Cannes: Rodrigo Moreno’s ‘The Delinquents’ Acquired by Mubi

Prince William, Kate, Princess of Wales and Princess Beatrice, demonstrating the strength of the ongoing friendship between the British and Jordanian Royal Families. In turn King Abdullah II and Queen Rania, Crown Prince Hussein's parents, were in attendance both at the King's Coronation in May and Queen Elizabeth's state funeral last September. Here Express.

Prince William and Kate Middleton attended a very special wedding on Thursday.

At Tuesday night’s world premiere of Spider-Man: Across the Spider-Verse, there was a huge sigh of relief from the mass of animators inside Westwood’s Regency Village Theater: The $100M-budgeted sequel to the Oscar-winning 2018 animated movie Spider-Man: Into the Spider-Verse, was done, having completed post-production literally just 10 days ago after a five-year trek to the screen which included a Covid delay due to the backlog in post-production houses. Starting today abroad, and into Thursday in U.S./Canada, the continuing adventures of Miles Morales will see the light of day in what is expected to be a $150M global opening.

Leo Barraclough International Features Editor Sumerian has acquired the North American rights to brutal coming-of-age story “Mascot,” which had its world premiere in January at Slamdance, and its international premiere at the International Film Festival Rotterdam the same month. Sumerian is planning a limited theatrical release this year under the English title “Fortunate Son.” The pickup marks the second acquisition for Sumerian’s new film and streaming division, which launched this year. Sumerian founder Ash Avildsen said the film is “a dark, brutally authentic and beautifully shot independent film centered around troubled youth in unorthodox households. It will undoubtedly strike a nerve with audiences who appreciate gritty arthouse drama, as it did with me.”

Asda is to buy the majority of EG Group's UK and Ireland operations in a deal worth over £2bn.

Whether it’s the flat white lighting and washed-out color grading that gives The Delinquents the look of a ‘70s TV serial, or the fact that much of it is set in a mountain swimming beach where people claim to see apparitions, there is an undercurrent of genuine oddity running beneath this long, complex film. Screening at Cannes in the Un Certain Regard section for innovative or personal cinema, Rodrigo Moreno’s story begins with a bank robbery. The very ease with which this crime is committed is odd in itself: Moran (Daniel Elias) simply walks into the bank vault, puts a pile of American dollars in his gym bag and goes home. Not what you expect in a heist film, but here is the point. Over the next three hours, Moreno will deconstruct the genre with the calm focus of a safecracker taking apart a lock.

A24 has unveiled a raft of key territory deals for Jonathan Glazer’s hotly tipped Cannes Film Festival Palme d’Or frontrunner The Zone Of Interest ahead of the awards ceremony on Saturday.

Jessica Kiang Most of us know the illicit rush of the sick day slyly pulled when you’re not really sick. The turning you ignore on your commute, but that one day, for no real reason, you take. Oh, that sudden, intoxicating sniff of freedom! It’s perhaps the closest thing that many of us get as adults to the ceaseless adventure we thought, as children, we’d be living. Argentinian writer-director Rodrigo Moreno’s delightful “The Delinquents” knows the feeling too. Over the course of its droll, meandering, indefinably strange three hours, it may well persuade you that the crazy thing is not to break from your normal routine. The crazy thing is to ever go back. Filmmakers have long been attracted to the heist format for the high drama it can generate, but Moreno begins his movie with a bank robbery so banal it’s hard to believe that’s actually what is going on. And yet, at the end of a workday in a basement lock-room, here is balding bank worker Morán, played with a perfectly defeated air of middle-management moral relativism by Daniel Elias, packing wads of notes into a concealed duffel bag. The vault is no gleaming piece of “Mission: Impossible” engineering, but a scuffed, scruffy cell in which the note-counting machine keeps getting stuck mid-riffle. Even the vault door looks like it’s fed up of being a vault door, and is only continuing to function as such because that is all it knows. 

Black Midi are set to perform at the Le Guess Who? festival in the Netherlands later this year. However, rather than their own songs, they will be playing nothing but the hits of The Beatles.The one-off performance is part of a strand of the festival curated by Slauson Malone 1 – aka multidisciplinary artist Jasper Marsalis – and is intended to explore the unlikely intersection between the two bands.“When listening to Britain’s cacophonous Black Midi, not many would be reminded of the world’s most agreeable band of all time”, says the blurb for the show.

“I didn’t make a film against the pope or to condemn the Pope,” Italian filmmaker Marco Bellocchio said of his Cannes competition title Kidnapped at the official festival presser this morning.

