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‘Grand Tour’ Review: Miguel Gomes’ Avant-Garde Eastern Odyssey Is Not Recommended For Tourists – Cannes Film Festival - deadline.com - Britain - Portugal - Burma - Singapore
deadline.com
22.05.2024 / 17:09

‘Grand Tour’ Review: Miguel Gomes’ Avant-Garde Eastern Odyssey Is Not Recommended For Tourists – Cannes Film Festival

After the extraordinary triple whammy of Emelia Perez, The Substance and Anora, here comes Portuguese auteur Miguel Gomes with a blast of cinematic chloroform to calm the Cannes Competition down a touch.

‘Being Maria’ Review: The Making Of ‘Last Tango In Paris’ & How 19-Year-Old Maria Schneider’s Dream Big Break With Brando Turned Into A Nightmare – Cannes Film Festival - deadline.com - France - Paris - Hollywood - Italy
deadline.com
22.05.2024 / 15:53

‘Being Maria’ Review: The Making Of ‘Last Tango In Paris’ & How 19-Year-Old Maria Schneider’s Dream Big Break With Brando Turned Into A Nightmare – Cannes Film Festival

There has been a lot of noise at this year’s Cannes Film Festival about France’s accelerated MeToo movement, particularly by female cinema stars leading the charge. So whether coincidental or not, the world premiere in the Cannes Premiere section last night of Being Maria (aka Maria) seemed like perfect timing and more relevant than ever

‘Mongrel’ Review: Superbly Controlled And Paced Taiwanese Drama Bears Witness To One Of The Great Crimes Of Our Time – Cannes Film Festival - deadline.com - Thailand - Taiwan
deadline.com
22.05.2024 / 14:27

‘Mongrel’ Review: Superbly Controlled And Paced Taiwanese Drama Bears Witness To One Of The Great Crimes Of Our Time – Cannes Film Festival

“Don’t you trust me?” It’s a routine question from the man they call Boss, a ruthless character operating at the lower levels of the immigrant trade in Taiwan, adopted home of director Chiang Wei Liang. Nobody trusts Boss (Daniel Hong Yu-Hong), least of all his Thai sidekick Oom (Wanlop Rungkumjad). Perhaps because he is decent and reliable, Oom has been charged with keeping the other workers in their miserable hostel in order. It falls to him to explain why Boss’ own boss, the vile Brother Te, has failed to pay anybody their wages.

Cannes Film Festival President Iris Knobloch Says Her Parents, Holocaust Survivors, Taught Her About the ‘Power of Cinema’ - variety.com - France - Los Angeles - Germany
variety.com
22.05.2024 / 13:51

Cannes Film Festival President Iris Knobloch Says Her Parents, Holocaust Survivors, Taught Her About the ‘Power of Cinema’

Elsa Keslassy International Correspondent Cannes Film Festival president Iris Knobloch said she learned about the “power of cinema to carry messages, liberate speech and accomplish a duty of remembrance” from her parents, who are Holocaust survivors. Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week.

Why ‘diva’ Kelly Rowland allegedly scolded Cannes Film Festival security guard on red carpet: report - nypost.com - Italy
nypost.com
22.05.2024 / 13:23

Why ‘diva’ Kelly Rowland allegedly scolded Cannes Film Festival security guard on red carpet: report

appeared to scold security at the red carpet premiere of the French-Italian film “Marcello Mio” during the Cannes Film Festival.Photos from the event showed Rowland pointing her finger towards a female security guard during their heated exchange.But according to insiders, Rowland was not the instigator in the incident.“The people who are assigned to helping stars walk the red carpet were being aggressive and Kelly was trying to ignore it,” a source claimed to the Daily Mail Wednesday.They continued: “By the time she got to the last woman she had had it because she scolded Kelly and told her to move when she was trying to wave to fans and help the paparazzi get their shot.”Rowland appeared to be enjoying herself at the glitzy premiere before the incident. As the source noted, she was initially smiling and waving to fans in her gorgeous red gown with a long train as she made her way up the red carpet steps.But according to the insider, the former Destiny’s Child member isn’t bothered about being in the center of drama.“She doesn’t care if she comes across like a diva if she knows that she is advocating for herself,” said the source.

