Emilia Clarke Is ‘Avoiding’ Watching House of the Dragon: ‘It’s Too Weird'

Once upon a time ago, you’ll recall a little platform called Quibi. Founded by Jeffrey Katzenberg, Quibi was a short-lived American short-form streaming platform that generated content for viewing on mobile devices.

Animated fairy tale The Amazing Maurice voiced by Emilia Clarke, Hugh Laurie, David Thewlish, Gemma Arterton and Himesh Patel, jumps from Sundance to 1,700 screens via Viva Pictures, the distributor’s widest release to date and a big one for any independently produced animated film.

with another TikTok, clarifying once and for all that she is not worth anywhere near $30 million. And even though she could probably (emphasis on probably) afford a bigger place, she wants her son to grow up “in the real world.” Before showing followers around the small two-bedroom apartment she shares with her son Valentino, Fox said in her TikTok that she knew she was going to get “roasted,” but she believes in “maximum transparency” and hoped that her apartment would be relatable to people. “For me personally, I don’t like excessive displays of wealth,” she said.

Daenerys Targaryen isn’t watching her own family’s show?

Moving on. Emilia Clarke revealed that her days of fire and blood are over after Game of Thrones, and she has no plans to watch House of the Dragon.

Margaret Atwood said it best: “Men are afraid that women will laugh at them. Women are afraid that men will kill them.” This age-old discrepancy in the way the two genders experience the world is written both at the initial frame and very heart of Susanna Fogel’s mercurial “Cat Person,” a fiendishly playful relationship-gone-bad quasi-thriller with a sense of humor about its own unknowability.

Margaret Atwood said it best: “Men are afraid that women will laugh at them. Women are afraid that men will kill them.” This age-old discrepancy in the way the two genders experience the world is written both at the initial frame and very heart of Susanna Fogel’s mercurial “Cat Person,” a fiendishly playful relationship-gone-bad quasi-thriller with a sense of humor about its own unknowability.

Emilia Jones earned a lot of attention as the star of 2021’s big Sundance winner and eventual Best Picture Oscar winner CODA, and the praise should be continuing this year as she not only stars in Cat People, but also Fairyland, which had its world premiere in Park City today.

Sunday’s debut of The Way Home starring Andie MacDowell and Chyler Leigh helped the Hallmark Channel to become the most-watched entertainment cable destination of the week and weekend in total day and primetime among key demos, according to Nielsen results.

PARK CITY – When a toddler age Alysia Abbott moved to San Francisco with her father Steve in 1973 her life took a decidedly different direction. She was raised in what today would still be considered unconventional circumstances (no, it wasn’t in a commune).

If you’ve ever found yourself having misgivings about Siri or Alexa or some other personification of Artificial Intelligence taking a troubling interest in your life, the opening minutes of Sophie Barthes’ “The Pod Generation” may well give you the creeps. In a matter of minutes, as Rachel (“Game of Thrones” star Emilia Clarke) gets up and goes about her morning routine, we meet an AI household that talks to her, tests her levels (from blood to bliss), suggests an outfit for the day and tries to talk her into getting out more.

“We can’t live in the past!” Rachel (Emilia Clarke) tells her husband Alvy (Chiwetel Ejiofor).  “Things are evolving!” She should know; she spends her days creating AI companions and coordinating automation (her latest big triumph appears to be a combination of virtual assistant, friend, and mood ring). But Alvy, as she puts it, “studies plants… and plant-like things,” taking horticulture students out to fig trees and saying things like, “The texture is completely different when it’s fresh from the tree.” READ MORE: 25 Most Anticipated Films At The Sundance Film Festival So it’s a real opposites-attract situation, the old-school luddite and the literal creator of artificiality, and there are therefore obvious disagreements over her rather unilateral decision to take advantage of her company’s offer to set her up at “The Womb Center” (“It is our hottest perk – we we just want to retain the best and brightest women”).

Emilia Clarke and Chiwetel Ejiofor star in The Pod Generation written and directed by Sophie Barthes, and starts with Rachel (Clarke) imagining she’s pregnant–but it was just a dream. Her smart home helps her begin the day with 3D printing toast, making coffee, and picking her outfit for the day. Her husband Alvy (Ejiofor) is a bit more grounded. He’s a botanist and professor who encourages his wife and his students to reconnect with nature. Rachel hasn’t told her husband that she’s on the waiting list for Pegazus womb clinic (a place that grows babies in pod eggs), and her consultation date is finally arriving.

EXCLUSIVE: Jonas Dassler (The Golden Glove) has been tapped to play German pastor and theologian-turned-spy Dietrich Bonhoeffer in the thriller God’s Spy, based on a true story.

While Dana While says losing his UFC perch would be no punishment to him, Endeavor CEO Ari Emanuel has been slammed by the California Legislative Women’s Caucus for continued silence after a leaked video showed the sports boss punching his wife at a New Year’s Eve party in Mexico.