David O. Russell made his comeback last year with “Amsterdam,” his first movie since 2015’s “Joy.” But neither critics nor audiences took to the period ensemble film that much.
26.05.2023 - 18:51 / variety.com
Christopher Vourlias What’s in a name? For the Congolese Belgian rapper-turned-filmmaker Baloji, whose directorial debut, “Omen,” bows in the Cannes Film Festival’s Un Certain Regard section on May 22, it’s a question that poses itself whenever flustered immigration officials inspect his passport at the airport in Congo. “Always the same question, every time,” Baloji tells Variety. “Do you know what it means?” In the pre-colonial era, baloji meant “man of science” in Swahili, but the word became corrupted by Christian evangelists during the years of Belgian colonial rule. Today it is more akin to a man of occult sciences and sorcery. “Some people of faith do not dare to say my name in public for fear of invoking evil spirits and the suspicions that may accompany it,” the director says. “In such an animistic culture it is equivalent to being called devil or demon in the West.”
He admits it took a long time for him to come to terms with the stigma attached to that moniker, acknowledging now, “That name influenced the person I am.” Nowhere is that clearer than in Baloji’s startling directorial debut, a kaleidoscopic portrait of four characters accused of witchcraft that uses arresting visuals and magical-realist flourishes to blur the line between fantasy and reality. The film centers on Koffi, played by Marc Zinga (“Tori and Lokita,” “Dheepan”), a Belgian man who returns to his native Congo to make peace with his estranged family while struggling to navigate the traditions of his ancestral land. Pic is produced by Belgian company Wrong Men (“Zero Fucks Given,” “Annette”) and co-produced by Tosala Films, New Amsterdam, Special Touch Studios, Serendipity, RadicalMedia and Big World Cinema. Memento Intl. is handling world
David O. Russell made his comeback last year with “Amsterdam,” his first movie since 2015’s “Joy.” But neither critics nor audiences took to the period ensemble film that much.
EXCLUSIVE: Four-time Emmy winner Will Ferrell (Spirited) is in early talks to star as the NFL’s John Madden in Madden, a new film to be directed for Amazon/MGM by five-time Oscar nominee David O. Russell (American Hustle), multiple sources tell Deadline.
UK director Molly Manning Walker’s first film How To Have Sex won the top prize in Cannes Un Certain Regard on Friday evening.
Uk director Molly Manning Walker’s How To Have Sex won the top prize in Cannes Un Certain Regard on Friday evening.
With the Cannes Film Festival heading towards its conclusion on Saturday, the first awards are starting to trickle out. Sidebar Critics’ Week, which is devoted to first and second features, closed this evening, honoring Amanda Nell Eu’s debut Tiger Stripes with its Grand Prize. (Scroll down for the full list of winners).
Elsa Keslassy International Correspondent “Tiger Stripes,” the debut feature of Malaysian director Amanda Nell Eu, won the Grand Prize at Cannes’ Critics Week, the Cannes sidebar dedicated to first or second films. The prize was awarded by a jury presided over by Audrey Diwan, the Venice prizewinning director of “Happening.” The French Touch Jury Award went to Belgian director Paloma Sermon-Daï’s “It’s Raining in the House,” a film about adolescence, while the Revelation prize from the Louis Roederer Foundation was handed out to Jovan Ginic, the actor of Vladimir Perisic’s “Lost Country.” The SACD prize, meanwhile, went to “Le Ravissement” by Iris Kaltenbäck.
Nick Vivarelli International Correspondent Live sports streaming service DAZN and social analytics firm Videocites have forged a partnership to fight rampant sports content piracy in the social media sphere. Dubbed “The Netflix of Sports,” DAZN is a leading premium live sports platform with a footprint comprising Italy, Spain, Germany, Belgium, Portugal, Japan, Canada, U.S. and the U.K. The company boasts that Videocities’ cutting-edge technology will now enable DAZN to automatically remove 98% of the thousands of pirated streams detected on social media within minutes with unprecedented efficiency, it said in a statement. NBA Equity is an investor in Videocites which has several offices around the world, including in Tel Aviv and one recently opened in New York.
