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Anya Taylor-Joy, Jared Leto & Nicholas Galitzine Among Many Celebs at Formula 1 Monaco Grand Prix - www.justjared.com - Taylor - Monaco - city Monaco
justjared.com
27.05.2024 / 05:41

Anya Taylor-Joy, Jared Leto & Nicholas Galitzine Among Many Celebs at Formula 1 Monaco Grand Prix

The stars were out in full force at the Formula 1 Grand Prix de Monaco 2024 on Sunday (May 26) in Monte-Carlo, Monaco.

Korea Box Office: ‘Furiosa: A Mad Max Saga’ Wins Its Debut Weekend - variety.com - South Korea - North Korea - county Early
variety.com
27.05.2024 / 01:55

Korea Box Office: ‘Furiosa: A Mad Max Saga’ Wins Its Debut Weekend

Patrick Frater Asia Bureau Chief Having received a rapturous reception a week earlier in Cannes George Miller’s “Furiosa: A Mad Max Saga” grabbed a more muted win at the South Korean box office. “Furiosa” opened with $3.35 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 39.5% share of the weekend’s total cinema-going market.

Global Box Office: ‘Furiosa’ Stalls With $58 Million, ‘The Garfield Movie’ Nears $100 Million - variety.com - Australia - Britain - France - Mexico - Canada
variety.com
26.05.2024 / 22:35

Global Box Office: ‘Furiosa’ Stalls With $58 Million, ‘The Garfield Movie’ Nears $100 Million

Rebecca Rubin Senior Film and Media Reporter “Furiosa: A Mad Max Saga” is stalling at the international box office with $33.3 million from 75 territories. The fifth entry in director George Miller’s post-apocalyptic series has generated $58.9 million globally in its first weekend of release, a rough start given its $168 million production budget. Domestically, the Warner Bros.

Mad about Max: ‘Furiosa: A Mad Max Saga’ tops Friday box office - nypost.com - New York - New York
nypost.com
25.05.2024 / 20:45

Mad about Max: ‘Furiosa: A Mad Max Saga’ tops Friday box office

according to The Numbers.The Post called the movie, which is both a spin-off and prequel to 2015’s “Mad Max: Fury Road” and stars Anya Taylor-Joy and Chris Hemsworth, “a brutal, exhilarating quest for revenge.”Since it is expected to earn between $31 and $33 million over the four-day holiday weekend, it appears that “Furiosa” will take the title of lowest Memorial Day opening in 41 years, according to Deadline.“The Garfield Movie,” which also opened on Friday, landed in second place with $8.4 million in sales.The New York Times called the animated adventure comedy “an inert adaptation that mostly tries to skate by on its namesake.”The character of Garfield is voiced by Chris Pratt, which the New York Times also bashed as “an overly spunky casting choice that was doomed from the start.”The live-action fantasy comedy “If,” which was in first place last Friday, its first day in theaters, took third place, with earnings of $4.3 million.The movie, which centers around a young girl who sees others’ imaginary friends, marks the first time real-life husband and wife Blake Lively and Ryan Reynolds starred in the same movie since 2011’s “Green Lantern.”Disney’s “Kingdom of the Planet of the Apes,” which was in second place last week, slid down to fourth, with a $3.4 million take.The action comedy “Fall Guy,” which was in fourth place last week, moved down a notch to fifth, taking in $1.6 million.

Korea Box Office: ‘Furiosa: A Mad Max Saga’ Dashes to Day One Lead - variety.com - France - Sweden - South Korea - Thailand - Belgium - Denmark - North Korea - Indonesia - Singapore - Taiwan - Philippines
variety.com
23.05.2024 / 04:59

Korea Box Office: ‘Furiosa: A Mad Max Saga’ Dashes to Day One Lead

Patrick Frater Asia Bureau Chief Fresh from its Cannes premiere George Miller’s “Furiosa: A Mad Max Saga” dashed into the lead at the South Korea cinema box office. In doing so, it deposed “The Roundup: Punishment,” the local crime actioner that has dominated Korean cinemagoing for the past month. “Furiosa” earned $575,000 from 75,400 ticket sales on Wednesday, giving it a Korean total of $597,000, including a sprinkling of preview showings, according to data from the Kobis tracking service that is operated by the Korean Film Council (Kofic).

‘Grand Tour’ Review: Miguel Gomes’ Avant-Garde Eastern Odyssey Is Not Recommended For Tourists – Cannes Film Festival - deadline.com - Britain - Portugal - Burma - Singapore
deadline.com
22.05.2024 / 17:09

‘Grand Tour’ Review: Miguel Gomes’ Avant-Garde Eastern Odyssey Is Not Recommended For Tourists – Cannes Film Festival

After the extraordinary triple whammy of Emelia Perez, The Substance and Anora, here comes Portuguese auteur Miguel Gomes with a blast of cinematic chloroform to calm the Cannes Competition down a touch.

