Alice Rohrwacher’s Cannes Title ‘La Chimera’ Sells Out Internationally For The Match Factory

Bette Midler in, has died. He was 86.It was Midler who announced the tragic news on Friday night, tweeting, «The great and beloved Frederic Forrest has died. Thank you to all of his fans and friends for all their support these last few months.

The Match Factory has posted fresh deals of for veteran Italian director Marco Bellocchio’s Cannes 2023 Palme d’Or contender Kidnapped about the true story of the kidnapping of a young Jewish boy.

Challengers, a tennis drama starring Zendaya, Mike Faist and Josh O’Connor, has dropped.Luca Guadagnino (Call Me By Your Name, Bones And All) has directed the film, which arrives in US cinemas on September 15.It follows the drama on and off court between former tennis prodigy-turned-coach Tashi Duncan (Zendaya), her husband and failing tennis pro, Art (Faist) and fellow tennis player Patrick (O’Connor), who is Art’s former best friend and Tashi’s ex boyfriend.In the trailer, snippets of Tashi strategising for her husband’s professional redemption are shown, winding up with a match against Patrick. Flashbacks to Tashi, Art and Patrick engaging in a threesome of some description when they were younger are also shown.Meanwhile, in other related news, Zendaya is set to reprise her role as Chani in Dune: Part Two – and the official trailer was released last month.Zendaya, who plays the lead in HBO‘s Euphoria series, also joined the series’ soundtrack star Labrinth onstage at Coachella Festival 2023 in April, making her first live performance in more than eight years.The actress and musician released her self-titled debut album in 2013 ahead of a tour that wrapped in 2015.

Curzon CEO Philip Knatchbull today said that he plans to leave the company after 17 years in post. He will remain in the role until November when a new CEO is expected to be in place.

Clarkson’s Farm producer Expectation is adapting author Pope Lonergan’s memoir about a decade spent caring for the elderly for TV.

Nick Vivarelli International Correspondent Alice Rohrwacher’s “La Chimera,” in which “The Crown” star Josh O’Connor plays a British archeologist named Arthur who gets involved in an international network of stolen Etruscan artifacts during the 1980s, has sold worldwide after premiering positively in Cannes. The Match Factory has inked deals for the film in the U.K. and Ireland (Curzon); Australia and New Zealand (Palace Entertainement); Benelux (September Film); Germany (Piffl Medien); Hong Kong (Edko);  Spain (Elastica); South Korea (M&M International); China (Jetsen); Japan (Bitters End); Taiwan (Swallow Wings); Austria (Stadtkino); Baltics (A-One); Bulgaria (Art Fest); CIS (Mauris Film); Czech Republic & Slovakia (Aerofilms); Finland (B-Film); Denmark (Filmbazar); Former Yugoslavia (MCF): Greece (Cinobo); Hungary (Cirko); Middle East and North Africa (Moving Turtle); Poland (Aurora Films); Portugal (Midas); Romania (Independenta); Singapore (Anticipate Pictures); Thailand (Documentary Club); and Ukraine (Arthouse Traffic). 

EXCLUSIVE: Gaga Corp. and Goodfellas have revealed new sales on Hirokazu Kore-eda’s Cannes 2023 Palme d’Or contender Monster as the drama enjoys a strong theatrical kick-off at the Japanese box office.

Marvel Studios has released its first set pic for the upcoming instalment of its first Avengers film, “Captain America 4”.

Gigi Hadid wore the Emi Jay Big Effing Clip in Virgo with a green Miu Miu dress at the Cannes Film Festival in Cannes, France.Sydney Sweeney wore low rise straight jeans from Cotton On while arriving to the Hotel Martinez in France. Taylor Swift wore a Ralph Lauren Collection Welington Shoulder Bag in New York City.

Wim Wenders’ Tokyo-based Cannes Competition title Perfect Days has clocked a series of international deals for The Match Factory.

Alice Rohrwacher’s “La Chimera” flits between languages (English, Italian, French, German) as fluidly as it does mediums (35mm, Super16mm, and 16mm cinematography) and styles (jerkily sped up Chaplin-esque scenes, clinical CCTV footage, audacious 180-degree camera flips). Rohrwacher uses this mosaic of disparate approaches to hone in on other kinds of incongruous and unpredictable interplay: modern Italy and its ancient past, heartbreak and new love, and the real world and its spiritual mirror realm.

Italian filmmaker Alice Rohrwacher’s La Chimera absolutely charmed the Cannes Film Festival audience at its world premiere in competition this afternoon, receiving a 9-minute standing ovation inside the Palais’ Lumière theater. For those keeping score, that ties for the longest of this year’s event with Martin Scorsese’s Killers of the Flower Moon which played out of competition.

