Spider-Man: Across the Spider-Verse just got banned!
06.06.2023 - 19:17 / variety.com
Todd Gilchrist editor If an endless array of variations, alternatives and opportunities is a foundational concept of the animated superhero series “Spider-Man: Into the Spider-Verse,” it also seems like one for the career of Metro Boomin. St. Louis native Leland Tyler Wayne’s musical alter ego is not only the producer of the soundtrack for its sequel, “Spider-Man: Across the Spider-Verse,” but also plays a small role in the film as one of its Spider-people, Metro Spider, and collaborated with Nike on an elaborate, patchwork “Spider-Verse”-themed Air Jordan that sold out almost immediately after he and his siblings modeled for its advertising campaign.A post shared by Jordan (@jumpman23) In just the past few months, he also partnered with Major League Baseball to be the opening-day voice of its 2023 season, starred in a Budweiser Super Bowl commercial, and celebrated the release of “Heroes & Villains (Villains Version),” a remix edition of his second studio album, with a digital comic book and a debut performance at Coachella 2023 assisted by The Weeknd, Young Thug, 21 Savage, Diddy and more performers. This web (excuse the pun) of projects exemplifies the scale of his creative ambition, but even a cursory scan of their results highlights how much effort he puts into each one. After shepherding the sprawling “Across the Spider-Verse” soundtrack to completion, he spent a week on Instagram premiering Spider-person iterations of his collaborators, including Coi Leray, Future, Offset, James Blake and A$AP Rocky; it’s clear he’s not content to sit behind the boards and simply let his indefatigable collection of beats speak for him.
Ahead of the June 2 release of “Spider-Man: Across the Spider-Verse,” Metro, along with the
Spider-Man: Across the Spider-Verse just got banned!
Naman Ramachandran Sony’s “Spider-Man: Across The Spider-Verse” led the U.K. and Ireland box office for the second consecutive weekend with £4 million ($5.1 million), according to numbers from Comscore. The web-slinging animation now has a total of £16.2 million. Paramount’s “Transformers: Rise Of The Beasts” debuted in second place with a healthy £2.9 million. In its third weekend, in second position, Disney’s “The Little Mermaid” collected £2.1 million for a total of £19.9 million. In fourth place, another Disney title, “Guardians Of The Galaxy Vol 3” earned £511,837 in its sixth weekend for a total of £35.5 million. Rounding off the top five in its fourth weekend was Universal’s “Fast X” with £475,640 and a total of £14.2 million.
Spider-Man: Across The Spider-Verse has been sent to cinemas to fix an issue.Directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, the animated superhero film is the sequel to 2018’s Oscar-winning Spider-Man: Into The Spider-Verse.The film hit cinemas on June 1 and has been heavily praised by fans and critics alike, with many describing it as the best superhero film ever made.However, some viewers reported issues with the sound mixing in the film, and as Variety report, producers Sony have sent an updated version of the film to theatres in order to fix the issue.A synopsis of Spider-Man: Across The Spider-Verse reads: “Miles Morales catapults across the multiverse, where he encounters a team of Spider-People charged with protecting its very existence.
Rebecca Rubin Film and Media Reporter After less than two weeks of release, “Spider-Man: Across the Spider-Verse” has surpassed the entire box office run of its predecessor, 2018’s Oscar-winning “Spider-Man: Into the Spider-Verse.” Over the weekend, the comic book sequel hit $226 million in North America and $390 million globally. It now stands as Sony’s highest-grossing animated release in history. The original film, also a box office winner, tapped out with $190 in North America and $384 million globally. Despite competition from Paramount’s “Transformers: Rise of the Beasts,” which opened to $60 million and targets a similar audience of younger males, “Spider-Verse” added $55 million in its second weekend of release, a decline of $55% from its huge $120 million debut.
Jazz Tangcay Artisans Editor Production designer Patrick O’Keefe drew inspiration from brutalist architecture, graphic artist Syd Mead and British punk band The Sex Pistols when animating the world of “Spider-Man: Across the Spider-Verse.” As Miles Morales crosses path with different Spider-People from other dimensions, it was up to O’Keefe and his team of animators to create visual worlds that reflect those counterparts. With Variety, he breaks down the looks of each world and shares his favorite easter eggs that pay homage to the Canadian animators who worked on the film. “Whenever it comes to developing anything for the film, I’m always asking myself, whose point of view are we seeing this from? And what does it need to do?
