - 11:37 / theplaylist.net
CANNES – Perhaps it was the fact we’ve reached the halfway point of the 2023 Cannes Film Festival and the media have reached an inevitable breaking point with lack of sleep. Or maybe it was the often (but not talways) demure personalities of “May December’s” Oscar-winning stars, Julianne Moore and Natalie Portman.
But the press conference for Todd Haynes‘ latest drama didn’t really come alive until the end of the proceedings when the acclaimed filmmaker was asked by an international journalist to clarify what the film’s title actually meant. Continue reading Natalie Portman & Julianne Moore On Their “You Got This” ‘May December’ Moment [Cannes] at The Playlist.
.Matters of the heart. Natalie Portman was private about her romantic life prior to her 2012 nuptials to husband Benjamin Millepied.
Natalie Portman was all smiles at Paris Saint-Germain's Ligue 1 match amid reports of her husband, Benjamin Millepied's alleged infidelity.Portman, who was in attendance at Parc des Princes Saturday to see PSG take on Clermont Foot 63, rocked a plaid blazer over a white shirt and blue jeans. The actress accessorized the look with a bold, red lip and a pair of cat-eye sunglasses.In addition to cheering on PSG, Portman, who helped co-found the Los Angeles National Women's Soccer League team, Angel City FC, was seen chatting with tennis star, Novak Djokovic, who was seated a few rows behind her.Like many of the fans in the stands, Portman was also captured taking photos of the match, which despite a loss from PSG, ended with the famed football club earning the Ligue 1 title for the 11th time.The smiling photos mark the first public appearance for Portman since French outlet alleged that Millepied had been having an affair with a 25-year-old woman.A source told that the alleged affair was «short-lived and it is over,» adding that the Oscar winner and her dancer husband have been privately working through their marital struggles despite the allegations.«He knows he made an enormous mistake and he is doing all he can to get Natalie to forgive him and keep their family together,» the source told the outlet.
Natalie Portman, 41, and her husband, dancer/choreographer Benjamin Millepied, 45, are sticking together amidst his alleged infidelity. Rumors that Millepied cheated on spread last week after the French outlet reported that Millepied had an affair with a 25-year old French woman. He has recently been photographed with 25-year-old climate activist Camille Étienne.A source told that the affair was “short-lived” and that it is “over.” The outlet also reports via an anonymous source claiming to be close to the couple that and Millepied will stay together and work on their relationship.“He knows he made an enormous mistake and he is doing all he can to get Natalie to forgive him and keep their family together,” the source told People.
Natalie Portman and her husband Benjamin Millepied were snapped kissing not long before news of his alleged affair with Camille Étienne emerged online.
Was Natalie Portman dropping hints about her marriage problems before her husband Benjamin Millepied’s shocking affair was exposed?
Natalie Portman and her husband, Benjamin Millepied, are reportedly working on their marriage following allegations of cheating.According to multiple reports, Millepied's alleged affair with a 25-year-old woman was revealed in the French outlet . A source told that the alleged affair was «short-lived and it is over,» adding that the Oscar winner and her dancer husband have been privately working through their marital struggles despite the allegations.«He knows he made an enormous mistake and he is doing all he can to get Natalie to forgive him and keep their family together,» the source told the outlet.
CANNES – It was a warm afternoon on la Croisette when Todd Haynes sat down to chat about his celebrated new drama, “May December.” The Killer Films produced project still hadn’t been acquired yet (Netflix picked up North American rights for a reported $11 million), but the “Carol” auteur was in good spirits. Maybe he’d read the reviews.
Natalie Portman is tackling fan-asked questions and sharing some fascinating tidbits about her career — including some key questions about her role in the franchise.The actress recently sat down for the video segment «Actually Me,» in which she went onto various online forums and fielded fan questions with official, candid answers.One moment that has drawn a lot of interest came when someone on Reddit asked if her character from the prequels, Padme, might ever return to the franchise in some future film.«I have no information on this. No one's ever asked me to return,» Portman revealed, before adding the hopeful addendum, «but I'm open to it.»While Portman's Queen Padme Amidala starred in George Lucas' prequel trilogy — and served as a key character who was both a love interest for Anakin Skywalker (Hayden Christensen) and the mother of Luke Skywalker and Princess Leia — she died after giving birth at the end of Her character's death meant she wasn't involved in the sequel trilogy.
Natalie Portman has called out “the different” ways men and women are still expected to act in society and at events like the Cannes Film Festival.
EXCLUSIVE: After an old-style all night auction, Netflix is finalizing an $11M deal for North American rights to May December, the Todd Haynes-directed drama that stars Julianne Moore and Natalie Portman. It is far and away the big deal of Cannes so far, and a deal of this size ought to send a jolt of optimism that the North American marketplace for Cannes films is still alive and well, after a slow start here.
Rebecca Rubin Film and Media Reporter Netflix landed North American rights for “May December,” a soapy romantic-drama directed by Todd Haynes and starring Natalie Portman and Julianne Moore, which debuted at Cannes Film Festival. It sold for $11 million, marking the first big sale of this year’s festival. Several bidders, including Neon, were in the mix before Netflix emerged victorious. The streamer hopes to position “May December” as an Oscar contender in the fall. A scandalous age-gap relationship plays out at the center of “May December,” which debuted on Saturday to raves and earned a six-minute standing ovation. Moore plays the “December” to Charles Melton’s much-younger “May,” who was just 13 when the two fell in love. Given their 20-year age gap, their marriage inspired a national tabloid scandal. Decades later, their relationship is put to the test as an actress (Portman) travels to Georgia to study the life of Moore’s character, whom she’s set to play in a film.
