‘Firebrand’ Review: Jude Law and Alicia Vikander Aren’t Sexy in Drama About Henry VIII’s Last Wife

Spider-Man: Across The Spider-Verse is a film that is as visually stunning as it is philosophical. After the first chapter of Miles Morales’ journey in 2018, (Into The Spider-Verse) directors Kemp Powers, Justin K. Thompson, and Joaquim Dos Santos bring the spectacle that is nothing short of a woven tapestry of comic book realness. With an action-packed concept, it’s a roller-coaster ride through alternate realities and timelines as the viewer is introduced to hundreds of Spider-people.

Nick Vivarelli International Correspondent Italy’s RAI Cinema, which has four titles in this year’s Cannes selection, has closed a deal on Ron Howard’s next movie “Origin of Species,” a hot project at the Cannes market starring Daisy Edgar-Jones, Ana de Armas, Jude Law and Alicia Vikander. RAI Cinema chief Paolo Del Brocco said the company – which is the film arm of Italian state broadcaster RAI – has teamed up with Rome-based Lucisano Media Group to acquire Italian rights from CAA Media Finance on Howard’s survival thriller penned by Noah Pink (“Tetris”) about a a group of eclectics who turn their backs on civilization and head to the Galapagos. In Cannes, RAI Cinema also picked up Italian rights from Gaumont on family movie “Moon The Panda,” by French humans and animals adventures specialist Gilles de Maistre, known for “Mia and the White Lion”and “The Wolf and the Lion.” De Maistre’s latest, about the friendship between a boy and a panda, is set to shoot later this month in China’s Sichuan mountains.

Adding more context to the drama. Vanderpump Rules fans got even more surprises if they tuned into Peacock’s extended version of the season 10 reunion.

It’s widely know that Henry VIII, the Tudor king, had a particularly grim batting average when it came to matrimony.

Everything did not come up smelling like roses for Jude Law‘s latest role.

Louis Staples It was an earthquake that broke the pop-cultural Richter scale: the revelation that “Vanderpump Rules”stars Tom Sandoval and Raquel Leviss were having a secret seven-month affair behind the backs of their closest friends. But there was one of their co-stars who didn’t find the news of the affair quite so shocking: Lala Kent. Kent was the first cast member to suspect that Sandoval was cheating on Ariana Madix,  his girlfriend of nine years. Madix found out herself when she discovered an explicit video on Sandoval’s phone, and, as Variety detailed in a May 17 interview with “Vanderpump Rules” executive producer Alex Baskin, by the time TMZ broke the story on March 3, Bravo’s cameras were already at the Valley Village home she and Sandoval share to capture the fallout. Those astonishing scenes aired during last week’s season finale.

 like roses for Jude Law's latest role. The two-time Oscar nominee is set to star as King Henry VIII in Karim Aïnouz's opposite Alicia Vikander, who will portray Catherine Parr, the last of Henry's six wives. To physically portray Henry in his final years, Law sought the help of a perfumer to give himself a realistic — and seemingly awful — scent as the ailing king. «I read several interesting accounts that — at this period — you could smell Henry three rooms away because his leg was rotting so badly and he hid it with rose oil,” Law said during a press conference at the Cannes Film Festival on MondayI just thought it would have a great impact if I smelt awful.»As a result, a perfumer created a custom concoction to fit the bill.

for minutes of applause. So entrenched is this French farce that trade publications routinely time the euphoria and judge the response to the new films based on the length of the cheering at the Grand Théâtre Lumière. Cannes’ longest-ever roar? Guillermo del Toro’s “Pan’s Labyrinth,” which premiered there in 2006, at 22 minutes. This year’s fest is in full swing, and so is the ceaseless hand-slapping.Here are Cannes’ standing ovations so far, from triumphant to tepid.The most ecstatic response to a film so far at this year’s festival, which runs until May 27, was for Martin Scorsese’s latest drama. The historical movie from Apple and Paramount brings together two popular Scorsese stalwarts, Leonardo DiCaprio and Robert De Niro, plus last year’s Best Actor Oscar winner Brendan Fraser and Jesse Plemons.

Jude Law and Alicia Vikander step out for the photo call in support of their new movie Firebrand during the 2023 Cannes Film Festival.

Jude Law and Alicia Vikander step out for the photo call in support of their new movie Firebrand during the 2023 Cannes Film Festival.