It's a typical Tuesday morning and one of Greater Manchester's many Greggs stores is open for business. A flurry of customers are popping in and out, and some are leaving armed with boxes and bags full of treats.
EXCLUSIVE: France tv distribution has launched sales on French director Benoît Jacquot’s upcoming crime thriller Belle starring Charlotte Gainsbourg and Guillaume Canet.
The CIRCLE Women Doc Accelerator today announced the projects that will take part in the sixth edition of the prestigious training program for women-identifying nonfiction filmmakers.
Godard speaks! Again. Quite rightly there’s a lot of hoopla about the world premiere of a 20-minute trailer the late cinema legend Jean-Luc Godard made for a feature film that will never exist: Phoney Wars.
Mediawan has been shaking the foundations of the film and TV world in France and Europe since it was launched in 2015 by producer Pierre-Antoine Capton, billionaire entrepreneur Xavier Niel and financier Matthieu Pigasse.
King Krule has shared another new song from his upcoming fourth studio album, Space Heavy. This latest track is titled "If Only It Was Warmth" and comes with a self-directed video in which Archy Marshall transports a cactus on a melancholy road trip.
Carole Horst How did John Cameron Mitchell become the head of this year’s Queer Palm award jury in Cannes? “Sexual favors,” he quips. While the director of “Hedwig and the Angry Inch” and “How to Talk to Girls at Parties” (which played out of competition at Cannes) is joking, sexuality is at the heart of one of the world’s most prestigious LGBTQ+ film awards. And with more anti-queer legislation being enacted around the world than at any time in recent memory, the attention it brings to films that humanize this scapegoated population is arguably more important than ever. “The Queer Palm, the festival and any awards help to dignify work, so that it often can be distributed and sometimes celebrated in its own queer-phobic country,” says Mitchell, who helped start a queer dance night at the American Pavilion in 2004 and DJs when he’s in town. “[The trans-themed] ‘Joyland’ was banned in Pakistan until it got a lot of attention in the press, and [the government felt] that the ban was not worth the bad attention.” His fellow jurors are actress/director Isabel Sandoval, actress Louise Chevillotte, director Zeno Graton and film critic Cédric Succivalli, who’ll reveal the winner at a ceremony and party on May 26.
There are many stories about Jean-Luc Godard in Cannes, like the year he helped to shut it down (1968) because of the civil unrest that was sweeping France at the time. Then there was the time when (in 1985) he was ambushed in the Palais by a Belgian anarchist and hit in the face with a custard pie after the premiere of Détective. And, as recently as 2018, there was the time he conducted a press conference for his film The Image Book via FaceTime from Switzerland, making journalists line up to speak into a mobile phone.
Somewhere in the third hour of Steve McQueen’s documentary “Occupied City,” the camera slowly dollies left over a list of names in glowing green print on a black background, enumerating the thousands of Jews deported from Amsterdam during the Nazi occupation. A moment of silence in the audio mix announces this as an important shot, an occasion to consider the enormity of the loss that this four-and-a-half-hour film itemizes with near-comprehensive diligence.
IMAX is ramping up its operations in France, as well as expanding its longstanding relationship with Kinepolis in Europe and North America. In France, IMAX will aim to nearly triple the number of its systems from the 22 currently in operation to more than 60. One of those will be in partnership with Belgian exhibitor Kinepolis in Nimes.
In cinematic form, how do you tell history without archive footage? Occupied City shows how it can be done, and to what effect.
Catalonia has become one of Europe’s most vibrant regional audiovisual forces. The proof can be found at this year’s Cannes Film Festival. More than 50 Catalan companies — some 100 executives and creatives — are expected to attend. Five films, four by new directors, have made the official cut at Cannes; six projects play in Marché du Film showcases. The three biggest Catalan movies at the festival, Elena Martin’s “Creature,” Pham Thiên An’s “Inside the Yellow Cocoon Shell,” both in Directors’ Fortnight, and Pablo Berger’s “Robot Dreams,” playing out of competition, also underscore strong trends coursing through current Catalan cinema, including international co-production and an exploding animation scene.
Real Madrid boss Carlo Ancelotti insists he is not focused solely on disrupting Erling Haaland when his side face Manchester City in their Champions League semi-final second leg on Wednesday.