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Mister Smith Boards New Zealand Horror Film ‘Grafted’ by Debut Director Sasha Rainbow (EXCLUSIVE) - variety.com - Australia - New Zealand - China - India
variety.com
11.04.2023 / 14:03

Mister Smith Boards New Zealand Horror Film ‘Grafted’ by Debut Director Sasha Rainbow (EXCLUSIVE)

Patrick Frater Asia Bureau Chief U.K.-based sales agent Mister Smith Entertainment has picked up international rights to “Grafted,” a New Zealand-set horror film which marks the feature directing debut of Sasha Rainbow. The film is now in production. Mister Smith will launch sales next month in Cannes. The film tells story of a Chinese student who travels to New Zealand to complete the scientific work of her deceased father only to find a new way of achieving popularity, one body at a time.

‘Stonewalling’ and ‘Totem’ Share Hong Kong Festival’s Firebird Awards - variety.com - China - Centre - Berlin - Hong Kong - Taiwan - city Hong Kong
variety.com
11.04.2023 / 03:47

‘Stonewalling’ and ‘Totem’ Share Hong Kong Festival’s Firebird Awards

Patrick Frater Asia Bureau Chief Huang Ji and Otsuka Ryuji’s “Stonewalling” won the Chinese-language section of the Hong Kong International Film Festival’s Firebird Young Cinema competition. Lila Aviles’s “Totem” won the equivalent Firebird Award for international films. The festival began on March 30 and concluded on Sunday evening with a world premier screening of “Vital Sign” at the Hong Kong Cultural Centre’s Grand Theatre. The screening was accompanied by cast and crew including Louis Koo, director Cheuk Wan-chi, producer Jacqueline Liu and performers Neo Yao, Angela Yuen, Ng Wing-sze, Tony Wu and So Yuet-yin. In total, “Stonewalling” picked up three awards. In addition to the best film prize, it also collected the best actress prize for leads Huang Xiaoxiong and Yao Honggui and the FIPRESCI Award. The tale of an unwanted pregnancy, the film premiered at Venice and Toronto last year. The HKIFF jury said it “[reminds] us of the confusion, difficulty and suffering women face nowadays and the inescapable responsibilities they have to shoulder.  It inspires the audience to reflect on this important issue in modern society.  It is an invaluable film replete with empathy.”

China Box Office: Jackie Chan’s ‘Ride On’ Leads Weekend, Ahead of ‘Super Mario Bros’ in Fourth Place - variety.com - China - Japan
variety.com
10.04.2023 / 04:47

China Box Office: Jackie Chan’s ‘Ride On’ Leads Weekend, Ahead of ‘Super Mario Bros’ in Fourth Place

Patrick Frater Asia Bureau Chief The Jackie Chan-starring stunt-man comedy drama “Ride On” pratfalled its way to first place at the mainland Chinese box office with a lowball $11.7 million opening. Still, that was enough to beat another new release, “The Super Mario Bros. Movie,” which ranked fourth over the latest weekend. Chan is an enduring, but fading, star in China and in the past his new release titles were often scheduled for the three biggest holiday seasons. “Ride On,” which sees Chan in an ode to the stunt players he has worked with, was released two days after the Ching Ming (Wednesday 5 April) holiday, when many folks honor their ancestors. Its opening three days were enough to depose “Suzume” from the top spot, where “Suzume” had ranked for the previous two weekends. “Suzume” earned $8.0 million over the latest weekend in China, according to data from consultancy firm Artisan Gateway. That gives it a $103 million cumulative after 17 days in mainland theaters, a China record for a Japanese animation film.

Lu Chuan’s Olympic Documentary Set to Open Beijing Film Festival - variety.com - China - Thailand - city Buenos Aires - city Shanghai - city Beijing
variety.com
05.04.2023 / 05:05

Lu Chuan’s Olympic Documentary Set to Open Beijing Film Festival

Patrick Frater Asia Bureau Chief “Beijing 2022,” the official documentary about the 2022 Winter Olympic Games, has been set as the opening film of the revived Beijing International Film Festival. It is directed by noted narrative and documentary film maker Lu Chuan (“Kekexili,” “City of Life and Death” and Disney’s “Born in China”) and will have its world premiere at the festival. The festival will run April 22-29 and be based in the Huairou district which has become an out of town hub for the film industry, as well as other venues in the Chinese capital. For the past three editions the BJIFF has been held online due to disruptions caused by China’s strict anti-COVID measures.