Firebrand,” a historical drama that follows the marriage of the king and Queen Catherine Parr, his sixth and final wife — played by Alicia Vikander.In order to get into the role, the actor had a repulsive perfume blended from “blood, fecal matter and sweat” specially made to wear while shooting the movie.“I read several interesting accounts that you could smell Henry three rooms away. His leg was rotting so badly.

Jude Law wore a horrifying concoction of scents, a pungent blend of “blood, fecal matter and sweat,” to play Henry VIII in “Firebrand,” a historical drama about the final days of the king and his sixth and last wife Katherine Parr. “I read several interesting accounts that you could smell Henry three rooms away. His leg was rotting so badly. He hid it with rose oil,” Law said at Monday’s Cannes Film Festival press conference for “Firebrand,” which debuted at the Palais a day prior. “I thought it would have a great impact if I smelt awful.” So, he went to perfume specialist to create a custom, revolting blend of smells. “She makes wonderful scents, and she also makes awful scents. She somehow came up with this extraordinary variety of blood, fecal matter and sweat.”

So, Jude Law, when do you really think of the British monarchy after playing one of the worst kings in history, the wife slaying, Henry VIII, in Firebrand?

The 76th annual Cannes Film Festival brought Hollywood's biggest movie stars to France to showcase the hottest up-and-coming flicks. While cinema was the reason for the season, fashion kept the red carpet buzzing as barely-there ensembles ruled the Palais des Festivals. Irina Shayk stood out from the crowd wearing a unique black leather strap fashioned into a crop top with a matching skirt at the "Firebrand (Le Jeu De La Reine)" premiere.

Alicia Vikander and Michael Fassbender looked all loved up on the red carpet for the premiere of her new movie, Firebrand.

Jude Law and Alicia Vikander led stars on the red carpet at the Cannes Film Festival ahead of the premiere of their new film Firebrand. The historical drama, based on Elizabeth Fremantle’s 2013 novel Queen’s Gambit, explores the life of Catherine Parr – the sixth and final wife of Henry VIII. Law stars as the notorious King of England while Oscar-winning actress Vikander plays Parr in the film which is the English-language debut for its director, Brazilian filmmaker Karim Ainouz.

Most movies about England’s King Henry VIII like to focus on the mercurial monarch’s failed marriages. His six wives have been collectively described as divorced, died, beheaded, divorced, beheaded, survived. That last one, the little talked-about Katherine Parr, had the distinction of outlasting Henry — their marriage was about four years as he started to succumb to the result of hard living. She was there during that time, but also a wife who if she weren’t so connected to the King easily could have qualified as a feminist. She not only was the first English woman to have a book published, was privately a radical Protestant in an England that had been staunchly Catholic, but also a sharply intelligent woman who had a head on her shoulders and was determined to keep it there.

Sunday night at the 76th Cannes Film Festival was all about the world premiere of the Jude Law and Alicia Vikander Henry VIII period pic Firebrand, which received a royal response from the crowd in the Grand Theatre Lumiere with an eight and a half minute standing ovation.

Peter Debruge Chief Film Critic Tudor, or not Tudor. That is the question in “Firebrand,” a revisionist royal portrait of Henry VIII’s last wife, Katherine Parr (played here by Alicia Vikander), that features all the pageantry you’d expect from a lavish costume drama, while showing the ahistorical audacity to call “Time’s Up” on the gluttonous king (Jude Law). Never mind that Henry VIII died — of very different causes than the movie depicts — all of 476 years ago. When it comes to art, there’s no statute of limitations on taking toxic masculinity to task, which can be both encouraging (since history has excused no shortage of monsters) and frustrating. There’s a big difference between exposing the truth and rewriting what came before to suit a contemporary political agenda, the way this movie does. Liberally adapted from Elizabeth Fremantle’s fast-and-loose historical fiction “The Queen’s Gambit,” director Karim Aïnouz’s tony British production needn’t try hard to demonstrate that Henry was a notoriously bad husband.

It’s a solemn command from Firebrand’s first assistant director Lydia Currie: “When you bow to the king, bow straight down,” she announces. “Don’t look at him; you’ll get your head cut off.” The fearsome monarch Currie is referring to is Henry VIII, and on this particular day, Jude Law’s king is in an ax-swinging mood. The background artists on Karim Aïnouz’s set comply to orders and stare down at their toes. Before them, seated on thrones arranged on a raised plinth, is the potentate in question, and Katherine Parr, his queen.