‘Parthenope’ Review: Paolo Sorrentino’s Love Affair With Naples Continues But This Time Through The Eyes Of A Woman – Cannes Film Festival - deadline.com - Britain - Italy - Illinois - city Naples - county Bay - county Hand - city Venice - county Love
deadline.com
21.05.2024 / 23:03

‘Parthenope’ Review: Paolo Sorrentino’s Love Affair With Naples Continues But This Time Through The Eyes Of A Woman – Cannes Film Festival

Paolo Sorrentino has done a wide range of films but until his most personal, The Hand Of God two years ago (a prize winner in Venice) he had not returned to Naples, the land of his youth except for the very first feature he made, 2001’s One Man Up. Since then though he has been to Cannes with his films 6 times, and his impressive list of movies have included The Consequences Of Love, Il Divo, Loro, and his Oscar winning The Great Beauty. There have been more mixed reactions for his starry English language films as well like Youth and This Must Be The Place, but Italy seems to drive his creative mojo and may be closest to his heart is the current phase of his filmmaking career when he has found new inspiration by going back to his youth, first in The Hand Of God which closely reflected his own coming of age in Naples, and now his latest, Parthenope which reflects the youth he wished he had experienced. Instead he moved away to a whole new career in film (that was indicated at the end of Hand Of God). It had its World Premiere at the Cannes Film Festival Tuesday night.

Kelly Rowland appears to scold security guard on Cannes Film Festival red carpet in heated exchange - nypost.com - Britain
nypost.com
21.05.2024 / 21:39

Kelly Rowland appears to scold security guard on Cannes Film Festival red carpet in heated exchange

Cannes Film Festival Tuesday. Photos from the event show Rowland smiling at the crowd as she walked up the red carpet steps to go into the theater — before she seemingly got into a heated exchange with a female security guard. The former Destiny’s Child member looked upset and angry as she pointed her finger toward the woman.

‘Ghost Cat Anzu’ Review: Innovation Meets Narrative Struggle In Animated Feature – Cannes Film Festival - deadline.com - Japan - Tokyo
deadline.com
21.05.2024 / 21:13

‘Ghost Cat Anzu’ Review: Innovation Meets Narrative Struggle In Animated Feature – Cannes Film Festival

Ghost Cat Anzu is an intriguing conceptualization for an animated film, existing in a realm similar to Hayao Miyazaki’s Spirited Away yet also standing as its antithesis.

‘Marcello Mio’ Receives Eight-Minute+ Bravos At World Premiere – Cannes Film Festival - deadline.com - France - Italy - Rome
deadline.com
21.05.2024 / 21:13

‘Marcello Mio’ Receives Eight-Minute+ Bravos At World Premiere – Cannes Film Festival

Now a Cannes veteran, French filmmaker Christophe Honoré has returned to the Competition with the world premiere of Marcello Mio, his French-Italian comedy that stars longtime collaborator Chiara Mastroianni — who, in the film, adopts the persona and appearance of her late father, Marcello Mastroianni. The movie received applause that lasted a touch over eight minutes during its unveiling this evening.

‘The Shrouds’ Review: Body Horror Master David Cronenberg Loses The Plot In A Tangle Of Conspiracy Theories – Cannes Film Festival - deadline.com
deadline.com
20.05.2024 / 23:33

‘The Shrouds’ Review: Body Horror Master David Cronenberg Loses The Plot In A Tangle Of Conspiracy Theories – Cannes Film Festival

When his wife died, Karsh tells the blind date he has asked to lunch, he had an overwhelming urge to jump into the coffin with her rather than see her sent away alone. Instead, he contrived a way to straddle the worlds of the living and the dead, setting up a luxury cemetery where the dead are wrapped in metallic shrouds that are like camera blankets. Above ground, there are screens over each grave on which you can watch your loved one disintegrating.