Shanghai Film Festival Sets Dates for Return to In-Person 25th Edition - variety.com - China - city Shanghai
variety.com
04.04.2023 / 05:49

Shanghai Film Festival Sets Dates for Return to In-Person 25th Edition

Patrick Frater Asia Bureau Chief The Shanghai International Film Festival has unveiled plans for its return to an in-person event that will mark its 25th edition and its 30th anniversary. The festival was canceled last year, due to the severe restrictions imposed on the city in reaction to a Spring flare-up in the COVID outbreak. The 2023 edition will run June 9-18, 2023, organizers confirmed on Tuesday. They said it would, “open a two-way journey between Chinese films and world films.” The Jinjue (Golden Goblet) Awards competition will this year operate across five categories: main feature film competition, Asian newcomers, documentaries, animation and short films.

China Box Office: ‘Dungeons & Dragons’ Opens in Fourth Place as ‘Suzume’ Reigns - variety.com - China - Japan
variety.com
03.04.2023 / 04:03

China Box Office: ‘Dungeons & Dragons’ Opens in Fourth Place as ‘Suzume’ Reigns

Patrick Frater Asia Bureau Chief “Dungeons & Dragons: Honor Among Thieves” opened in fourth place at the mainland China box office with a muted $5 million haul. Top honors belonged to Japanese animation film “Suzume” for the second weekend. “Suzume” incurred a 55% week-on-week drop, falling from $49.6 million in its opening weekend, to $22.1 million in is second, according to data from consultancy Artisan Gateway. After ten days in Chinese theaters, “Suzume” now has a cumulative total of $80.6 million. Nevertheless, its lead at the top of the box office chart was unassailable. The weekend’s best-placed new release title was “Hachiko,” a Chinese retelling of the Japanese tale of a dog which faithfully waited at a station for its master years after his death. (The story was previously given a U.S. version with Richard Gere in the lead human role.) It earned $8.9 million (RMB61.2 million) in its opening weekend.

Cardi B and Family Join Voice Cast of ‘Baby Shark’ Animated Movie - variety.com - China - USA - city Seoul
variety.com
31.03.2023 / 08:47

Cardi B and Family Join Voice Cast of ‘Baby Shark’ Animated Movie

Patrick Frater Asia Bureau Chief American rap musician Cardi B has joined the voice cast of upcoming animation film “Baby Shark’s Big Movie!” The film is the first feature-length spin-off from “Baby Shark’s Big Show!,” a pre-school series which began in 2021 on Nickelodeon-branded channels and platforms and is now in its second season. The show is co-produced by Nickelodeon Animation and Seoul, Korea-based The Pinkfong Company and directed by Alan Foreman (“The Casagrandes,” “Welcome to the Wayne”). Its narrative follows Baby Shark and his family as they move to Chomp City, the big city of sharks.

China’s ‘Bad Kids’ Series Set for Film Remake in Japan – Global Bulletin - variety.com - China - city Seoul - Japan
variety.com
29.03.2023 / 12:35

China’s ‘Bad Kids’ Series Set for Film Remake in Japan – Global Bulletin

Patrick Frater Asia Bureau Chief “The Bad Kids,” a hit series from Chinese streamer iQiyi, is to be remade as a Japanese feature film “Gold Boy.” The 12-episode gritty crime thriller depicts the troubles that arise after three children accidentally film a murder. The series was previously licensed to Japanese pay-TV group Wowow.

China’s Alibaba Unveils Corporate Restructuring - variety.com - New York - China - Hong Kong - city Hong Kong
variety.com
28.03.2023 / 12:57

China’s Alibaba Unveils Corporate Restructuring

Patrick Frater Asia Bureau Chief Alibaba, the Chinese e-commerce and media group, unveiled a top to bottom corporate restructuring that it says is intended to “unlock shareholder value and foster market competitiveness.”  The group, which has a current market capitalization of $228 billion, will split itself into six divisions of differing sizes. Each unit will have a CEO and a board of directors and can pursue independent fund-raising or even IPOs, when they are ready. At present Alibaba has its shares and ADR shares listed in Hong Kong and New York. Some parts of its media business also have their own Hong Kong share listing Alibaba Pictures. (And there is a healthcare business with yet another share quote.)

China Box Office: ‘Suzume’ Japanese Animation Debuts With $50 Million, Year’s Biggest Non-Holiday Opening - variety.com - China - South Korea - Japan - Berlin
variety.com
27.03.2023 / 05:45

China Box Office: ‘Suzume’ Japanese Animation Debuts With $50 Million, Year’s Biggest Non-Holiday Opening

Patrick Frater Asia Bureau Chief Japanese animation film “Suzume” made just shy of $50 million on its opening weekend in mainland Chinese theaters. Data from consultancy Artisan Gateway, shows “Suzume” grabbing the top spot at the box office with $49.6 million (RMB342 million) between Friday and Sunday. That is the biggest opening score by any film this year outside of the Chinese New Year holiday week in late January. The next best is “Ant-Man and the Wasp: Quantumania” which opened with $19.4 million in mid-February. Directed by Shinkai Makoto, “Suzume” was a hit in Japan where it was released late last year and has remained on screens for a $105 million total. It played in February at the Berlin Film Festival, where it came away largely empty-handed, but has subsequently performed strongly in the Asian territories where it has released. (In South Korea, where it is now the second highest grossing film released in 2023, its third weekend is its strongest to date.)

