Berlinale Series Boss Julia Fidel To Depart

Hollywood star Julia Roberts has sent a congratulatory message to Manchester City manager Pep Guardiola after he guided the club to its first-ever Champions League crown.

Podcrushed” podcast. “I felt very small.

We’ll be seeing more of Jimmy Buss in the upcoming season of Winning Time: The Rise Of The Lakers Dynasty. McCabe Slye, who guest-starred as the character in the Season 1 finale, has been promoted to series regular for Season 2.

Manori Ravindran Executive Editor of International Julian Lennon will host and executive produce a docuseries on how our surroundings influence the making of art. The series, entitled “Inspired,” will be co-produced with New York-based documentary specialists Cargo Film & Releasing. The show will explore the way new places influence and shape the creative process of contemporary artists. In each episode, Lennon — the son of late Beatles member John Lennon — will meet top artists to uncover a “rich tapestry of inspiring stories and allow the viewer to visit a city, region or country through their eyes.”

Allison Holker Boss, the esteemed widow of tWitch’s Boss, has once again partnered with DICK’S Sporting Goods in a noble effort to raise awareness about the importance of mental health. In her latest campaign, Holker Boss passionately encourages individuals to share their struggles and seek solace in the profound realization that they are not alone in their journey toward healing and wellness.“I am honored to partner with DICK’S Sporting Goods for Mental Health Awareness Month.

EXCLUSIVE: Anna Delvey, the fake heiress who was the inspiration behind Shonda Rhimes’ Netflix series Inventing Anna, is getting into the podcast business.

If there’s one thing about Julia Fox, it’s that she doesn’t care one bit what people think about her. Especially when it comes to her wardrobe choices.The 33 year old, who first became widely known in 2019 following her role in the film Uncut Gems, has since become a staple in the fashion world, and is regularly the muse of plenty of high profile designers.

 aired its final episode 25 years ago this month. The show and its lovable characters had not only become household names after nine glorious seasons on NBC, the show and its star-studded cast forever etched their names in pop culture lore and is now considered one of the greatest shows in television history.But there was also a sense of grief, and it was a feeling Julia Louis-Dreyfus says washed over her when the show aired the series finale in May 1998, drawing a whopping 76 million viewers. In the latest cover story, Louis-Dreyfus recalled her emotions after the hit show that launched her career came to an end.«There was a real grief period when the show ended that was real and felt,» she tells the outlet.

Addie Morfoot Contributor Corporate consolidation, along with shrinking publicity budgets and streaming services’ willingness to bury their own content, have made film festivals and series increasingly desirable to documentary filmmakers who are not only seeking distribution, but also to those nonfiction helmers who have found a platform for their work. The rocky landscape has made the competition fierce for a slot at not only top-tier festivals, but also regional film events like New York’s Rooftop Films’ Summer Series. Over the course of the last year, Rooftop Films president Dan Nuxoll received 3,500 film submissions for the nonprofit organization’s 27th annual Summer Series, which kicks off on May 25. Only 23 feature films and seven shorts were accepted. (Not all films have been announced.)

New autopsy results have come out and reveal that DJ Stephen “tWitch” Boss did not have drugs or alcohol in his system when he died by suicide late last year.

“Isn’t it weird that I keep making my plots revolve around this?” Nicole Holofcener asks with a laugh. We’re talking about her new film “You Hurt My Feelings” (in theaters Friday), but we’re also talking about her very first feature, the wonderful “Walking and Talking,” in which a key moment of emotional turmoil occurs when a character accidentally overhears what another character really thinks of them.

Stephen «tWitch» Boss' death in December, an autopsy report obtained by ET reveals there were no alcohol or drugs in the dancer's system at the time of death.Boss' cause of death is ruled as a suicide. A previous autopsy confirmed that Boss' cause of death was a self-inflicted gunshot wound to the head.As ET previously reported, Boss was found dead inside of a motel room on Dec. 13, 2022. A rep for the Los Angeles Police Department Media Relations told ET, «On Dec.

Coronation Street legends alongside co-star Julia Goulding. In a video posted to Instagram, the David and Shona Platt actors can be seen waiting outside a lift. As the doors close, classic Corrie characters Jack and Vera Duckworth can be seen kissing.

Instantaneously, fans and friends of the long-running I’m A Celebrity….Get Me Out Of Here! host jumped in the comments to share their support and insight into the condition 

Julia Fox has been spotted in yet another statement ensemble as the Uncut Gems actress went practically topless to an event. From barely-there bikini tops to doing a spot of shopping in her underwear, Julia, 33, is known for her show-stopping outfits. But new photos of Kanye West’s former flame blow her previous outrageous looks out of the water as she turned up to last night’s The Art of Elysium "Paradis" 25th anniversary party in Cannes, France, in a plastic-looking top.

Julia Fox is daring to go bare!

Gravitas Ventures, an Anthem Sports & Entertainment Company, has picked up North American rights to the post-apocalyptic thriller Stronghold, directed by Julia Camara. In addition to US & Canada; Gravitas wants to add Latin American territories in addition to Mexico including the Caribbean and sub territories.”

Seinfeld.The actress became a comedy icon for playing Elaine Benes on the NBC sitcom. However, she wasn’t entirely fulfilled by the role when the show first aired in 1988, and subsequently asked co-creators Larry David and Jerry Seinfeld to give her character more to do.“Well, I never really approached it from the perspective of my gender, per se. I wanted to just play ball with everybody,” Louis-Dreyfus told The Daily Beast.“I’m not going to lie, in the beginning, I didn’t always have a lot to do in certain episodes.

Zack Sharf Digital News Director Julia Louis-Dreyfus became a comedy icon for playing Elaine Benes on nine seasons of NBC’s “Seinfeld,” but the role wasn’t completely fulfilling for her when the show first got off the ground. Speaking to The Daily Beast, Louis-Dreyfus revealed she regularly urged series creators Larry David and Jerry Seinfeld to give her character more to do on the show. “Well, I never really approached it from the perspective of my gender, per se. I wanted to just play ball with everybody,” Louis-Dreyfus said about the role. “I’m not going to lie, in the beginning, I didn’t always have a lot to do in certain episodes. And I would go to Larry and Jerry multiple times and say, ‘Hey, you guys, write me more, I need to be in this show more.’ That’s what I just kept doing. And they did.”

Alison Herman TV Critic In 2020, the Academy Award for Documentary Feature went to “American Factory,” a portrait of a former General Motors plant taken over by Fuyao, a Chinese company that lowered safety standards and pay while fiercely resisting unionization. The Oscar was a victory not just for filmmakers Steven Bognar and Julia Reichert, but for the company that acquired “American Factory” as its first major feature: Higher Ground, the production outfit of former President and First Lady Barack and Michelle Obama. The new Netflix series “Working” — subtitle: “What We Do All Day” — is inspired by the Studs Terkel book of the same name, published in 1974. But it’s also an informal sequel of sorts to “American Factory,” making many of the same points about the evolution of labor and the erosion of the middle class. “Working” also shares with its predecessor the same inherent tensions that stem directly from the Obamas’ sign-on. In the case of “Working,” the country’s 44th commander in chief is more than just a name in the credits; he’s also the narrator and on-camera host, reprising his dual role from prior Higher Ground series “Our Great National Parks.” That hands-on involvement only underlines the nature of “Working,” and Higher Ground projects as a whole. It’s a stand-alone political message that’s also a piece of a larger political legacy. Inevitably, the latter overshadows and complicates the former.