The Society of Composers & Lyricists (SCL) presented the winners of the 4th Annual SCL Awards for score and songs in visual media tonight at the Skirball Cultural Center.
28.01.2023 - 00:41 / deadline.com
Chatting away to Sally Hawkins, as you do, in the fabled Abbey Road Studios in posh North London neighborhood of St. John’s Wood, she tells me ”I feel fine” when I inquire after her well-being.
Our feet are planted in the very spot where The Beatles recorded the track for “I Feel Fine,” a single that topped the charts on both sides of the Atlantic back in 1964. I couldn’t tell whether Hawkins purposefully chose those words to chime with where we were stood.
My response was lost in the din, so I ask my favorite question that people usually run away from when they hear: “What are you up to next that I shouldn’t know about?”
I’m not after titillation, though I’ll always listen to some of that. No, I want to know what you’re up to professionally. It’s easier to pose such a question face-to-face rather than over the telephone.
I once asked the playwright and screenplay writer Alan Bennett (The History Boys, The Lady in the Van) for more details about a new play he was writing at the time for the National Theatre. “I’m going to put the phone down now, ever so politely,” came the ever-so-courteous put-down.
Bennett to this day has no idea why I smiled so broadly, then laughed, ever so politely, when a few days after that call, I found myself next him at our local dry cleaners in Camden Town.
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But Hawkins (The Shape of Water, Happy-Go-Lucky) was feeling fine, so she happily tells me that she’s writing a ghost story, rather a screenplay, with her friend and frequent collaborator Craig Roberts.
I began to feel very fine.
They have such a history of screen work together. Hawkins played
The Society of Composers & Lyricists (SCL) presented the winners of the 4th Annual SCL Awards for score and songs in visual media tonight at the Skirball Cultural Center.
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