‘Ant-Man And The Wasp’ Scribes Andrew Barrer & Gabriel Ferrari Tapped To Pen Sony Horror ‘Gnomes’

Neighbours of Tommy Sheridan's mother have paid tribute to a 'wee character' after she tragically died in a fire at her Glasgow home.

Angelique Jackson When “Creed III” punched its way to the top of the box office over the weekend with a massive $58.7 million domestic haul, it knocked out a host of records. Directed, produced by and starring Michael B. Jordan as Adonis Creed, the MGM movie notched a franchise-best opening and the biggest domestic opening for a sports movie. With an additional $41.1 million Internationally, the film has already totaled more than $100 million worldwide. “Creed III” is also expected to become MGM’s first non-“Bond” film to gross $100 million domestically since the hit 2019 animated movie “The Addams Family.” There were other impressive stats, including the film’s “A-“ CinemaScore and ticket buyers reported to be 63% male, with 55% between the ages of 18 and 34. The statistics also illustrated a racially diverse audience where 36% were Black, 28% were Latino, 23% were white, and 13% were Asian, according to PostTrak data. The film, which Jordan shot with Imax cameras, also posted an impressive turnout on premium large format screens, with a huge 38% of the box office coming from those ticket sales.

Zack Sharf Digital News Director “Ant-Man and the Wasp: Quantumania” introduced Jonathan Majors into the Marvel Cinematic Universe as Kang the Conquerer, the franchise’s new Thanos-sized villain. While the actor received glowing reviews for his quietly menacing Kang, “Quantumania” itself was widely panned. The film is one of the worst-reviewed Marvel films in history with a 48% on Rotten Tomatoes, which nearly matches the record-low “Eternals” score of 47%. The film’s Metacritic score also stands at a paltry 48. Majors joined IndieWire’s “Screen Talk” podcast this week and confronted “Quantumania’s” low critic scores. “It doesn’t change how I see myself, period. It’s all data,” Majors said about bad reviews. “I’m a performance within a story. One thing I will say to my team as we’re leaving a premiere if they’re reading reviews, I’ll say, ‘How’s the movie doing?’ I try to clean my plate and take care of my part. The response is: ‘You’re straight. You’re good. They like you.’ And they tell me about the movie. Sometimes the movie is also on that level, and sometimes [it’s not].”

Naman Ramachandran Disney’s “Ant-Man And The Wasp: Quantumania” continued atop the U.K. and Ireland box office for the second weekend in a row with £3.04 million ($3.6 million), according to numbers from Comscore. In its fourth weekend, Universal’s “Puss In Boots: The Last Wish” collected £1.7 million in second place for a total of £20.4 million. Another Universal title, Elizabeth Banks’ “Cocaine Bear,” debuted in third position with £1.5 million. Studiocanal’s “What’s Love Got to Do with It?” debuted in fourth place with £1.08 million. Rounding off the top five was Warner Bros.’ “Magic Mike’s Last Dance” that earned £470,020 in its third weekend for a total of £4.9 million.

“Ant-Man and the Wasp: Quantumania” star Corey Stoll is taking himself out of that particular discussion.Stoll first appeared in the MCU as Darren Cross, Hank Pym’s (Michael Douglas) protégé and Scott Lang’s (Paul Rudd) ultimate villain in “Ant-Man,” after stealing the Yellowjacket suit. And though he appeared to be killed at the end of that film, “Ant-Man and the Wasp: Quantumania” reveals that he actually wound up in the Quantum Realm, barely alive, but still there. When he was found by Kang the Conqueror (Jonathan Majors), he was turned into M.O.D.O.K.

Refresh for latest…: Coming out of its second weekend, Disney/Marvel’s Ant-Man and The Wasp: Quantumania has grossed $363.6M globally. Of that, $167.3M is from domestic and $196.3M from the international box office.

“Batman v. Superman: Dawn of Justice” in 2016.With a 10-day total of $164 million, “Quantumania” should have enough momentum to cross the $200 million mark at the domestic box office, but with such a steep drop it is now questionable whether the film will have enough fuel against stiff March blockbuster competition to even pass the unadjusted $622 million global box office total of the last “Ant-Man and the Wasp” back in 2018.

Ant-Man and the Wasp: Quantumania” is taking a greater toll on its box office than anticipated. The film grossed just $8.2 million on its second Friday — a colossal 82% drop from its $46.4 million opening day — and its weekend total is projected to drop 71% from $106 million last weekend to $30 million this weekend.

Jennifer Coolidge almost joined the Marvel Universe.

WARNING: MAJOR spoilers ahead for “Ant-Man and the Wasp: Quantumania”Kang the Conqueror made his official debut in the MCU with “Ant-Man and the Wasp: Quantumania,” but, as it turns out, it might’ve been a one-and-done situation — at least for that variant. Then again, Marvel fans have come to know the “no body, no certainty” rule at this point, so it’s hard not to wonder if he’s actually gone.