Jazz Tangcay Artisans Editor Composer Daniel Pemberton pushed a few boundaries and “made something really creative and different” when he scored 2018’s “Spider-Man: Into the Spider-Verse.” When he returned to score the sequel, “Spider-Man: Across the Spider-Verse,” he knew he would have to “push it as far as we can go.” Pemberton says he had to build the score from the ground up, which was complicated. “You’re trying not to make a score that sounds like other film scores. You’re trying to invent your own language.” Inventing that language took experimentation, research and failure. He explains, “I spent two years researching and developing this score, going through ideas, coming up with concepts and throwing them out.”
Spider-Man: Across the Spider-Verse” using Legos. The trailer became such a viral sensation that he got a call from the film’s writer-producers Phil Lord and Chris Miller, who wanted him to make a scene for the film.
Zack Sharf Digital News Director The name Preston Mutanga might not ring a bell, but anyone who has contributed to the $235 million and counting box office haul for “Spider-Man: Across the Spider-Verse” has seen his work on the big screen. Mutanga is a 14-year-old from Toronto, Canada, who landed a role as an animator on “Across the Spider-Verse” after he recreated the film’s trailer shot-for-shot in the style of LEGO blocks and left producers Chris Lord and Phil Miller dazzled (via The New York Times). Not too bad for your industry debut. Mutanga uploaded his LEGO remake of the “Across the Spider-Verse” trailer to Twitter on Jan. 2 (see the post below). Lord and Miller, both active Twitter users, caught wind of the clip and were impressed — the directors know a thing or two about crafting LEGO-inspired sequences as the directors of 2014’s “The LEGO Movie.” When the team decided they wanted a scene in “Across the Spider-Verse” set in a LEGO universe, they decided to reach out to Mutanga.
Since the debut of Sam Raimi’s first ‘Spider-Man’ film back in 2002, there have been quite a few films featuring the wallcrawler over the past 20 years. Three of those feature none other than Tom Holland as Peter Parker.
according to IMDB’s Box Office Mojo.The computer-animated flick enjoyed the biggest opening day of any movie so far this year, according to Deadline. It is also the third highest earner of any animated film, after “Incredibles 2” and “Finding Dory.”The Post called the follow-up to 2018’s “Spider-Man: Into the Spider-Verse” “a dazzling, brilliant sequel.”“The Little Mermaid,” which opened last week and made a big splash in theaters, fell to second place, with $11.8 million in sales.Disney’s live-action adaption of the 1989 classic made headlines this week after IMDB announced it was changing its rating system due to “unusual voting activity” involving the film.
Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses major plot developments and surprises throughout “Spider-Man: Across the Spider-Verse,” now playing in theaters. For months, the directors of “Spider-Man: Across the Spider-Verse” had been working exhaustively on a critical sequence that launches the movie’s second act. For the first time in his life, the animated film’s hero — Miles Morales (Shameik Moore), a.k.a. the Spider-Man of Earth-1610 — enters a different dimension: Earth-50101, a.k.a. Mumbattan, a dazzling amalgamation of New York City and Mumbai. Within minutes, Miles and his BFF from 2018’s “Spider-Man: Into the Spider-Verse,” Gwen Stacy (Hailee Steinfeld), encounter that world’s Spider-Man, Pavitr Prabhakar (Karan Soni), an Indian teenager who received his powers not via spider bite, but through magic. The sequence launches them all through the vertiginously vertical metropolis, as they frantically try to stop the film’s villain, the Spot (Jason Schwartzman), from using Mumbattan’s supercollider to increase his dimension-hopping abilities.
Naman Ramachandran Sony’s “Spider-Man: Across The Spider-Verse” debuted atop the U.K. and Ireland box office with £9.1 million ($11.3 million), per numbers from Comscore. Disney’s “The Little Mermaid” continued its strong performance in the territory, collecting £4.2 million in second place in its second weekend for a total of £16.2 million. In third position, in its third weekend, Universal’s “Fast X” earned £1 million for a total of £13.3 million. Occupying fourth place in its fifth weekend was Disney’s “Guardians Of The Galaxy Vol. 3” with £993,389 for a total of £34.6 million. Disney’s “The Boogeyman” debuted in fifth position with £492,071.
