France’s Capricci swoops on Hong Sangsoo’s Directors Fortnight Title ‘In Our Day’

Mikhaël Hers is known for his precise, intentional, fulfilling films that effortlessly capture the beauty in the stories he is telling and his 2022 film, “The Passengers Of The Night,” is no different. And now, the filmmaker’s fans are going to get a chance to see the acclaimed film in theaters.  READ MORE: ‘The Passengers Of The Night’ Review: Charlotte Gainsbourg Eventually Finds Her Way A Moody, Melancholic Drama [Berlin Film Festival] Premiering at the Berlin International Film Festival, this melancholic drama is set in Paris, France in 1981.

Prof Kathleen Stock is the daughter of a council boss who introduced a four-day working week. Riz Possnett’s mother Liz Watts was working on a PhD thesis on the topic when South Cambridgeshire District Council last year became the first to implement a trial to cut hours while staff remain on the same pay. The 19-year-old’s father Robert Possnett is an Extinction Rebellion protester who has been arrested a number of times.

Tan France and his husband Rob are making an exciting announcement!

Tan France is a new dad again! The star welcomed a second child with his husband, Rob France, over the weekend. The couple introduced their newborn by sharing a sweet family photo on Instagram, with Rob holding up their eldest son, Ismail, who turns two in July. Opting to keep their children's images private, Ismail's face is covered by an emoji. «Welcome baby boy #2, Isaac France, born this past weekend.

Leo Barraclough International Features Editor International sales house Totem Films has closed distribution deals in multiple territories for “Blackbird Blackbird Blackberry,” which had its world premiere in Directors’ Fortnight in Cannes. The company also closed a deal for France for another Directors’ Fortnight film, “A Song Sung Blue.” “Blackbird Blackbird Blackberry” was sold to France (Capricci), U.K. (New Wave), Benelux (Vedette), Sweden (Folkets Bio), Greece (Ama Films), Czech Republic (Artcam), and Germany (Eksystent). More deals are in negotiation. The distributor in Switzerland is Frenetic. The film, directed by Elene Navierani, centers on Etero, a 48-year-old woman living in a small village in Georgia. Etero never wanted a husband and cherishes her freedom as much as her cakes. But her choice to live alone is the cause of much gossip among her fellow villagers.

Neon has continued its remarkable streak of consecutive Palme d’Or wins with English and French-language drama Anatomy Of A Fall.

UK director Molly Manning Walker’s first film How To Have Sex won the top prize in Cannes Un Certain Regard on Friday evening.

Pierre Creton, has won the SACD Prize, awarded by France’s Writers’ Guild for the best French-language movie in the section. Written by Mathilde Girard, Cyril Neyrat and Vincent Barré, and directed by Creton, who combines his film career with work as an agricultural labourer, “A Prince” has weighed in at this year’s Directors Fortnight as one of the most singular of titles, whose central narrative turns on a horticultural student, Pierre-Joseph. His mentors, botany teacher Alberto and plant nursery owner Adrien, soon become his lovers.

John Hopewell Chief International Correspondent “Creatura,” the feature debut of Elena Martín, exploring female sexual desire and repression, has won this year’s 20th Europa Cinemas Cannes Label for best European Film at the 2022 Cannes Directors’ Fortnight. Announced Thursday by Europa Cinemas, ahead of the closing ceremony this afternoon, the prize is one of two at Directors’ Fortnight, and awarded by one of the sidebar’s partners, given the section is non-competitive.   A second partner plaudit, the SACD Prize, handed out by France’s Writers’ Guild, will be announced simultaneously to the Europa Cinemas Label. 

Spanish director Elena Martín Gimeno’s Creatura has won the Europa Cinemas prize as Best European Film at Directors’ Fortnight.

Elsa Keslassy International Correspondent Hong Sang-soo’s latest film “In Our Day,” which will premiere on closing night of Cannes’ Directors Fortnight, has been acquired by Cinema Guild for North America. Cinema Guild will release the film in theaters following its North American festival premiere later this year. “In Our Day” stars Kim Minhee as Sangwon, an actress who has recently returned to South Korea and is temporarily staying with her friend, Jungsoo (Song Sunmi), and her cat, Us. Elsewhere in the city, the aging poet Uiju (Ki Joobong) lives alone, his cat having recently passed away. On this ordinary day, each of them has a visitor: Sangwon is visited by her cousin, Jisoo (Park Miso) and Uiju, by a young actor,Jaewon (Ha Seongguk). Each of them wants to learn about a career in the arts, but they alsohave bigger questions.

