Brent Lang Executive Editor Steven Soderbergh starts things off with an apology. His assistant is on vacation, and he was certain that our interview was scheduled to start a full 15 minutes after it was supposed to commence. That resulted in a mad scramble of calls text messages to track down the filmmaker. “I was just sitting here staring off into space,” he says. It must have been a rare moment of calm for the always-on-the-move director, who a has averaged at least one movie or series a year since reemerging from a short-lived retirement in 2017. And he’s back again this summer with “Full Circle,” a six-part miniseries that premieres at the Tribeca Festival before launching on Max on July 13. It’s a morally complex story about a botched kidnapping that causes several characters’ lives to intersect in surprising ways. It’s also a fascinating portrait of modern-day New York City, one that showcases a privileged Manhattan family (Claire Danes and Timothy Olyphant play the guardians of a business that revolves around Dennis Quaid’s celebrity chef), as well as a pair of Guyanese kidnappers who are deployed by CCH Pounder’s shadowy business woman to exact revenge. “Full Circle” is the kind of knotty thriller that Soderbergh, a master of the genre, does such a great job of setting and then unwinding. To say more would be to spoil its pleasures.