TikTok has become a thriving space for queer creators to showcase their talents.
26.05.2023 - 05:21 / variety.com
Terry Flores Pixar vice president and creative director Peter Sohn will talk about his new animated film “Elemental” at the VIEW Conference in Turin, Italy, which runs from Oct. 15-20. Sohn will attend the conference in person to discuss the creative journey he took to bring the story to the screen. “I’m so excited to welcome Peter Sohn to VIEW Conference 2023,” says conference director Maria Elena Gutierrez. “Peter is a true force of nature – a multi-talented storyteller, film director, animator, actor; you name it. In bringing his unique energy and wisdom to VIEW Conference, he is certain to leave our global audience feeling energized and inspired.”
Sohn has been with Pixar since 2000, working on such Pixar classics as “Finding Nemo,” “The Incredibles” and “WALL-E.” He directed the 2009 short film “Partly Cloudy” before making his feature directing debut with “The Good Dinosaur” in 2015. In addition to working in the art, story and animation departments, Sohn has also voiced a number of Pixar characters, including Emile in “Ratatouille,” Scott “Squishy” Squibbles in “Monsters University” and SOX in last year’s “Lightyear.”
Each October, the VIEW Conference brings together an array of industry professionals, thought leaders and enthusiasts to share insights about the fields of animation, VFX and games. The conference features speakers, presentations, workshops and masterclasses from some of the biggest names in the business. Other speakers set for the conference include writer-director Henry Selick, who has helmed “Coraline,” “The Nightmare Before Christmas,” “James and the Giant Peach” and last year’s “Wendell & Wild.” Seleck will deliver an onstage presentation and preside over a workshop at the event. Also
TikTok has become a thriving space for queer creators to showcase their talents.
EXCLUSIVE: Cineverse (formerly Cinedigm) has picked up North American rights to the survival drama On Fire, co-directed by and starring Peter Facinelli (The Vanished), which is inspired by the true and harrowing events that transpired during one of Northern California’s most catastrophic wildfires.
There’s something particularly tragic about a boring Pixar movie, especially one that hardly carries any of the tenets that have made the animation company so legendary. It’s unfortunate when any good-willed film is bad, of course, but with all the good graces previously engendered by Pixar, watching the culmination of years of animation hardly add up to a memorable experience is a bummer.
Michelle Williams is playing the role of supportive wife tonight at the 2023 Tony Awards!
Karen Idelson While debates about the use of A.I. take center stage across the entertainment industry, the technology has been quietly assisting animation and visual effects crews for years. It had made some of the most astonishing visual images possible when artisans have been asked to do what was previously thought impossible. When helmer Peter Sohn wanted characters based on the elements of fire, water, air and earth for his new film “Elemental,” VFX supervisor Sanjay Bakshi and his team at Pixar looked to A.I. to make the process smoother. The look of the characters depended on adjustments that would align them with Sohn’s vision. “We used A.I. for a very specific kind of problem, and we used a machine learning algorithm called neural style transfer,” says Bakshi. “Our animation is so highly scrutinized. We go through so many review cycles for every shot and the animators are really handcrafting it and there’s not a lot of places where machine learning is applicable in the current form.
The Spider-Man hype is at an all-time high lately. With Across The Spider-Verse out in theaters and now more information on Spider-Man 2, people are going wild. In Spider-Man 2 you will play as both Peter Parker and Miles Morales.
Jordan Moreau The Autobots are rolling out once again at the box office. “Transformers: Rise of the Beasts” picked up $8.8 million at the domestic box office in Thursday previews. It’s revving up to battle last week’s No. 1 movie, “Spider-Man: Across the Spider-Verse,” in its opening weekend. Paramount’s “Rise of the Beasts” is looking to bring in $50 million to $60 million this weekend, but its box office wheels may get caught in the web of “Across the Spider-Verse,” which is aiming for $45 million to $55 million in its sophomore outing. Last week, Sony’s Spidey sequel opened with a massive $120 million.
James Gunn and Peter Safran have been given the keys to the newly formed DC Studios. And the duo has already assembling the first wave of theatrical projects for the rebooted DCU, with Gunn’s “Superman: Legacy” (currently deep in the casting process) leading the charge.
