Michael Cieply: My Wish For ‘Killers of the Flower Moon’–A Bit of Real Oklahoma
21.05.2023 - 15:59
/ deadline.com
For those who treasure a sense of place in movies, the new trailer for Martin Scorsese’s Killers of the Flower Moon, a film set for release by Paramount in October, brings a flicker of hope. (Pete Hammond’s Cannes review is here.)
True, it looks a little stagey, like Gangs of New York but out on the prairie. Still, for a few fleeting seconds—wedged among a scowling De Niro, a maundering DiCaprio and all those mortified Native people–tantalizing traces of the real Oklahoma peep through. Acres and acres of buffalo grass. Old brick facades. The kind of sky that hangs over Pawhuska and Bartlesville, where a 1982 tornado marched right up Frank Phillips Blvd. to the doorstep of Phillips Petroleum.
Maybe, just maybe, this film will find it: That wondrous, increasingly rare, cinematic sensation of actually being there.
In the current era, our blockbusters have taken a markedly casual approach to matters of location and setting. To date, the year’s box-office Top Ten have used locations that range from nowhere (as with Super Mario Bros., more manufactured than shot), to anywhere (e.g., Creed III, set in L.A. but shot in Georgia, or Cocaine Bear, set in Georgia, shot in Ireland), to everywhere (around the world with the hyper-real John Wick).
Marvel and DC inhabit a separate dimension. Fast X, just arrived, has its wheels on the ground in London, Rome and Portugal. But things move pretty quickly in the Fast & Furious franchise. Not much time to savor the sights, never mind that old-fashioned urge to make location an actual character in your film.
The litany of great, location-rich films is too long and too obvious to belabor. Beverly Hills Cop and To Live and Die in L.A. speak for themselves. Everything I know about Philadelphia