The Cannes Film Festival has this morning confirmed that Martin Scorsese’s Killers of The Flower Moon will get its world premiere on the Croisette on Saturday, May 20 in the Grand Théâtre Lumière.
13.03.2023 - 01:43 / variety.com
Ed Meza @edmezavar Daniela Fejerman and Elvira Lindo’s “Someone Who Takes Care of Me,” a celebration of actors, their passion, craft and historical legacy, opened this year’s Malaga Film Festival in a fitting tribute to the Spanish entertainment industry. The film, which screened out of competition, centers on three women whose careers have spanned stage, film and television, actresses of different generations whose fortunes in life have greatly differed and who struggle with untold secrets and unresolved conflicts. Aura Garrido stars as Nora, a young, award-winning actress with a promising future who carefully balances between the two main pillars in her life, her grandmother Lilith (Magüi Mira), who reigned for decades as a renowned theater star, and her mother Cecilia (Emma Suárez), whose career has languished after having achieved some glory in the 1980s, a decade of excess in which she heavily partook.
As Nora experiences success in her burgeoning career, the three women deal with misunderstood love, jealousy and mutual dependence. “Someone Who Takes Care of Me,” Fejerman and Lindo tell Variety, was “inspired by that type of woman who lived her youth intensely in the ’80s and on whom life has taken its toll. “Her daughter has always considered her somewhat irresponsible, somewhat frivolous, somewhat banal, until something happens for her to begin to inquire about the past of that woman, her mother, whom she really knows very little.” Lindo says the story she wrote “was really meant to be made into a movie. I called Daniela to see if she was interested and she was enthusiastic about the story and the idea of collaboration.” Lindo and Fejerman worked on the script together and it soon became clear they would
The Cannes Film Festival has this morning confirmed that Martin Scorsese’s Killers of The Flower Moon will get its world premiere on the Croisette on Saturday, May 20 in the Grand Théâtre Lumière.
Elsa Keslassy International Correspondent The Cannes Film Festival has confirmed that Martin Scorsese’s highly anticipated “Killers of the Flower Moon” will world premiere on the Croisette. The event will mark Scorsese’s first time presenting a film at Cannes since winning best director for “After Hours” in 1986. The festival has not yet specified whether the film will play in or out of competition. The Apple original film brings together a starry cast, led by Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Cara Jade Myers, JaNae Collins, Jillian Dion and Tantoo Cardinal. All of them are expected to hit the red carpet, along with additional cast and members of the filmmaking team, the festival said. The movie’s premiere is set for May 20, which falls on a Saturday, at the prestigious Grand Théâtre Lumière.
The Sands International Film Festival of St Andrews has set Stanley Tucci as a special guest for this year’s edition, where he will present a screening of his 1996 culinary comedy Big Night.
EXCLUSIVE: Venice Film Festival, Netflix and The Gotham Film & Media Institute are teaming up on a program of movies at iconic New York venue, the Paris Theater. Scroll down for program lineup in full.
The Late Late Show With James Corden on Wednesday (March 29), where he took part in the ‘Spill Your Guts or Fill Your Guts’ segment opposite his Dungeons & Dragons: Honour Among Thieves co-star Chris Pine.During the segment where contestants have to either answer a personal question or eat questionable food placed in front of them, Grant was asked which film he would remove from his IMDb page.With the option of eating a “worm and mayonnaise shepherd’s pie”, Grant replied: “The thing is, I would happily shred my CV because I specialised in being bad for decades really.”He added: “As you know, as someone in the industry, it’s one thing for me to say that I was bad, but I can’t bring down the rest of the wonderful colleagues who worked with me on any film by saying it was bad, so that’s my dilemma.”After a slight pause, Grant said: “The Lady And The Highwayman. Mid-Eighties, film made for television.
Producer Of Disney+’s ‘A Thousand Blows’ Staffs Up
In 1982, the same year Sir Ben Kingsley won his Best Actor Oscar for Gandhi, the year’s other big movie was Steven Spielberg’s E.T.: The Extra Terrestrial. Now, 40 years later, Kingsley has found his own E.T., a sort of combination of that classic with a bit of Cocoon, and perhaps The Father. But Jules, the new dramedy having its World Premiere as opening night of the Sonoma Film Festival, marches to its own sweet beat, and represents yet another game attempt to bring that older adult audience back to theaters. A smart distributor should take a close look.
Chrissy Teigen is a busy mom of three, to Luna, 6, Miles, 4, and 2-month old Esti, whom she shares with husband John Legend. But when she does make time for herself, the 37-year-old carves out time for therapy and quality time with her loved ones. «I'd be lying if I said that I did a ton for myself.
Ed Meza @edmezavar The Barcelona-set feature “La nit no fa vigília” and Argentine film “Hidden City” (“Ciudad Oculta”) won the Malaga Festival Work in Progress awards for Spanish and Latin American projects on Friday. “La nit no fa vigília” (which roughly translates to “The Night Does Not Keep Watch”) centers on a young man who lives with and cares for his aging, frail grandmother, but still finds time for a nocturnal social life. It was among the frontrunners to win at the awards ceremony. A joint project from a student collective comprising Laura Corominas Espelt, Laura Serra Solé, Clara Serrano Llorens, Gerard Simó Gimeno, Ariadna Ulldemolins Abad and Pau Vall Capdet, “La nit no fa vigília” also won the industry magazine Cine y Tele prize.
