Cannes Film Market to Turn Spotlight on Spain as its Country of Honor

Elsa Keslassy International Correspondent Strand Releasing has bought all North American rights to Emily Atef’s last two movies, “Someday We’ll Tell Each Other Everything” which competed at the Berlin Film Festival, as well as her Cannes entry “More Than Ever.” Both films are represented in international markets by The Match Factory. Based on Daniela Krien’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.“More Than Ever,” meanwhile, premiered at last year’s Cannes Film Festival in the Un Certain Regard. It stars Vicky Krieps (“Corsage,” “Phantom Thread”) and late French actor Gaspard Ulliel as a couple whose bond is tested when one of them is diagnosed with a terminal disease.

Charlize Theron watches exciting semifinal match between Jannik Sinner, of Italy, and Carlos Alcaraz, of Spain, at the BNP Paribas Open tennis tournament on Saturday (March 18) in California’s Indian Wells Tennis Garden.

Riley Keough shared what it was like for her to receive the Caméra d’or prize for her directorial debut in War Pony at the 2022 Cannes Film Festival.

Callum McLennan Recently, there has been a consistent tide of well crafted and highly regarded films coming out of Spain. “Alcarràs,” “The Beasts,” “Lullaby,” “La Maternal,” “Prison 77,” to name just the five that the Spanish Academy Goyas singled out in early February.  This level of quality, over a short period, is getting noticed internationally. Last week the Glasgow Film Festival, Scotland’s largest, shone a light on eight films in its Viva el Cine Español program. A cultural moment is a strange beast, hard to fathom, but there are strong signals that Spanish Film is having one.   In addition to the aforementioned five, Glasgow added Andrea Bagney’s debut “Ramona,” “Wild Flowers,” from Jaime Rosales, another debut with Elena López Riera’s “The Water,” and a Penelope Cruz starrer, in Juan Diego Botto’s “On The Fringe.” 

Elsa Keslassy International Correspondent The blockbuster French cast of Amazon Prime Video’s third season of “LOL: Qui rit, qui sort” speaks volumes about the Japanese variety format’s tremendous popularity in France. The Amazon Original series, adapted from the format “LOL: Last One Laughing,” scored its biggest launch to date on Prime Video in France since bowing on March 10. The show is one of the streamer’s first unscripted originals in France and has been a major coup as a brand exercise that’s succeeded with limited resources — certainly in comparison to scripted comedy. Adaptations of “LOL” have also thrived in Italy and Germany where they have ranked as the most watched local titles on the service, respectively. Local versions are also available in Spain, Canada, Mexico and Australia (hosted by Rebel Wilson).

Shakira has celebrated a string of Guinness World Record wins with a performance of ‘Bzrp Music Sessions, Vol. 53’ on The Tonight Show Starring Jimmy Fallon.The diss track, aimed at Shakira’s former partner Gerard Piqué, was released in January and quickly became the most watched Latin song on Youtube.As it stands, ‘Bzrp Music Sessions, Vol.

Argentina, 1985 Leads 2023 Platino Awards NominationsSantiago Miter’s political thriller Argentina, 1985 leads this year’s Platino awards nominations with 14 nods, including Best Director, Screenplay, and Best Ibero-American Fiction Film. Alejandro G. Iñárritu’s latest pic Bardo, False Chronicle of a Handful of Truths trails with six nominations alongside Spanish filmmaker Rodrigo Sorogoyen’s The Beasts and Lullaby by Alauda Ruiz De Azúa. On the TV side, the Colombian series Noticia de un kidnapping also notched six noms. This year’s Platino awards take place on April 22 at the IFEMA Municipal Palace in Madrid. Check out the full list of nominations here.

Elsa Keslassy International Correspondent Mk2 films has enlisted leading distributors around the world for “Reality,” Tina Satter’s feature debut starring Sydney Sweeney, on the heels of its buzzy world premiere at the Berlinale. The movie, which bowed in the Panorama section, stars Sweeney (“White Lotus,” “Euphoria”) as Reality Winner, a 25 year-old whistleblower who spent five years in prison during the Trump administration. A former U.S. Air Force member and National Security Agency translator, Winner was convicted for leaking a confidential report on Russian election interference to the media. The film is based on Satter’s 2019 stage play “Is This a Room” and contains verbatim dialogue from the unedited transcript of a FBI audio recording. “Reality” captures the tense and surreal 90 minutes of FBI’s interrogation with Winner at her home in 2017.