Five Series Pitched at Series Mania as Taiwan Strengthens its Claim in Chinese-Language TV Production - variety.com - China - North Korea - Taiwan
variety.com
24.03.2023 / 15:21

Five Series Pitched at Series Mania as Taiwan Strengthens its Claim in Chinese-Language TV Production

Patrick Frater Asia Bureau Chief Taiwan has become a go-to destination for Chinese language series production over the past few years, as international streamers have taken the initiative and as the local content trend has become entrenched in Asia. While some of Taiwan’s advantage may have been handed to it as a result of regional political factors, the movement has led to greater interest in Taiwan stories, both historical and modern.Five Taiwan TV projects are being pitched at Series Mania, that are deemed to have international appeal according to Taiwan Creative Content Agency (TAICCA), a government-backed agency that has become noticeably proactive over roughly the same period.

‘Winnie the Pooh: Blood and Honey’ Mysteriously Pulled From Hong Kong Theaters Two Days Before Premiere - variety.com - China - Hong Kong - city Hong Kong - Macau
variety.com
21.03.2023 / 18:29

‘Winnie the Pooh: Blood and Honey’ Mysteriously Pulled From Hong Kong Theaters Two Days Before Premiere

Patrick Frater Asia Bureau Chief The theatrical release of low-budget slasher movie “Winnie the Pooh: Blood and Honey” in Hong Kong has been abruptly canceled just two days before its scheduled outing. No explanation has been offered, but suspicions that the film may have crossed one of Hong Kong’s increasingly complicated political red lines are certain to be raised. That is because the Winnie the Pooh character is unflatteringly perceived to have a physical resemblance to China’s president, Xi Jinping. Online search for Winnie the Pooh is heavily censored within mainland China and Winnie the Pooh products are not distributed. China did not permit the import and release of Disney’s 2018 Winnie the Pooh film “Christopher Robin.”

Tencent Music Grows Profits and Subscriptions, as Revenues Fall - variety.com - New York - China - USA - Hong Kong
variety.com
21.03.2023 / 15:03

Tencent Music Grows Profits and Subscriptions, as Revenues Fall

Patrick Frater Asia Bureau Chief Tencent Music Entertainment grew its 2022 profits by 21% to $533 million (RMB3.68 billion), helped by cost cutting and a growing subscription base. It achieved this despite a 9% decrease in revenues to $4.1 billion (RMB28.3 billion). The group, which is backed by Chinese tech and entertainment giant Tencent and has stock market listings on the New York Stock Exchange and in Hong Kong, is China’s largest digital music outfit and controls large equity stakes in Spotify and (in a consortium with Tencent) Universal Music Group. Tencent Music’s own operations divide loosely into two clusters: mass market music streaming, with paid-for and free tiers; and “social entertainment,” including karaoke and other derivative products.

Gina Noer’s Teen Sex Movie ‘Like & Share’ Wins Top Prize at Osaka Asian Film Festival - variety.com - China - Canada - Japan - Indonesia - Hong Kong - Taiwan
variety.com
20.03.2023 / 13:57

Gina Noer’s Teen Sex Movie ‘Like & Share’ Wins Top Prize at Osaka Asian Film Festival

Patrick Frater Asia Bureau Chief “Like & Share” from Indonesia’s Gina S. Noer was named the best picture and collected the Grand Prix on Sunday at the Osaka Asian Film Festival. “All of us on the jury were struck by the film’s clear and powerful message, which affirms young women’s sexual curiosity and desire while clearly saying no to sexual violence. The style of the film is also original. The sweet, poppy feeling that fascinates the audience in the first half of the film becomes darker as the story progresses, making us shudder. “Like & Share,” with its strong message and brilliant direction, is a film that needs to be seen now more than ever,” said the jury in a statement.

China Box Office: ‘Shazam!’ and ‘M3gan’ Open Weakly - variety.com - China
variety.com
20.03.2023 / 08:27

China Box Office: ‘Shazam!’ and ‘M3gan’ Open Weakly

Patrick Frater Asia Bureau Chief Hollywood’s new release titles fantasy action adventure “Shazam! Fury of the Gods” and horror thriller “M3gan” made only modest impressions on the box office in mainland China in their opening weekends. The box office chart was led by “Post-Truth,” a Chinese comedy which probes the impact of social media in a story about a wronged small-time businessman. It earned $18.8 million (RMB130 million) in its second weekend of release, according to data from consultancy Artisan Gateway. That was an increase of more than 10% on its opening frame. After ten days on release, “Post-Truth” has a cumulative of $51.2 million (RMB353 million).