A cold open introducing how a Transformer ends up on earth. An extended introduction to a nifty, somewhat nerdy girl into gizmos and gadgets.
Among the layoffs that took place at the Walt Disney Company were job cuts at Pixar that included the director and producer of Lightyear, Deadline has confirmed.
Peter Andre left GB News viewers divided as he presented the channel's breakfast show on Wednesday morning.The Mysterious Girl singer, 50, announced he would be presenting the show on Twitter on Tuesday, sharing a video of himself announcing the role. Captioning the video, he wrote: "I will be hosting the GB news Breakfast show tomorrow morning with @elliecostelloTV for my first ever time. Join us bright and early.
As we approach the long-awaited release of “The Flash,” the discussion about Ezra Miller and their abuse allegations and legal issues has not really died down. Though people are praising Miller’s performance in the film, there are still plenty of folks wondering if the actor is going to stay in the lead role if the character continues in the DCU under James Gunn and Peter Safran.
A brand new clip for Disney Pixar’s upcoming animation/comedy “Elemental” was unveiled by its stars at the 2023 Cannes Film Festival during a photocall on Friday.
Rebecca Rubin Film and Media Reporter There were more than a few misty eyes in the audience at the premiere of Pixar’s animated adventure “Elemental,” which closed out this year’s Cannes Film Festival. The sweet opposites-attract love story proved charming to attendees, closing out the festival with a five-minute standing ovation. At least one grown man in the orchestra was wiping away his cascading tears as the credits began to roll. It’s safe to assume he wasn’t alone in his emotional response to the film. “My heart is about to explode,” said ”Elemental” director Peter Sohn. “This film has been about the richness of diversity. Our lives are better when there are different points of view.”
Peter Debruge Chief Film Critic I reckon there are more ideas per second of screentime in “Elemental” than any other Pixar movie to date. So why does this imagination-teasing opposites-attract rom-com feel like a misfire? No one can accuse director Peter Sohn (“The Good Dinosaur”) or his team of under-thinking the ultra-creative studio’s latest high-concept feature, which takes the four elements as identified by various ancient cultures — Fire, Water, Earth and Air — and reimagines them as uneasy neighbors in a crowded modern metropolis. But fun as it can be to soak in the movie’s cheeky sense of detail (from flame-retardant costumes to blink-and-you-miss-them background puns), the whole scenario seems forced: so much world-building to tell a story better suited to flesh-and-blood human characters.
As a feat of pure visual craftsmanship, “Elemental” is anything but simple, often delighting the eyes with inventive character designs and trailblazing animation techniques. For that alone, the Pixar-produced, Peter Sohn-directed feature makes a fitting cap for this year’s Cannes Film Festival, closing the prestigious event with an incident rich and formally vibrant showcase for studio animation might.Though as return to form for Pixar itself – a rekindling of that fire that set hearts ablaze by wedding prodigious technique to (ahem) elementally simple metaphor – the film falls somewhat short of previous highs.
What has fallen flat at Pixar? This is the innovative animation studio that pushed all before it in the first decade of this millennium, that invented a way of turning the plastic finish of digital animation to its advantage in the towering Toy Story, that was prepared to start a film with a 20-minute scene with no dialogue in Wall-E – and revealed that kids didn’t care – and that would make an adventure film with a hero aged 78 years young in UP!. Kids didn’t care about that either, as it turned out, because Carl Fredricksen was a grumpy-gramps adventurer who also didn’t care what others thought of him. Pixar always had something new up its collective artistic sleeve. And yet here they are, coming out with a film as dull-witted and syrupy as Elemental.
The stars are stepping out for the premiere of Disney & Pixar’s new movie!
The stars of Disney’s upcoming Elemental just debuted a brand new clip at 2023 Cannes Film Festival!
Gary Kent, an actor, director and, most notably, stuntman whose career is thought to have been an inspiration for Quentin Tarantino’s Once Upon a Time in Hollywood, died Thursday at an assisted care facility in Austin, Texas. He was 89.