Emily Longeretta Amid a bit of drama surrounding HBO’s “The Idol,” the Weeknd-led series is in talks to debut at the Cannes Film Festival in May, multiple sources confirm to Variety. Star Abel “The Weeknd” Tesfaye previously attended Cannes Film Festival and is hopeful the show premieres there, according to one source, but the festival has not yet screened the drama, which has undergone a great number of changes behind the scenes. HBO is not commenting at this time. Though primarily a film festival, a handful of TV series have been brought to Cannes in the past, including “Twin Peaks: The Return” and “Top of the Lake: China Doll.”

Elsa Keslassy International Correspondent Sideshow and Janus Films have bought North American rights for “Orlando, My Political Biography,” Paul B. Preciado’s film which won four awards at the Berlinale. In “Orlando, My Political Biography,” Preciado sheds light on Virginia Woolf’s “Orlando,” the first novel in which the main character changes sex in the middle of the story.  A century later, Preciado, who is a trans writer and activist, decides to send a film letter to Woolf, telling her that Orlando has come out of her fiction and is living a life she could have never imagined. Preciado organizes a casting and gathers 26 contemporary trans and non-binary people, from 8 to 70 years old, who embody Orlando.

Spain has been named as the country of honor for the upcoming edition of the Cannes Film Festival’s Marché du Film running May 16 to 24.

Elsa Keslassy International Correspondent Sony Pictures Classics has bought “The Teachers’ Lounge,” Ilker Çatak’s drama which world premiered at the Berlin Film Festival, for North America, Latin America and Eastern Europe (excluding Hungary). “The Teachers’ Lounge” marks the fourth feature from Çatak, who co-wrote the screenplay with Johannes Duncker. The movie played in the Panorama section and won the Europa Cinemas Label award for Best European film, as well as the CICAE Arthouse Cinema Award. Produced by Ingo Fliess and shot by award-winning cinematographer Judith Kaufmann (“Corsage”), “The Teachers’ Lounge” stars Leonine Benesch (“The Crown”), Michael Klammer, Rafael Stachowiak, and Eva Löbau.

Killers Of The Flower Moon, Indiana Jones And The Dial Of Destiny, and Asteroid City are among the high-profile movies in contention for a Cannes splash this year.

The 76th Cannes Film Festival is less than 12 weeks away and while rumors are flying about what films will screen and which films won’t, an important step in the process has officially taken place. The 2023 edition of the festival now has its Jury President.

Ruben Östlund has been named president of the jury at the 2023 Cannes Film Festival, Cannes organizers announced Tuesday morning in Paris.Östlund is a two-time winner of Cannes’ highest honor, the Palme d’Or, which he won in 2017 for “The Square” and last year for “Triangle of Sadness,” which is currently an Oscar nominee for Best Picture. He is one of only nine directors to have won the Palme twice, and one of only three to win the award for consecutive films.

The Cannes Film Festival has appointed Swedish director and two-time Palme d’Or winner Ruben Östlund as jury president for its upcoming 76th edition, running from May 16 to 27.

The competition winners of the 73rd Berlinale are about to start rolling in as the festival draws to a close Saturday evening.

Toxic relationships are terrible. There are no two ways about it.

Martin Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, is eyeing a world premiere at the Cannes Film Festival, potentially giving the annual celebration of cinema one of the glitziest red carpet bows of its eight-decade history. The Apple movie, which was pursued by both Venice and Cannes toppers, may ultimately be unveiled in the South of France. Of course, there could still be a last minute change of plans by the time the lineup is unveiled in April, but it’s looking promising enough that Scorsese is even rumored to have reserved a suite at one of the posh hotels along the Croisette. Thierry Fremaux, Cannes’ director, is preparing a massive 2023 edition and traveled to L.A. earlier this month to screen Scorsese’s movie and discuss other potential Hollywood titles. Alberto Barbera, Venice’s artistic director, was in town at the same time taking meetings with studio bosses, which led to an awkward situation even though they didn’t bump into each other, according to an industry insider.

Toxic relationships are terrible. There are no two ways about it.