Coming into Cannes 2023, there was a lot of discussion about Todd Haynes’ new dramedy, “May December.” Haynes is one of the most acclaimed filmmakers working today and his latest stars none other than Julianne Moore and Natalie Portman, two of the most respected actors in the world. It appears, judging by early reviews, “May December” delivers the goods and is likely going to be in the mix come awards season.
Clayton Davis Senior Awards Editor Todd Haynes is the latest auteur to use Cannes as a launching pad for a potential Oscar contender, debuting his delicious dramedy “May December” at the festival on Saturday. Premiering less than one hour after Martin Scorsese’s 202-minute “Killers of the Flower Moon” conquered Cannes, the torrential downpour on Saturday night couldn’t keep many patrons away from taking in the Haynes movie. And not just because the movie reunites the director with his muse Julianne Moore, who he worked wonders with on “Safe” (1995) and “Far from Heaven” (2002), the latter which earned an Oscar nomination for Moore’s performance and one for Haynes’ script.
There’s trouble in the paradise of Savannah, Georgia, where the skeins of Spanish moss-draped over corridors of trees wave in the gentle coastal zephyrs with each night’s picture-perfect sunset. Spouses Gracie (Julianne Moore) and Joe (Charles Melton) have opened their palatial home for a backyard BBQ; he’s manning the grill, and she’s darting about trying to make everything just right, each well aware of their role to play.
May December, Todd Haynes’ film that received an eight-minute standing ovation at Cannes late on Saturday evening, is a film all about transgression, Julianne Moore told the press on Sunday.
Rebecca Rubin Film and Media Reporter A scandalous age-gap relationship plays out at the center of “May December,” which debuted on Saturday to raves at the Cannes Film Festival. In the starry romantic drama directed by Todd Haynes, Julianne Moore plays the “December” to Charles Melton’s much-younger “May,” whose character was just 13 when the two fell in love. It’s a complicated dynamic, Moore admits, because of the time in their lives when they first met. “An age gap is one thing, but a relationship between an adult and a child is a different thing entirely,” Moore said at Sunday’s press conference for “May December,” which was embraced in the Grand Palais the day prior with an enthusiastic six-minute standing ovation.
CANNES (Reuters) - Natalie Portman and Julianne Moore anchor director Todd Haynes' attempt at a fourth Palme d'Or in the drama "May December," which premiered at the Cannes Film Festival on Saturday night. Moore plays an older star who became tabloid fodder two decades earlier because of her relationship with a much younger man, played by Charles Melton - best known for "Riverdale.
May December co-stars Natalie Portman and Julianne Moore were joined by producer Will Ferrell when they walked the red carpet at the movie’s premiere during the 2023 Cannes Film Festival on Saturday (May 20) at the Palais des Festivals in Cannes, France.
Matt Donnelly Senior Film Writer Todd Haynes brought delicious psychodrama to the Cannes Film Festival on Saturday, with the world premiere of his “May December” starring Natalie Portman and Julianne Moore. Captivating the Cannes crowd the film earned a 6-minute standing ovation at the festival’s Grand Palais. “May December” stars Natalie Portman as Elizabeth, an actor who heads to Savannah to study the lives of Gracie (Moore) and Joe (“Riverdale” star Charles Melton). Years prior, Gracie and Joe’s scandalous cross-generational affair sparked a national controversy due to their age gap and the fact that Gracie was Joe’s boss at a local pet store. Twenty years later, Elizabeth is playing Gracie in a film version of the scandal, but her arrival puts a disruptive pressure on Gracie and Joe’s marriage.
Peter Debruge Chief Film Critic In the experimental montage that opens “Persona,” a bare-chested teenage boy caresses a screen upon which the faces of two women slowly morph back and forth. It’s easy to imagine Todd Haynes being tempted to start his deep-as-you-want-to-go rabbit-hole drama “May December” the same way, seeing as how this endlessly fascinating movie focuses on the blurring of the lines between a Hollywood star (Natalie Portman) and her Heartland subject (Julianne Moore), who was caught in a sexual relationship with a 7th grader at the age of 36. The movie wants to know: Can playing this Mary Kay Letourneau-like tabloid sensation really answer what makes such a woman tick? A heady director whose entire oeuvre feels ripe for film-studies dissertations, Haynes makes movies not merely to be watched, but to be analyzed and deconstructed after the fact. From the rich Douglas Sirkian pastiche of “Far From Heaven” to the queer twist on classical “woman’s pictures” provided by “Carol,” his style can be chilly and distancing. Not so “May December.” As layered and infinitely open-to-interpretation as any of his films, it’s also the most generous and direct, beginning not with Ingmar Bergman references (those come later), but with footage of monarch butterflies. They’re symbols of transformation, too, but also something nice to look at (and listen to, underscored by a lush reworking of the piano theme from “The Go-Between”) before these two women meet.