Ed Meza @edmezavar Estíbaliz Urresola Solaguren’s celebrated Spanish feature “20,000 Species of Bees” and Kattia G. Zúñiga’s Panamanian drama “Sister & Sister” took the top prizes at the Malaga Film Festival, garnering the Golden Biznagas for Spanish and Latin American pictures respectively. “20,000 Species of Bees” also won best supporting actress for Patricia López Arnaiz and picked up theSpanish Cinematographic Informers Association’s Feroz Puerta Oscura award. The film’s success follows two awards in Berlin, including a Silver Bear for Sofía Otero for her portrayal of a young girl going through a gender crisis. For Zúñiga, the Golden Biznaga is sure to help further propel “Sister & Sister,” an autobiographical story about two teenage sisters who travel from Costa Rica to Panama in search of their absent father.
Riley Keough shared what it was like for her to receive the Caméra d’or prize for her directorial debut in War Pony at the 2022 Cannes Film Festival.
Ed Meza @edmezavar This year’s Malaga Festival and its industry section’s Latin American Focus are celebrating Peruvian cinema and talent. A number of Peruvian films are screening in the festival and industry section, including “El Caso Monroy,” by Josué Mendez, and Leonardo Barbuy’s debut feature “Diógenes,” which unspool in the fest’s main section and Zonazine sidebar. As a meeting point for producers and directors from Latin American and investors from Spain and the rest of Europe, the Malaga Festival Industry Zone (MAFIZ) serves as a key hub that promotes the co-production of Latin American projects aimed at the international market.
A big feature of the TCM Classic Film Festival is providing world premieres of major restorations of some of those classics. This year’s 14th annual fest is no different as Turner Classic Movies has announced its opening night, April 13, will feature the premiere of a 4K restoration of Howard Hawk’s 1959 Western Rio Bravo, in partnership with Martin Scorsese’s Film Foundation, as part of the yearlong celebration of Warner Bros’ 100th anniversary.
Peter Debruge Chief Film Critic Two days after ”Everything Everywhere All at Once“ won seven Oscars, including best picture, the SXSW Film Festival, where Daniel Kwan and Daniel Scheinert’s movie launched last year, has announced its own awards. To be clear, “EEAAO” was a studio-backed opening night premiere (not one of the smaller movies launched in competition at the indie-focused fest), but you can still feel the excitement in Austin around the landmark Oscar win. After all, SXSW was the first festival to take Daniels seriously, awarding them top prize for their Battles music video (“My Machines”) in 2012. Will any of the movies or directors screening here this year go on to change film history?
Ed Meza @edmezavar Santiago Requejo has not only turned his hit short, “All in Favor,” into a theatrical play set to premiere in Buenos Aires in April, he’s also working on a feature film version. The award-winning work, which was shortlisted for this year’s live-action short film Oscar, sets the scene with a friendly meeting of apartment owners discussing a new elevator that becomes increasingly tense when they find out one of the neighbors has rented his flat to a work colleague with mental health issues. The stage adaptation, which Requejo co-wrote with Javier Lorenzo and Raul Barranco, begins with the story depicted in the short film and expands its. The play (titled “Votemos” in Argentina rather than “Votamos” as in Spain) premieres April 6 at the Teatro Metropolitan in Buenos Aires.
Patrick Frater Asia Bureau Chief The Far East Film Festival in Udine, Italy, is back in full force in 2023, celebrating its 25th anniversary edition from April 21–29. A key component of the celebrations will be a focus on the Asian films of the 1980s. “We have never programmed these films, nor put together this kind of program before,” says Thomas Bertacche, the FEFF’s co-head. “But these were the films and directors that inspired us to shape Udine into the festival that it is today.” Pitching the historical lineup as “hidden treasures,” the selection is expected to include early works by Japan’s Kurosawa Kiyoshi, Thailand’s Nonzee Nimibutr and South Korea’s Jan Sung-woo.
Ed Meza @edmezavar Filmax has acquired international rights to “Ashes in the Sky,” the first narrative feature from director Miquel Romans. The film is inspired by the life of Neus Català, a feminist and republican who, after fighting in the Spanish Civil War, was captured by the Nazis and sent into forced labor at a weapons factory in Czechoslovakia. There she became the head of an anti-fascist group of women known as the Gandulas Commando, which resisted the Nazis by sabotaging the factory. The film, based on the book of the same name by Carme Martí, stars Nausicaa Bonnín (“Dating in Barcelona”), Rachel Lascar (“Elite”), Iria del Río (“Visitor”), Thomas Sauerteig, Daniel Horvath (“The Burning Cold”), Fernando Corral, Laura Conejero, Roger Batalla, Natascha Wiese and Joaquín Caserza.
to have. It’s all in the book,'” Fallon mocked.
Patrick Frater Asia Bureau Chief The Asian premiere of Soi Cheang’s “Mad Fate” is just one of three locally-produced movies that have been set as the opening and closing titles of the upcoming Hong Kong International Film Festival. “Mad Fate” is joined in the festival opening slot on March 30 by “Elegies,” Ann Hui’s documentary portrayal of the topography of contemporary local poetry, which will have its world premiere. The closing film, another world premiere, is “Vital Sign,” an affecting drama directed by Cheuk Wan-chi and starring Louis Koo, Yau Hawk-sau, and Angela Yuen, which will wrap up proceedings on 10 April. In total, the festival has programmed some 200 films from 64 countries and territories. These include nine world premieres, six international premieres, and 67 Asian premieres.
Nick Vivarelli International Correspondent Kuwaiti-born writer-director Zeyad (also known as “Z”) Alhusaini, whose action movie with comedic undertones “How I Got There” recently won the audience award at Saudi Arabia’s Red Sea Film Festival, has joined United Talent Agency for representation in all areas. The groundbreaking film about two best buddies from childhood, named Salem and Asad, who stumble upon a gun shipment and try to seize this opportunity to get rich quick is set entirely in the Persian Gulf. “How I Got There” provides a relatively realistic glimpse of Kuwait’s present-day melting-pot of cultures, and its underworld of gun-running mercenaries, gangs, and terrorists, plus the local rap scene.