Naman Ramachandran Disney’s “Ant-Man And The Wasp: Quantumania” debuted in pole position at the U.K. and Ireland box office with £8.8 million ($10.6 million), according to numbers released by Comscore. In its third weekend, Universal’s “Puss In Boots: The Last Wish” collected £3.1 million in second place for a total of £17.1 million. In third place, Warner Bros.’ “Magic Mike’s Last Dance” earned £888,435 in its second weekend for a total of £3.8 million. Disney blockbuster“Avatar: The Way Of Water” continued to chart with £531,213 in its 10th weekend in fourth place for a mighty total of £75.5 million.

Patrick Frater Asia Bureau Chief “Ant-Man and the Wasp: Quantumania” topped the box office chart in mainland China on its opening weekend, with a $19.4 million start. But the much-discussed arrival of the Marvel movie was weak compared its franchise predecessor. And its debut was not enough to reignite the China box office market. The film arrived in a fashion that was adequately signalled for marketing purposes. And it opened on a date that was coordinated with the North American and other international debuts. In the context of the Chinese market, the film also had the advantage of landing at a time when the big, Chinese-made, Lunar New Year titles were losing their power.

“Ant-Man and The Wasp: Quantumania” is already getting fans buzzing at the box office.

Rebecca Rubin Film and Media Reporter Disney’s “Ant-Man and the Wasp: Quantumania” buzzed to $110 million at the domestic box office, beating expectations and scoring by far the biggest opening weekend in the pint-sized Marvel trilogy. The superhero adventure, starring Paul Rudd and Evangeline Lilly as the titular Ant-Man and the Wasp, is expected to bring in $118 million or $120 million from 4,345 North American theaters by President’s Day on Monday. It’s the first $100 million domestic debut of 2023. The film added $121 million at the international box office, bringing its global tally to $225 million. “’Ant-Man’ is the first new Hollywood blockbuster out of the gate in 2023,” says Imax’s CEO Rich Gelfond, noting that $24 million came from the company’s premium-format screens.

Despite receiving some of the worst reviews of any Marvel Studios film, “Ant-Man and the Wasp: Quantumania” has become just the third film to earn a $100 million-plus opening in February with estimates projecting a $104 million 3-day launch from 4,345 theaters. That total is 37% higher than the $75.8 million opening earned by the last “Ant-Man and the Wasp” in July 2018 and is the ninth $100 million-plus opening since theaters reopened in spring 2021.

“Ant-Man and the Wasp: Quantumania” kicks off a new era of Marvel Cinematic Universe storytelling while also serving as a proper new “Ant-Man” movie, but you may be wondering – is this one streaming right away or is it only in theaters? And how many other Marvel movies do you need to see before watching “Ant-Man 3?” And where are those streaming? All your questions answered below.“Ant-Man and the Wasp: Quantumania” was released exclusively in theaters on Feb. 17, so right now the only way to see it is in movie theaters.

Marvel Universe is expanding!With “Ant-Man and the Wasp: Quantumania,” the interlocking series of superhero movies enters Phase 5, a new era of potentially confusing continuity and even more material that you’ll have to consume to appreciate the full story. But if you don’t have all the time in the world to revisit every Marvel Studios superhero entry since the movies began, in earnest, in 2008, what can you skim to get you ready for “Ant-Man and the Wasp: Quantumania?”Consider this the Cliff’s Notes version of MCU history that you can cram in the days leading up to “Ant-Man and the Wasp: Quantumania,” an adventure that sees Ant-Man (once again played by Paul Rudd) and the Wasp (Evangeline Lilly) get sucked into the Quantum Realm – a pocket universe where the Wasp’s mother (Michelle Pfeiffer) was trapped for decades.

The stars of Ant-Man and the Wasp: Quantumania are taking over London!

It’s a wonder that Ant-Man and the Wasp: Quantumania (★★★☆☆) should work as well as it does, or feel half as transporting as it does, when, by the looks of it, the actors were planted inside a studio for the majority of the action, and it shows. For the size-shifting superhero’s third solo MCU outing, director Peyton Reed — also at the helm for Ant-Man and Ant-Man and the Wasp — filmed much of this journey to the sub-atomic fantasia known as the Quantum Realm using technology that surrounds the actors in an immersive digital environment. Rather than emoting towards blank green and blue screens, Paul Rudd, as thief-turned-Avenger Ant-Man a.k.a. Scott Lang, can gaze across a virtual Quantum Realm and perform face-to-face opposite whatever outlandish creatures the filmmakers might imagine.

Even the charms of Hugh Jackman were not enough to convince Evangeline Lilly to become an X-Man (or woman, as the case may be). Doing the promotional rounds for her new film, Ant-Man and the Wasp: Quantumania, Lilly revealed that she once turned down Jackman’s pitch to have her join an X-men film.