‘Parthenope’ Review: Paolo Sorrentino’s Love Affair With Naples Continues But This Time Through The Eyes Of A Woman – Cannes Film Festival - deadline.com - Britain - Italy - Illinois - city Naples - county Bay - county Hand - city Venice - county Love
deadline.com
21.05.2024 / 23:03

‘Parthenope’ Review: Paolo Sorrentino’s Love Affair With Naples Continues But This Time Through The Eyes Of A Woman – Cannes Film Festival

Paolo Sorrentino has done a wide range of films but until his most personal, The Hand Of God two years ago (a prize winner in Venice) he had not returned to Naples, the land of his youth except for the very first feature he made, 2001’s One Man Up. Since then though he has been to Cannes with his films 6 times, and his impressive list of movies have included The Consequences Of Love, Il Divo, Loro, and his Oscar winning The Great Beauty. There have been more mixed reactions for his starry English language films as well like Youth and This Must Be The Place, but Italy seems to drive his creative mojo and may be closest to his heart is the current phase of his filmmaking career when he has found new inspiration by going back to his youth, first in The Hand Of God which closely reflected his own coming of age in Naples, and now his latest, Parthenope which reflects the youth he wished he had experienced. Instead he moved away to a whole new career in film (that was indicated at the end of Hand Of God). It had its World Premiere at the Cannes Film Festival Tuesday night.

‘Furiosa: A Mad Max Saga’ review: A brutal, exhilarating quest for revenge - nypost.com
nypost.com
21.05.2024 / 21:39

‘Furiosa: A Mad Max Saga’ review: A brutal, exhilarating quest for revenge

Mad Max: Fury Road.” How easy it is to forget. Repetitive, badly written, fake-looking superhero fare has gobbled up the market since, and escapist thrills have so often become synonymous with idiots in spandex.Not so in the beautiful and brutal “Furiosa: A Mad Max Saga.”Miller’s latest Road Warrior adventure, a thunderous prequel to “Fury Road” sans Max that explains the origins of Charlize Theron’s badass Imperator, provides the same slap-in-the-face wake-up call as its predecessor.The explosive chase sequences, hurdling through the sandy Wasteland, are as fueled as much by boundless creativity as gasoline.

Watch the 10 Best Celebrity TikToks of the Week: Rosalia, Kylie Jenner, Eva Longoria, and more - us.hola.com - France - USA - Mexico - city Lagos
us.hola.com
20.05.2024 / 15:55

Watch the 10 Best Celebrity TikToks of the Week: Rosalia, Kylie Jenner, Eva Longoria, and more

Rosalia shares stunning moments from a recent photo shoot showing off her posing skills. Eva Longoria, who recently announced her second cookbook, enjoys pizza on the way to Cannes Film Festival in France. Reese Witherspoon gets in the perfect Elle Woods outfit for her big announcement that a prequel series to Legally Blonde is coming to Prime Video.

‘Limonov: The Ballad’ Review: Ben Whishaw Is The Slippery Star Of Kirill Serebrennikov’s Exhilarating Punk-Poet Biopic – Cannes Film Festival - deadline.com - France - Russia - county Todd - city Moscow
deadline.com
19.05.2024 / 16:19

‘Limonov: The Ballad’ Review: Ben Whishaw Is The Slippery Star Of Kirill Serebrennikov’s Exhilarating Punk-Poet Biopic – Cannes Film Festival

In the Moscow Times’ obituary for Eduard Limonov, who died four years ago aged 77, writer Mark Galeotti summed up the poet-turned-politician in two simple sentences: “Was Limonov a visionary or a poser, an artist or a politician, a leftist or a rightist? The answer to all of them is, of course, yes.” This is key to understanding Kirill Serebrennikov’s latest movie, a boundary-blasting biopic that simply drips with punk-rock energy, revealing everything and nothing about a slippery character whose modus operandi was reinvention from the get-go and for whom consistency really was the hobgoblin of small minds.

‘Rendez-Vous Avec Pol Pot’ Review: Rithy Panh’s Return To The Killing Fields Spotlights Importance Of Today’s Conflict Journalists – Cannes Film Festival - deadline.com - France - Thailand - Cambodia - county Becker
deadline.com
16.05.2024 / 20:07

‘Rendez-Vous Avec Pol Pot’ Review: Rithy Panh’s Return To The Killing Fields Spotlights Importance Of Today’s Conflict Journalists – Cannes Film Festival

Rithy Panh has dedicated the lion’s share of his career to interrogating the genocidal Khmer Rouge era in his native Cambodia, and it is no trivial obsession. Panh fled Phnom Penh when he was just 11, and after his family was devastated in the Killing Fields, he escaped to a Thai refugee camp at 15. Now 60, Panh has been committed to keeping the memory of the impact of Pol Pot’s tyrannical regime alive in documentary, narrative and animated film.

‘Furiosa: A Mad Max Saga’: What The Critics Are Saying - deadline.com - Australia - China
deadline.com
16.05.2024 / 18:49

‘Furiosa: A Mad Max Saga’: What The Critics Are Saying

The first reviews are in for George Miller‘s anticipated Furiosa: A Mad Max Saga and the notices are largely positive so far.