Guy Lodge Film Critic In “La Chimera,” the ancient past nestles mere inches below the surface of the present, eventually breaking above ground and disrupting, if not the space-time continuum, the more mundane order of things. The borders between life and death feel similarly frictious and permeable, as if we could merely visit one from the other, as easily as sleeping and waking. Arthur (Josh O’Connor), the wandering Brit at the center of Alice Rohrwacher’s marvelously supple and sinuous new film, is accustomed to such limbo states. So are admirers of Rohrwacher’s filmmaking, which, in this eccentric, romantic tale of competing grave-robbers in Central Italy, touches the transcendental without diving into the outright fabulism of 2018’s “Happy as Lazzaro.”

A Chimera is something one tries to achieve but alas, never manages to find. It is the heart and soul of a quest in life, in different ways, for the cast of characters in writer/director Alice Rohrwacher’s beautiful new film La Chimera premiering today as one of the last entries in competition at the 2023 Cannes Film Festival. It also happens to be one of the best.

In less than 10 years, Alice Rohrwacher has carved out a formidable reputation for herself, notably by gatecrashing the boys’ club that is traditionally the Cannes competition, and the fact that she did so in 2014 with only her second film, The Wonders, is further proof of a distinctive talent. One competition slot doesn’t guarantee another, yet Rohrwacher was back in 2018 with the follow-up, Happy as Lazzaro. Both films won prizes — Grand Prix and Best Screenplay, respectively — which means that expectations are high for the Oscar-nominated 41-year-old Italian, whose new film, La chimera, makes it three in a row.

Anthony Chen’s well-regarded Mainland China-set “The Breaking Ice” has found favor with multiple European and Asian buyers in the few days since its Sunday premiere as part of the Cannes Film Festival’s Un Certain Regard. The film narrates a love triangle story among China’s lost youth generation and is set in the middle of winter in Yanji, a town that is heavily populated by ethnic Koreans. It is headlined by a star-studded Chinese cast of Zhou Dongyu (“Better Days”), Liu Haoran (“Detective Chinatown” franchise) and Qu Chuxiao (“The Wandering Earth”). “The Breaking Ice” has been newly licensed to Challan for release in South Korea, Trigon-Film for Switzerland, One From the Heart for Greece, Tucker Film for Italy and Edko Films for Hong Kong.Rights sales are handled by Rediance, Mainland China’s leading indie sales company, which reports that addition territory deals are currently being negotiated.

Nick Vivarelli International Correspondent Italy’s RAI Cinema, which has four titles in this year’s Cannes selection, has closed a deal on Ron Howard’s next movie “Origin of Species,” a hot project at the Cannes market starring Daisy Edgar-Jones, Ana de Armas, Jude Law and Alicia Vikander. RAI Cinema chief Paolo Del Brocco said the company – which is the film arm of Italian state broadcaster RAI – has teamed up with Rome-based Lucisano Media Group to acquire Italian rights from CAA Media Finance on Howard’s survival thriller penned by Noah Pink (“Tetris”) about a a group of eclectics who turn their backs on civilization and head to the Galapagos. In Cannes, RAI Cinema also picked up Italian rights from Gaumont on family movie “Moon The Panda,” by French humans and animals adventures specialist Gilles de Maistre, known for “Mia and the White Lion”and “The Wolf and the Lion.” De Maistre’s latest, about the friendship between a boy and a panda, is set to shoot later this month in China’s Sichuan mountains.

EXCLUSIVE: Neon is nearing a deal for North American rights to Cannes competition entry Perfect Days from The Match Factory in a deal pegged in the mid-to-high six figures.

Julio Torres stars and directs “Problemista,” his debut film. The film has released its first trailer, depicting a surreal yet grounded take on an immigration story, with the many wrinkles and charms that are expected from a Torres-led project. What to watch: 7 movies and shows to stream this week - May 19Arnold Schwarzenegger drives a tank to Netflix HQ in new ad‘Los Espookys’ creators discuss the show’s unique Latin American perspectiveA post shared by Julio Torres~* (@spaceprincejulio)“Problemista” tells the story of Alejandro (Torres), a toy maker from El Salvador whose visa is running out.

Fresh off the debut of “Firebrand,” it appears that acclaimed filmmaker Karim Aïnouz has already lined up his next film, “Rosebushpruning.” And as you might expect, he’s already landed an incredible cast to lead the feature. According to The Match Factory and MUBI, Karim Aïnouz’s next film will be titled “Rosebushpruning,” and it will be a remake of the classic Italian film, “Fists in the Pocket.” Exact details about the plot are unknown, but if it follows ‘Fists,’ which was directed by Marco Bellocchio, the film will tell the story of a family dealing with various medical conditions and the effect it has on their relationships.