‘Grease: Rise of the Pink Ladies’ Costume Designer Worked Hard to Honor Original Film: ‘Any Nod We Could Give, We Would’

Singing is essential for telling stories in a musical, but the choreography makes up the visual component that allows the narrative to unfold in front of our eyes. This Emmy season has a number of musical series and specials, and the choreographers are in charge of visually driving those stories forward.

Margot Robbie takes fans behind-the-scenes in Barbie’s bubblegum pink wonderland.

called out his mother on-air over a political discussion they had during a Sunday dinner. “We have actually.

Indiana Jones And The Dial Of Destiny director James Mangold has explained why Shia LaBeouf will not be returning to the franchise.LaBeouf played the titular archaeologist and adventurer’s son, Mutt Williams, in 2008’s Indiana Jones and the Kingdom of the Crystal Skull, directed by Steven Spielberg.Explaining LaBeuof’s absence at the Dial of Destiny Los Angeles premiere on Wednesday (June 14), Mangold told Variety: “I think the point I had was that when I came on, I wanted to capture that wonderful energy between Indy and an intrepid female character.”“So that was my first goal, and there’s only so many people you can edge into a picture,” he added.The fifth instalment in the Indiana Jones franchise stars Phoebe Waller-Bridge as Indy’s goddaughter, Helena.Back in 2017, screenwriter David Koepp revealed that LaBeouf would not be returning. “Harrison plays Indiana Jones, that I can certainly say,” he told Entertainment Weekly, “And the Shia LaBeouf character is not in the film.”The latest offering marks the final instalment of the Indiana Jones franchise, and sees Harrison Ford reprise his iconic role at the age of 80.So far, Indiana Jones And The Dial Of Destiny has received mixed reviews from critics, with some hailing it as delivering a “sweet blast of pure nostalgia”, while others have declared it to be a “complete waste of time”.It’s also predicted to earn a disappointing $60million at the US box office in its opening weekend.In a four-star review of The Dial Of Destiny, NME wrote: “The biggest question – could another director succeed Steven Spielberg after four Indy films in a row – is well-answered.

In today’s episode of The Discourse, host Mike DeAngelo speeds his way through the DC Universe with director Andy Muschietti & producer Barbara Muschietti (“IT,” “Mama”). The talented duo is promoting their latest film, “The Flash,” which follows Barry Allen (Ezra Miller) discovering that his speed unlocks the ability to change the past that has haunted him and, in turn, plunges him into another timeline where many of the heroes he knows do not exist.

When she won a Golden Globe for “The Devil Wears Prada,” Meryl Streep said it best about what the role of costume design could be in moving pictures while thanking costume designer Patricia Field: “That was like special effects for our movie.”Indeed, “special effects” is what the effervescent Pat Field touch brings to any project that she signs her name under, the most popular among them undoubtedly being HBO’s “Sex and the City.” With perhaps the exception of “Mad Men” has there been another culturally iconic TV series in the last quarter century that informed, even evolved how people dressed in their daily lives?So it’s no easy task to do justice to the life and legacy of Field, a colorful New York City personality with a recently published book about her life. (Field doesn’t call it a memoir, as that word sounds too final to her.) But more versed in episodic outputs such as CNN’s four-part docuseries “American Style” than feature-length films, director Michael Selditch gives this gigantic task a shot anyway in “Happy Clothes: A Film About Patricia Field” with mixed results.

Rachel Seo Gavin Casalegno is entering his wrestling era. “The Summer I Turned Pretty” actor has joined director Ash Avildsen’s “Queen of the Ring,” his reps confirmed to Variety. “Queen of the Ring” follows the story of WWE Hall of Fame-inducted wrestler Mildred Burke, a world champion who broke glass ceilings throughout the course of her career from the 1930s through the 1950s. Casalegno will play the teenage version of Joe, Burke’s son. The cast also reportedly includes Emily Bett Richards (“Arrow”) and Josh Lucas (“Ford v Ferrari”) as Burke and her husband and business manager, Billy Wolfe. Marie Avgeropoulos (“The 100”) and WWE’s Charlotte Flair and Liv Morgan also star in the film. Avildsen (“Paradise City,” “American Satan”) will direct based on a script he penned. The film is inspired by Jeff Leen’s book of the same name.

Amazon Freevee has teamed with MGM and Warner Bros. Discovery in a deal to add 23 FAST Channels.

Dining out can not just fill your belly – it can also make you feel young and be a lot of fun! @LaMonaRosaLV delivers on all of that!

Jazz Tangcay Artisans Editor The desert meets the ’70s meets the Western. That’s how “Poker Face” costume designer Trayce Gigi Field describes the vibe of Peacock’s whodunnit series starring Natasha Lyonne. Lyonne plays Charlie Cale, a casino worker with a knack for solving crimes as she goes on the run across the country. Field knew the first thing she had to do was create a look that was a departure from Lyonne’s previous series, “Russian Doll.” First rule: No black. “We wanted a different color palette, so I put together mood boards, and some of those things like the buttery brown YSL jacket made it into the series,” says Field.

Hunter Ingram The first season of AMC’s “Interview With the Vampire” builds a textured, vibrant world, only to watchit burn and bleed. Anne Rice’s beloved story of long-dead vampire Lestat (Sam Reid) and his latest creation, Louis (Jacob Anderson), chronicles a relationship baptized in blood, fueled by passion and gutted by betrayal. Thanks to the series’ crafts teams, Louis and Lestat’s bond lives and dies (and lives again) according to a visually cohesive language that congeals around one thing — color. Production designer Mara LePereSchloop and costume designer Carol Cutshall spent days with fabrics in hand, curating the color palette for the series, which shifts Rice’s 19th-century New Orleans story to the early 20th century and the city’s redlight district Storyville.