Hong Sangam is soo’s In Our Day, the closing night film at Cannes’ Directors’ Fortnight sidebar, has sold to Cinema Guild for North America.

Martin Dale Contributor “Légua” by Filipa Reis and João Miller Guerra has its world premiere in Directors Fortnight. Reis and Miller Guerra previously co-helmed the Cape Verde-set debut feature, “Djon Africa” (2018), and several documentaries. “Légua” is produced by the company, Uma Pedra no Sapato, which Reis founded in 2008 and ranks as one of Portugal’s leading independent production companies. The pic is set in the rural village of Légua in the North of Portugal, between Amarante and Marco de Canaveses. One of the main characters is an old country house that has been deserted by its heirs and is looked after by the ailing elderly housekeeper, Emilia, assisted by Ana (played by Carla Maciel (“Diamantino”), whose husband emigrates to work in France, leaving her to look after Emilia and her own restless teenage daughter, Mónica.

The wait is finally over. Beyoncé's much-anticipated RENAISSANCE World Tour is officially under way, with the superstar having kicking things off at the Friends Arena in Stockholm, Sweden.

Naman Ramachandran After his debut feature “Titli” bowed at Cannes’ Un Certain Regard strand in 2014, Kanu Behl is back on the Croisette with “Agra,” which has its world premiere at the Directors’ Fortnight. ” ‘Agra’ grasps the reality of patriarchy in India through the prism of male sexual misery,” is how the festival describes the film. It follows Guru, a young single call center employee who still lives with his parents. Consumed by frustration, he plunges into a fever bordering on insanity, between pathetic fantasies, dating apps and hysterical self-harm. The film also explores the role property can play in a young man’s emancipation. After the theatrical release of “Titli” in India and France in 2015, Behl began thinking about what to do next. “I realized that I had felt a certain sexual repression or an inability to express myself sexually in my adolescent years,” Behl told Variety. The filmmaker realized that he was not an isolated case and saw many examples around him. “There is this almost very common delayed sexual maturity that happens in India and I really started thinking about that,” Behl said adding that it is a subject not spoken about.

EXCLUSIVE: France tv distribution has launched sales on French director Benoît Jacquot’s upcoming crime thriller Belle starring Charlotte Gainsbourg and Guillaume Canet.

Manchester United have made contract with Paris Saint-Germain about signing Neymar, according to reports.

Directors’ Fortnight, a parallel section of the Cannes Film Festival, is planning to screen a programme of films from its selection at an event in Tokyo, Japan this December. 

Patrick Frater Asia Bureau Chief “In Our Day,” the film by South Korean auteur Hong Sang-soo which closes the Directors’ Fortnight section of the Cannes film festival, has seen distributors in multiple territories move early to strike rights deals. French rights were picked up by Capricci), Spanish rights by L’Atalante Cinema and Greek rights by Ama Films. The film has its official premiere on May 25. Seoul-based Finecut has long been the sales agent for Hong’s plentiful output. In addition to the deals on “In Our Day,” Finecut signed agreements with L’Atalante, with France’s Ariona Films and Taiwan’s Cola Films for “In Water,” Hong’s first film of 2023 which premiered in the Encounters section in Berlin in February. The film was previously sold to Cinema Guild for North America.

Christopher Vourlias Debutante director Ramata-Toulaye Sy will join one of world cinema’s most select clubs when she climbs the stairs of the Grand Theatre Lumière on May 20 for the premiere of “Banel & Adama,” which unspools in the main competition at the Cannes Film Festival. It marks just the second time in the French fest’s 76-year history that a Black woman will compete for the Palme d’Or, a glass ceiling that was shattered only four years ago by Sy’s French Senegalese compatriot, Mati Diop (“Atlantics”). While acknowledging the honor, it is a club, Sy admits, about which she has some ambivalence. “I really hope that soon all this will be taken for granted — that we won’t be counting the Black directors, that we won’t be counting women,” the helmer tells Variety. “It means that there’s still something wrong, that there’s still something that hasn’t become completely normal and natural.”