Ellise Shafer Tom Holland’s favorite movie starring the Marvel superhero Spider-Man is actually not one of his own. Holland, who has donned the Spidey suit for three standalone movies as well as “Captain America: Civil War,” “Avengers: Infinity War” and “Avengers: Endgame,” told the Associated Press on Thursday night that 2018’s animated “Spider-Man: Into the Spider-Verse” is “the best Spider-Man movie that’s ever been made.” “I think the first ‘Spider-Verse’ movie is the best Spider-Man movie that’s ever been made,” Holland told the AP at the premiere of his new Apple TV+ series “The Crowded Room.” “I’m so proud of everyone involved. [Producer] Amy Pascal is like my mom. I was supposed to go with her [to the premiere] as her date, I couldn’t go because I’m here working. But I’m incredibly proud of them, I’m excited for the second one. I’m sure it will live up to every expectation, and I can’t wait to see it.”
Oscar Isaac is just like us! By that, we mean that he also binges reality television in his downtime.
Jordan Moreau SPOILER ALERT: This article contains major spoilers for “Spider-Man: Across the Spider-Verse,” now playing in theaters. Just like the infinite Spider-Verse itself, there are so many different versions of Spider-Man and other spider-themed heroes that pop up in “Across the Spider-Verse” that it’s almost impossible to keep track of everything.
Spider-Man: Across The Spider-Verse has received overwhelming praise from critics, who have described it as “in the running for the best superhero film ever”.Directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, the animated superhero film is the sequel to 2018’s Oscar-winning Spider-Man: Into The Spider-Verse.In the follow-up, Miles Morales (Shameik Moore) is launched on another adventure into the multiverse alongside Gwen Stacy (Hailee Steinfeld).A synopsis reads: “Miles Morales catapults across the multiverse, where he encounters a team of Spider-People charged with protecting its very existence.
“Spider-Man: Across the Spider-Verse.” Somehow, the movie is even more ambitious and complex than the original film. Not only is it significantly more complicated on a visual level, but the emotions this time around are even deeper, as we traverse the larger Spider-Verse with Miles and Gwen (Hailee Steinfeld), meet the hard-assed Spider-Man 2099 (Oscar Isaac) and ponder the question: can you even be Spider-Man without being saddled with a tragic backstory?TheWrap sat down with “Spider-Man: Across the Spider-Verse” writers and producers Phil Lord and Chris Miller, along with the directors Kemp Powers, Justin K.
Clayton Davis Senior Awards Editor Don’t tell me “Spider-Man: Across the Spider-Verse” is merely a cartoon. It’s a visionary work that redefines what the animation medium can achieve, sitting alongside the handful of sequels such as “The Dark Knight” and “The Empire Strikes Back” that elevate their franchises by pushing them in surprising new directions. On a personal level, this animated second installment of the web-slinging superhero is the closest I’ve ever come to seeing an accurate depiction of my life and culture on a movie screen – well, with a few fantastic elements added into the mix. That’s invaluable. “Across the Spider-Verse” takes place a year after the events of the previous film with Miles Morales (a.k.a. Spider-Man) facing a new threat. Unfortunately, it’s one that causes him to interact with a new group of Spider-People from across the multiverse.
EXCLUSIVE: Sony Animation’s Spider-Man: Across the Spider-Verse is doing some serious business tonight according to box office sources, accumulating $16M off previews that began at 3PM at 3,562 theaters. That’s the second best preview night ever for an animated movie after Disney/Pixar’s Incredibles 2 ($18.5M) from June 2018. Disney/Pixar’s Toy Story 4, with $12M, is now the third best animated movie in previews at the domestic box office.
WARNING: MAJOR spoilers ahead for “Spider-Man: Across the Spider-Verse”When you open up the entire Spider-Verse, you’re going to meet a lot of Spider-Men. But, “Spider-Man: Across the Spider-Verse” brought the appearance of more than just Spider-men, -women, and -animals — it also brought a few major live-action characters.Once again, spoiler warning; this is where you turn back if you don’t want to know who we’re talking about just yet.OK, still here? Let’s get into it.