Black Midi have announced a special festival appearance where they’ll cover a range of tracks by The Beatles.The London trio are due to perform the special “one-off” gig at the festival Le Guess Who?, which takes place in Utrecht in the Netherlands this November.Writing on social media, Black Midi explained that former Standing On The Corner member Slauson Malone 1 – who has curated his own programme – had asked “to play a set of Beatles tunes” at the event.The band will play the Fab Four-themed show on Friday, November 10 – you can find ticket information here.A listing on the official Le Guess Who? website reads: “When listening to Britain’s cacophonous Black Midi, not many would be reminded of the world’s most agreeable band of all time. In fact, apart from sharing a homeland, the two groups seem to have little in common.“Thankfully, Le Guess Who? curator Slauson Malone 1 has enough imagination to disagree.

Manchester City are on the verge of completing the greatest season in the club's history, and maybe even the greatest season in English football history.

The battle for gender equality in the cinema industry is gaining ground but victory is a long way off, representatives of Time’s Up! UK, L.A.-based org ReFrame, France’s Collectif 50/50 and Brazil’s Mulheres group told a panel in Cannes on Friday.

Leo Barraclough International Features Editor Paris-based company Indie Sales has closed further sales on “Richard the Stork 2,” and expects to sell the last remaining territories during the Cannes Film Market. The film, also known as “Richard the Stork and the Mystery of the Great Jewel,” is a follow up to “Richard the Stork” (released in North America as “A Stork’s Journey”), which was widely distributed in 155 countries and grossed more than $20 million worldwide. Indie Sales, which sold Oscar nominee “My Life as a Zucchini” to more than 80 territories, is increasingly focusing on acquiring big budget animation.

John Hopewell Chief International Correspondent Spain’s status as Cannes’ Marché du Film’s Country of Honor is a “milestone,” says María Peña, CEO of ICEX Spain Trade & Investment. But it’s also a mark of recognition, she says, after Spain’s big wins just this year at the Berlinale (three prizes for Estibaliz Urresola’s “20,000 Species of Bees”) and France’s Cesars (foreign film win for “The Beasts” and actor trophy to Benoît Magimel for Albert Serra’s “Pacification” and cinematography for its DP, Artur Tort). Peña also points to April’s MipTV, where Rafael Cobos’ “The Left Handed Son,” from Movistar Plus+, won Canneseries’ Short Format Competition, and “The Caravan,” produced by Barcelona’s Caravan Films, the first MipDoc International Buyers Screenings honors.

Sony Pictures Classics announced today they have acquired all rights in the United States, Canada, Latin America, Scandinavia, India, Middle East, Turkey, Southeast Asia (excluding Taiwan and South Korea) and airlines within those territories to Fernando Trueba and Javier Mariscal’s upcoming Bossa Nova-themed animated film, “They Shot the Piano Player.” Sony Classics plans to release the film at the end of the year to qualify for year-end awards consideration.A true international production, the film is produced by Cristina Huete of Trueba PC (“Chico & Rita”) in Spain, along with Serge Lalou for Les Films d’Ici (“Josep”) in France, Janneke van de Kerkhof for Submarine Sublime (“Buñuel in the Labyrinth of Turtles”) in the Netherlands, and Humberto Santana in Portugal. It is executive produced by Nano Arrieta of Atlantika and Fabien Westerhoff of Film Constellation.From Fernando Trueba and Javier Mariscal, who previously directed the Oscar-nominated “Chico & Rita,” “They Shot the Piano Player” is narrated by Jeff Goldblum.

EXCLUSIVE: Here at the Cannes Film Festival, Mubi has taken rights in North America, UK, Italy, Latin America, Turkey, India and Benelux to Un Certain Regard movie The Delinquents (Los Delincuentes).

Sony Pictures Classics has picked up rights to the animated feature They Shot the Piano Player for the U.S., Canada, Latin America, Scandinavia, India, the Middle East, Turkey, Southeast Asia (excluding Taiwan and South Korea) and airlines within the aforementioned territories. The film from Fernando Trueba and Javier Mariscal, two of the directors behind the Oscar-nominated animated feature Chico and Rita, is set up for a fall awards push from SPC.

Within the first few minutes of “The Delinquents,” Del Toro (Germán De Silva), the manager of a Buenos Aires bank, longs for the days when people were allowed to smoke anywhere: on airplanes, at restaurants, etc. He mourns that past as a time of greater freedom, until a colleague challenges him to reconsider the statement—the dictatorship ruled in those days.  Del Toro backpedals and clarifies that what he misses is the notion that everybody smoked.

BBC smash The Traitors has won the BAFTA TV Award for Reality & Constructed Factual.