Alice Troughton is a British TV director with credits under her belt like “Doctor Who,” “Atlantis,” “The Flash,” and “A Discovery Of Witches.” But for her feature directorial debut, “The Lesson,” in theaters next month, she spins a noir thriller that takes the adage of “don’t meet your heroes” to its most dangerous conclusion. Continue reading ‘The Lesson’ Trailer: Literary Noir Thriller With Richard E.

Andrew Barker Senior Features Writer On April 15, 2012, 2Pac made his debut appearance at the Coachella Valley Music & Arts Festival. At this point, it had been 16 years since Tupac Amaru Shakur had been murdered on the streets of Las Vegas at the age of 25. And yet there he was onstage, his holographic likeness projected with uncanny vividness alongside his onetime collaborators and labelmates Snoop Dogg and Dr. Dre, whom he now appeared to be speaking to and trading bars with in front of an audience of 80,000. As the first performance of its kind, the 2Pac hologram became national news, and sparked worries that a wave of holo-tours, featuring ghostly apparitions of long dead stars, would soon be filling festival grounds and amphitheaters. Aside from a few one-offs, however, this did not come to pass. And yet the 2Pac hologram still felt significant for a different reason. After a decade and a half of vault-clearing posthumous releases, books, documentaries, statues, shout-outs in hundreds of hip-hop songs, and murals in virtually every American city from the Bay Area and back down, Shakur’s iconography had long seemed at risk of swallowing the brilliant, infuriating, inspiring, complicated man himself, leaving only a depthless shadow behind. 

Jazz Tangcay Artisans Editor The detail in costume design can define a character — especially for Amazon Prime’s epic “The Lord of the Rings: The Rings of Power” and its retro “Daisy Jones & the Six.” Whether creating costumes for sea guards and Harfoots, “LOTR” costume designer Kate Hawley created over 2,000 outfits for the series. Hawley used blue rather extensively in stones and costumes to reflect the regal presence of Morfydd Clark’s elf, Galadriel, and Cynthia Addai-Robinson’s Míriel, Queen-Regent of Númenor. She created garments for the nomadic Harfoots that would shield them at night. The idea was that, like wild animals, they avoid detection from perceived enemies by just sitting still and blending into their environment.

Matthew Chernov From Al Pacino’s white suit in “Scarface” and Robert De Niro’s tortoiseshell sunglasses in “Casino” to James Gandolfini’s bowling shirts in “The Sopranos” and Steve Buscemi’s Derby hats in “Boardwalk Empire,” movie and TV gangsters are famous for their bold fashion sense. And the latest nattily dressed mobster to hit the screen is Dwight Manfredi, the Mafia capo played by Sylvester Stallone in the Paramount+ series “Tulsa King.” Created by Taylor Sheridan, the show stars Stallone as an aging mafioso who’s exiled to Tulsa, Okla., by his New York crime family after spending 25 years in prison. Costume designer Suzanne McCabe created Stallone’s wardrobe on the series, and she based many of her designs on the real-life Mafia bosses whose taste in expensive clothing and flashy accessories made them unlikely celebrities throughout the 1980s. “I looked at the Gambino crime family, the Franzese family, and all the usual ones that you always saw in the papers back then,” she says.

WARNING: Spoilers ahead for “Spider-Man: Across the Spider-Verse”Miles Morales’ journey in “Spider-Man: Across the Spider-Verse” takes him into a world filled with Spider-Men from across the superhero’s long history of comics, movies and other media. This means that there were plenty of surprise cameos for hardcore fans, including one by none other than Donald Glover.

Jazz Tangcay Artisans Editor With the “Star Wars” universe serving as the DNA for Disney+’s “Andor,” costume designer Michael Wilkinson could honor a legacy while leaning into a new world. For Diego Luna’s Cassian, Wilkinson draped him in warm, earthy tones with fabrics that were textural. When audiences first meet him, he’s in “beautiful oilcloth from old leather jackets with iconic details such as a high neckline and a hood.” By the end, the silhouettes become leaner and streamlined.  “He has a beautiful tailored long-length linen coat that we made for him that moves beautifully for all the action sequences. It’s a grown-up silhouette.”

Jazz Tangcay Artisans Editor To bring Disney’s iconic mermaid princess Ariel to life in “The Little Mermaid,” costume designer Colleen Atwood constructed a life-sized tail that went from star Halle Bailey’s chest all the way down past her legs. “We made it to scale and 3D silk-screened the tail and painted onto that so you could get the nuance of the colors,” Atwood says. “We used different layers of sheer material, which gave the tail and scales an iridescent effect.” Her biggest challenge was blending the tail’s scales into Bailey’s skin. “I solved that by putting little fins made of fabric so there was a delineation between where the fish ended and the skin began,” she says.

Donny Osmond is looking back on his decades-long career. The 65-year-old entertainer is currently starring in , his Las Vegas residency which runs through Saturday, May 27 at Harrah's Las Vegas before returning Sept.

A Hollywood icon and philanthropist! Michael J. Fox gained worldwide recognition beginning in 1982 on the NBC sitcom Family Ties and continued his skyrocket to fame for the next four decades.