Anya Taylor-Joy, Chris Hemsworth, and Elsa Pataky shine at Cannes for ‘Furiosa: A Mad Max Saga’ - us.hola.com - France
us.hola.com
16.05.2024 / 17:05

Anya Taylor-Joy, Chris Hemsworth, and Elsa Pataky shine at Cannes for ‘Furiosa: A Mad Max Saga’

Furiosa: A Mad Max Saga hits theaters on May 24, but first, it had its big debut at the 77th annual Cannes Film Festival in France. Starring Chris Hemsworth as “Dr Dementus” and Anya Taylor-Joy, as “Imperator Furiosa,” the action film received a 6-minute standing ovation, per Variety.

Chris Hemsworth & Anya Taylor Joy Continue 'Furiosa' Press at Cannes 2024 with Photo Call Looks - www.justjared.com - France
justjared.com
16.05.2024 / 13:13

Chris Hemsworth & Anya Taylor Joy Continue 'Furiosa' Press at Cannes 2024 with Photo Call Looks

Anya Taylor Joy and Chris Hemsworth are continuing their 2024 Cannes Film Festival press!

‘Furiosa: A Mad Max Saga’ receives six-minute standing ovation at Cannes - www.nme.com - France
nme.com
16.05.2024 / 12:27

‘Furiosa: A Mad Max Saga’ receives six-minute standing ovation at Cannes

Furiosa: A Mad Max Saga received a six-minute standing ovation at Cannes Film Festival, reportedly leaving the cast and director George Miller emotional.The film, which is set for wide release on May 23, stars Anya Taylor-Joy and Chris Hemsworth and serves as a prequel to 2015’s Mad Max: Fury Road starring Tom Hardy, Charlize Theron and Zoë Kravitz.In the prequel, Taylor-Joy stars as a younger version of Theron’s character, who is snatched by the sadistic warlord Dementus (Hemsworth). Forced to ride through the Wastelands with a great biker horde, Furiosa must fight to find her way home while Dementus and fellow tyrant Immortal Joe battle for dominance in the desert.Furiosa: A Mad Max Saga debuted at Cannes yesterday (May 15), and was met with a lengthy standing ovation, as is tradition at the French film festival.Variety reported that Hemsworth grew emotional during the applause, while the actor was also filmed kissing director George Miller on the head.

Anya Taylor-Joy Changes Into LBD for Star-Studded 'Furiosa' Afterparty With Chris Hemsworth - www.justjared.com - France
justjared.com
16.05.2024 / 02:05

Anya Taylor-Joy Changes Into LBD for Star-Studded 'Furiosa' Afterparty With Chris Hemsworth

Anya Taylor-Joy switched up her look while promoting Furiosa: A Mad Max Saga at the 2024 Cannes Film Festival in Cannes, France.

‘Furiosa: A Mad Max Saga’ Review: Chris Hemsworth And Anya Taylor-Joy Take Dystopian Franchise To New Levels – Cannes Film Festival - deadline.com
deadline.com
15.05.2024 / 20:33

‘Furiosa: A Mad Max Saga’ Review: Chris Hemsworth And Anya Taylor-Joy Take Dystopian Franchise To New Levels – Cannes Film Festival

Since their beginnings in 1979, George Miller‘s hyper-jacked Mad Max movies with Mel Gibson had not received a single Oscar nomination, not even for Tina Turner’s great signature song “We Don’t Need Another Hero” in 1985’s Beyond Thunderdome. But then, 30 years later, when finally the fourth and Gibson-less edition appeared, the snooty Academy got on board and gave the newly regenerated Mad Max: Fury Road 10 nominations including for Best Picture and Director. It won six of them, virtually sweeping the crafts categories.

‘Furiosa’ Review: Anya Taylor-Joy Is Searching For Vengeance In George Miller’s Wasteland War [Cannes] - theplaylist.net - George
theplaylist.net
15.05.2024 / 20:05

‘Furiosa’ Review: Anya Taylor-Joy Is Searching For Vengeance In George Miller’s Wasteland War [Cannes]

CANNES – At the very least, and no matter what your personal opinion of the end result, “Furiosa: A Mad Max Saga” is a reminder. A reminder to never, never, ever doubt the brilliance of George Miller’s cinematic eye.

‘Furiosa: A Mad Max Saga’ Review: The Origin Story of Furiosa Has Dazzling Sequences, but George Miller’s Overstuffed Epic Is No ‘Fury Road’ - variety.com - Beyond
variety.com
15.05.2024 / 20:01

‘Furiosa: A Mad Max Saga’ Review: The Origin Story of Furiosa Has Dazzling Sequences, but George Miller’s Overstuffed Epic Is No ‘Fury Road’

Owen Gleiberman Chief Film Critic The first thing to say about “Furiosa: A Mad Max Saga” is that it’s not like any other “Mad Max” film. The movie, which runs 2 hours and 28 minutes, is teemingly, sprawlingly, phantasmagorically ambitious. Where “Mad Max: Fury Road” was set over three days, “Furiosa” takes place over 15 years and tells the origin story of Imperator Furiosa in five chapters (which come with titles like “The Pole of Inaccessibility”).

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