Alice Rohrwacher’s ‘La Chimera’ Sells Worldwide After Premiering Positively in Cannes

There’s an update in the shocking restraining order case Alice Evans and Ioan Gruffudd’s 13-year-old daughter filed against the actor’s girlfriend, Bianca Wallace. For those who don’t know, Ella

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Nick Vivarelli International Correspondent “Forest,” an Italian eco-themed animation film about deforestation, has scored some strong pre-sales for Rome-based True Colours at the Cannes Marché du film. The still-in-production 3-D animation feature – the protagonist of which is a young mushroom named Fey – has been picked up for roughly 20 territories by Top Film Distribution which will distribute “Forest” in Ukraine, CIS, the Baltics, and Eastern European countries including former Yugoslavia, Bulgaria, Poland, Czech and Slovak Republics, Romania, and Hungary.  Helmed by Luca Della Grotta and Francesco Dafano, the film is produced by Italy’s AI One, the same team that previously spawned 2020 similarly themed animation feature “Trash” that sold in more than 30 countries. 

Curzon CEO Philip Knatchbull today said that he plans to leave the company after 17 years in post. He will remain in the role until November when a new CEO is expected to be in place.

Italian filmmaker Alice Rohrwacher’s latest pic La Chimera has inked a series of international deals for The Match Factory following its well-received debut at last month’s Cannes Film Festival.

Sigourney Weaver will premiere on Aug. 4. The seven-part series is based on Holly Ringland’s same-name debut novel. According to the synopsis, “When Alice, aged 9, tragically loses her parents in a mysterious fire, she is taken to live with her grandmother June at Thornfield flower farm, where she learns that there are secrets within secrets about her and her family’s past. Alice finds solace in the native plants and flowers growing in her Australian backyard. She, too, begins to grow from her past, but soon must fight for her life against the man she loves.”

Ioan Gruffudd and Alice Evans’ eldest daughter has filed a restraining order against her own father and his girlfriend!

Alice Rohrwacher’s “La Chimera” flits between languages (English, Italian, French, German) as fluidly as it does mediums (35mm, Super16mm, and 16mm cinematography) and styles (jerkily sped up Chaplin-esque scenes, clinical CCTV footage, audacious 180-degree camera flips). Rohrwacher uses this mosaic of disparate approaches to hone in on other kinds of incongruous and unpredictable interplay: modern Italy and its ancient past, heartbreak and new love, and the real world and its spiritual mirror realm.

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The 76th Cannes Film Festival is wrapping up this evening with the main awards, including the Palme d’Or, to be handed out by Ruben Ostlund’s jury inside the Palais. Scroll down for the list of winners which is being updated as prizes are announced.

Italian filmmaker Alice Rohrwacher’s La Chimera absolutely charmed the Cannes Film Festival audience at its world premiere in competition this afternoon, receiving a 9-minute standing ovation inside the Palais’ Lumière theater. For those keeping score, that ties for the longest of this year’s event with Martin Scorsese’s Killers of the Flower Moon which played out of competition.

Guy Lodge Film Critic In “La Chimera,” the ancient past nestles mere inches below the surface of the present, eventually breaking above ground and disrupting, if not the space-time continuum, the more mundane order of things. The borders between life and death feel similarly frictious and permeable, as if we could merely visit one from the other, as easily as sleeping and waking. Arthur (Josh O’Connor), the wandering Brit at the center of Alice Rohrwacher’s marvelously supple and sinuous new film, is accustomed to such limbo states. So are admirers of Rohrwacher’s filmmaking, which, in this eccentric, romantic tale of competing grave-robbers in Central Italy, touches the transcendental without diving into the outright fabulism of 2018’s “Happy as Lazzaro.”

A Chimera is something one tries to achieve but alas, never manages to find. It is the heart and soul of a quest in life, in different ways, for the cast of characters in writer/director Alice Rohrwacher’s beautiful new film La Chimera premiering today as one of the last entries in competition at the 2023 Cannes Film Festival. It also happens to be one of the best.

In less than 10 years, Alice Rohrwacher has carved out a formidable reputation for herself, notably by gatecrashing the boys’ club that is traditionally the Cannes competition, and the fact that she did so in 2014 with only her second film, The Wonders, is further proof of a distinctive talent. One competition slot doesn’t guarantee another, yet Rohrwacher was back in 2018 with the follow-up, Happy as Lazzaro. Both films won prizes — Grand Prix and Best Screenplay, respectively — which means that expectations are high for the Oscar-nominated 41-year-old Italian, whose new film, La chimera, makes it three in a row.

Nick Vivarelli International Correspondent Italy’s RAI Cinema, which has four titles in this year’s Cannes selection, has closed a deal on Ron Howard’s next movie “Origin of Species,” a hot project at the Cannes market starring Daisy Edgar-Jones, Ana de Armas, Jude Law and Alicia Vikander. RAI Cinema chief Paolo Del Brocco said the company – which is the film arm of Italian state broadcaster RAI – has teamed up with Rome-based Lucisano Media Group to acquire Italian rights from CAA Media Finance on Howard’s survival thriller penned by Noah Pink (“Tetris”) about a a group of eclectics who turn their backs on civilization and head to the Galapagos. In Cannes, RAI Cinema also picked up Italian rights from Gaumont on family movie “Moon The Panda,” by French humans and animals adventures specialist Gilles de Maistre, known for “Mia and the White Lion”and “The Wolf and the Lion.” De Maistre’s latest, about the friendship between a boy and a panda, is set to shoot later this month in China’s Sichuan mountains.

Matt Donnelly Senior Film Writer The upper deck at France’s Hotel Du-Cap-Eden-Roc offers a stunning coastal view of nearby city Cannes, the kind that Jay Gatsby would covet to peep Daisy Buchanan. On Tuesday, at one of the hottest parties at this year’s Cannes Film Festival, that view belonged to Graydon Carter. Standing alone with a female companion, the creator of the digital publication Air Mail and iconic former editor of Vanity Fair observed not a long-lost love but a cliffside full of movie stars, auteur directors and Hollywood power players. Carter’s Air Mail co-hosted an evening celebrating the 100-year anniversary of Warner Bros. Pictures, the latter represented by Warner Bros. Discovery CEO David Zaslav and his top content lieutenants. Leonardo DiCaprio, Scarlett Johansson and Colin Jost, Robert De Niro, Martin Scorsese, Lily-Rose Depp, Sam Levinson, Jason Statham and Rosie Huntington-Whiteley, Rebel Wilson and more turned up to toast cinema and each other.

Spanish director Victor Erice, who was absent from the Cannes Film Festival premiere of his film Close Your Eyes, has posted an open letter criticizing festival Delegate General Thierry Frémaux over his handling of the selection of his film and explaining his decision not to attend.  

The stars are stepping out for the latest premiere at the 2023 Cannes Film Festival!

Neon has acquired North American rights to Justine Triet’s Cannes Competition feature Anatomy of a Fall.