FilMart Reveals Lower Participant Numbers, But Strong Buzz - variety.com - China - Hong Kong - city Hong Kong
variety.com
16.03.2023 / 16:25

FilMart Reveals Lower Participant Numbers, But Strong Buzz

Patrick Frater Asia Bureau Chief The Hong Kong Trade Development Council said Thursday that 7,300 executives from 41 countries had attended its FilMart and Entertainment Pulse events this week (March 13-16). “The revived physical marketplace was as vibrant and active as in the past,” organizers claimed. In 2019, the last year that FilMart was held as an in-person event, the TDC reported “close to 9,000 visitors from 52 countries and regions.” For 2023, it reported “over 700 exhibitors from 30 countries and regions,” including a record Mainland China exhibitor tally exceeding 330. Those numbers compared with 888 exhibitors from 35 countries and regions in 2019, including 264 exhibitors from China.

‘Fly Me to the Moon’ Wins Unprecedented Five Awards at the HAF Project Market - variety.com - China - Japan - Hong Kong - Taiwan - county Lawrence
variety.com
15.03.2023 / 14:41

‘Fly Me to the Moon’ Wins Unprecedented Five Awards at the HAF Project Market

Patrick Frater Asia Bureau Chief “Fly Me to the Moon,” a work-in-progress from Hong Kong, dominated the prizes presented at the Hong Kong – Asia Film Financing Forum project market. It collected five awards and was invited to continue its journey at Cannes in May. Directed by first-time feature maker Sasha Chuk and produced by the veteran Stanley Kwan, the film tells the tale of a pair of sisters moving from Hunan to Hong Kong in the 1990s. They are faced with an identity crisis, poverty and their father’s drug addiction. It entered the market with $640,000 of its intended $705,000 production budget in place, and more than filled the gap with the prizes announced on Wednesday.

John Chong on Making ‘Twilight of the Warriors: Walled In’ an Authentic Dive into Notorious Kowloon Walled City and Yet Emblematic of Hong Kong’s New Wave (EXCLUSIVE) - variety.com - Britain - China - Berlin - Hong Kong - city Hong Kong
variety.com
15.03.2023 / 02:35

John Chong on Making ‘Twilight of the Warriors: Walled In’ an Authentic Dive into Notorious Kowloon Walled City and Yet Emblematic of Hong Kong’s New Wave (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Kowloon Walled City — one of Hong Kong’s most famous landmarks, or infamous trouble spots, depending on your point of view — fell prey to the developers’ bulldozer 30 years ago. But it remains an icon of the territory’s gritty spirit and is being painstakingly re-created for action thriller feature “Twilight of the Warriors: Walled In.” The film is a beacon for how Hong Kong cinema is now evolving. Directed by hot-shot Soi Cheang, whose “Mad Fate” recently played in Berlin and is set for imminent local release, “Twilight” boasts leading stars Louis Koo, Sammo Hung and Richie Jen, plus emerging talents Philip Ng, Raymond Lau and Terrance Lau.

Imax China CEO Says China’s Cinema Revival Has a Long Way to Go - variety.com - China - California
variety.com
14.03.2023 / 19:17

Imax China CEO Says China’s Cinema Revival Has a Long Way to Go

Patrick Frater Asia Bureau Chief The recent reopening of the mainland Chinese box office, including a $1 billion Chinese New Year holiday season, has put a different complexion on the global theatrical industry. Few companies could be closer to that change in fortune than Imax China, a stock market-listed subsidiary of the Imax Corp. The company operates as both a supplier of screens, audio and projection equipment for premium cinemas and as a partner in making local Chinese films fit for exhibition in the giant format. During Chinese New Year, Imax was represented by “Avatar: The Way of Water” and four Chinese movies. Daniel Manwaring, CEO of Imax China, spoke to Variety in his first interview since taking on the top job in January.

‘Dragonfly Eyes’ Director Zhang Hanyi Dangles Deadly Project ‘The Walking Bird’ at HAF - variety.com - Australia - China - Argentina - Hong Kong - city Beijing
variety.com
14.03.2023 / 01:03

‘Dragonfly Eyes’ Director Zhang Hanyi Dangles Deadly Project ‘The Walking Bird’ at HAF

Patrick Frater Asia Bureau Chief Chinese director Zhang Hanyi takes an unexpected turn with his latest feature film effort, “The Walking Bird,” which makes its appearance as an in-development project at the Hong Kong – Asia Film Financing Forum (HAF), which takes place alongside the FilMart rights market.  His previous film, 2017’s “Dragonfly Eyes,” was one of the most unusual and stylish films of the year from anywhere in the world. It told a disturbing (fictional) narrative through extraordinary found-footage obtained from hundreds of real-world CCTV cameras, and won the FIPRESCI and Ecumenical Jury prizes at the Locarno Festival that year.

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