Selena Gomez cries over lengthy standing ovation for ‘Emilia Perez’ at Cannes Film Festival - nypost.com - France - Mexico - county Love
nypost.com
19.05.2024 / 20:03

Selena Gomez cries over lengthy standing ovation for ‘Emilia Perez’ at Cannes Film Festival

Cannes Film Festival. The actress and singer, 31, was moved to tears after her new film, “Emilia Perez” received a 9 minute-long standing ovation at the Cannes Film Festival on Saturday. This marked the longest standing ovation for any movie premiere at the France-based cinema bash so far this year.A Variety video shows Gomez smiling and tearing up as the crowd cheers after watching her performance in the film.Directed by Jacques Audiard, “Emilia Perez” is about a Mexican cartel leader, played by Karla Sofía Gascón, who is seeking gender-affirming surgery.

‘Armand’ Review: Renata Reinsve Shines In Halfdan Ullmann Tøndel’s Intense School Drama – Cannes Film Festival - deadline.com - Sweden - Norway - county Person
deadline.com
18.05.2024 / 14:27

‘Armand’ Review: Renata Reinsve Shines In Halfdan Ullmann Tøndel’s Intense School Drama – Cannes Film Festival

Three years ago, Cannes audiences fell in love with Renata Reinsve, the titular star of Norwegian competition entry The Worst Person in the World. Chances are, they won’t be quite as well disposed to her character in this austere drama from fellow countryman Halfdan Ullmann Tøndel, grandson of Norwegian actress Liv Ullman and Swedish auteur Ingmar Bergman. Tøndel’s lineage should give you a fair idea of what’s in store here, but, surprisingly, Armand doesn’t dig especially deep into the human psyche, finally falling into a strange no man’s land between intense character drama and jet-black comedy.

‘Oh, Canada’ Review: Richard Gere And His ‘American Gigolo’ Filmmaker Paul Schrader Reunite For Reflective Drama About Truth, Regrets And Mortality – Cannes Film Festival - deadline.com - USA - Canada
deadline.com
17.05.2024 / 21:55

‘Oh, Canada’ Review: Richard Gere And His ‘American Gigolo’ Filmmaker Paul Schrader Reunite For Reflective Drama About Truth, Regrets And Mortality – Cannes Film Festival

Hard to believe it has been 44 years since Paul Schrader and star Richard Gere last worked together on 1980’s seminal American Gigolo, a film that became not just a keystone in Gere’s celebrated career but also one for one Schrader’s as one of his earliest directorial credits. Of course he has written some of the great screenplays, particularly in his collaborations with Martin Scorsese on Raging Bull, The Last Temptation of Christ and Taxi Driver. But it is what interests him now a half century later as a writer-director that continues to fascinate.

‘Three Kilometers To The End Of The World’ Review: Emanuel Parvu’s Drama An Expansive Tale Of Corruption And Lies – Cannes Film Festival - deadline.com - Romania
deadline.com
17.05.2024 / 19:55

‘Three Kilometers To The End Of The World’ Review: Emanuel Parvu’s Drama An Expansive Tale Of Corruption And Lies – Cannes Film Festival

When Adi (Ciprian Chiujdea) is beaten up outside the one dance club in the village where he grew up, his father takes up the cudgels, chivvying the local police chief into finding out who did it. It would be obvious enough to anyone but dad Dragoi (Bogdan Dumitrache) that this is a straight-up case of gay-bashing, which would seem to signal that Emanuel Parvu’s Cannes Competition title Three Kilometers to the End of the World, a slice of Romanian life, will be a worthy but familiar story of a boy’s coming out to a hostile world. Indeed, bloodied Adi with his black eyes and traumatic lesions is soon being punished, locked in his room by his parents as his desperate mother prays to the icons on the wall for guidance. We have undoubtedly been down this donkey-track before. 

‘Kinds Of Kindness’ Review: Yorgos Lanthimos’ Latest Is Puzzling, Brilliant, Funny … And Not Easy To Like – Cannes Film Festival - deadline.com - city Sandwich
deadline.com
17.05.2024 / 17:03

‘Kinds Of Kindness’ Review: Yorgos Lanthimos’ Latest Is Puzzling, Brilliant, Funny … And Not Easy To Like – Cannes Film Festival

Who is RMF? We never do find out. Yorgos Lanthimos’ trio of stories in Kinds of Kindness are titled The Death of RMF, RMF is Flying and RMF Eats a Sandwich. 

‘Ghost Trail’ Review: Adam Bessa Electrifies a Tense Refugee Revenge Thriller - variety.com - Germany - Syria - Beyond
variety.com
17.05.2024 / 05:45

‘Ghost Trail’ Review: Adam Bessa Electrifies a Tense Refugee Revenge Thriller

Jessica Kiang If the best revenge is living well, it is a truism that has not yet taken root for Hamid (a riveting Adam Bessa), the dark, scarred heart of Jonathan Millet‘s brooding, gripping “Ghost Trail.” Outside his soon-to-be-revealed mission, Hamid barely has a life at all, placing him firmly in the genre tradition of the taciturn, traumatized hero whose obsessive pursuit of his quarry leaves little room for anything beyond the constant, careful stoking of his rage, grief and survivor’s guilt. Millet’s expertly tooled movie is far from the first to derive its moral stakes from the desire to find some measure of redress for the victims and survivors of political violence, but it is among the best to also crossbreed this familiar archetype with the urgency and topicality of the Syrian refugee crisis.

‘Rendez-Vous Avec Pol Pot’ Review: Rithy Panh’s Return To The Killing Fields Spotlights Importance Of Today’s Conflict Journalists – Cannes Film Festival - deadline.com - France - Thailand - Cambodia - county Becker
deadline.com
16.05.2024 / 20:07

‘Rendez-Vous Avec Pol Pot’ Review: Rithy Panh’s Return To The Killing Fields Spotlights Importance Of Today’s Conflict Journalists – Cannes Film Festival

Rithy Panh has dedicated the lion’s share of his career to interrogating the genocidal Khmer Rouge era in his native Cambodia, and it is no trivial obsession. Panh fled Phnom Penh when he was just 11, and after his family was devastated in the Killing Fields, he escaped to a Thai refugee camp at 15. Now 60, Panh has been committed to keeping the memory of the impact of Pol Pot’s tyrannical regime alive in documentary, narrative and animated film.

‘Megalopolis’ Review: Francis Ford Coppola’s Mad Modern Masterwork Reinvents The Possibilities Of Cinema – Cannes Film Festival - deadline.com - France
deadline.com
16.05.2024 / 19:41

‘Megalopolis’ Review: Francis Ford Coppola’s Mad Modern Masterwork Reinvents The Possibilities Of Cinema – Cannes Film Festival

“When we leap into the unknown, we prove that we are free,” says Cesar Catalina, the futuristic architect at the beating heart of Francis Ford Coppola’s Megalopolis (to give it its full title), a mad eco-sci-fi blockbuster some 40 years in the making. Catalina says it several times, and it’s one of the more succinct aphorisms that he spouts in a script that is stuffed with seemingly random literary allusions from the likes of Petrarch, Crassus and Marcus Aurelius to Goethe, Shakespeare, H.G. Wells and Ralph Waldo Emerson. Watching Anthony Mann’s The Fall of the Roman Empire and eating cheese afterwards would be the only way to replicate its fever-dream grandeur, a series of stunning images, carried along by the loosest of plots, that pontificate on the self-destructive nature of humankind, the only species capable of civilizing itself to death.

‘On Becoming A Guinea Fowl’ Review: Family Secrets Unravel In Rungano Nyoni’s Zambian Funeral Drama – Cannes Film Festival - deadline.com - Guinea - Zambia
deadline.com
16.05.2024 / 14:31

‘On Becoming A Guinea Fowl’ Review: Family Secrets Unravel In Rungano Nyoni’s Zambian Funeral Drama – Cannes Film Festival

Rungano Nyoni made her name in 2017 with her Directors’ Fortnight entry I am Not a Witch, a surreal comedy of sorts in which a young Zambian girl named Shula is forced to choose between being turned into a goat or confessing that she is a witch. Opting for the latter, Shula is sent to a witch camp and put to work in the service of the community, the source of some uncomfortable satire, creating a space for Nyoni to explore the points of conflict between superstition and civilization in modern African society.

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